What's new
Pulsers, version by version
What changed since the first alpha, newest first.
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Improvements
1.0.9- AI agents page: its terms open on “Everything is yours”: your drafts, your photo and your agent's access
- Fix: a patch's printed sheet shows the cables hanging below the panel, as on screen, with the room they need at the bottom of the sheet: they were cut at the panel's edge
- Your data: audience measurement now keeps the browser's name and major version, to tell visitors from robots better; neither your IP address nor the browser's details are kept
- Fix: Claude Code can connect to Pulsers: its return address, on your machine, was refused at authorization
- New Behringer modules: the RS-9, a 10-track rhythm sequencer in 52 HP, and the BDS-3, a four-channel analog drum synthesizer in 70 HP, in the module library: they sit in a rack's 3U row and are cabled like any module; their synths are unchanged
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Improvements
1.0.8- New home page: your patches first, a full row of modules at scale, the library's current figures, and the two ways to bring a rack in from a photo, with your AI agent (free) or the Pulsers analysis (in credits); new typefaces, narrow Archivo for headings and IBM Plex Sans for text, in both themes; the footer invites you to connect your AI agent
- One page for AI agents: connecting yours (Claude, ChatGPT, Le Chat, Claude Code) in four steps, what to ask it, what is yours, free, and the Pulsers analysis for those without an agent; new My agent page, in the account menu: your connected agents, what they made and removing their access
- The AI agents guide tells a real case: a conversation with Claude Desktop replayed step by step, from a question about a wobble bass to the patch wired on its author's rack
- Your AI agent gives you the sheet to print for one of your patches: its link opens the patch with a "Print the sheet" button, in black lines with the settings marked in pink
- ACL Variable Sync VCO and Intellijel Atlantix: the positions of the FREQ switch (HIGH, MID, LOW) and of the Atlantix's 27 switches (VCA DRIVE SYM, OFF, ASYM, VCO B LFO or VCO, VCF HP, BP or LP...) are named, for the AI patch generator and AI agents
- New Behringer synth: the Pro-VS Mini, a hybrid vector synth with a 25-key touch keyboard: four sources mixed by the WAVEFORM MIX joystick, a 24 dB low-pass filter, its envelopes, two LFOs and a chorus, its 14 knobs, step keys and screen, ready for the AI patch generator.
- New Behringer synth: the Pro-800, an analogue 8-voice polyphonic in 80 HP played over MIDI: two oscillators per voice, a 24 dB/octave low-pass filter, its envelopes, the Poly-Mod, an LFO, its display on the manual mode P800, its 26 knobs, 15 switches, program buttons and its rear panel, ready for the AI patch generator.
- New Behringer synth: the JT-4000 Micro, a pocket hybrid synth with a touch keyboard, its preset chosen on its screen and kept in the patch, ready for the AI patch generator
- New Behringer synth: the Kobol Expander, the RSF Kobol's voice in 80 HP played over MIDI: two VCOs with morphing waveforms, a 24 dB/octave VCF, two ADS envelopes, an LFO, a noise generator and a voltage processor, its 23 knobs, 6 switches, 33 jacks and its rear panel, ready for the AI patch generator.
- New Behringer synth: the MonoPoly, a 4-voice analog polysynth with 37 keys: its four VCOs, their stepped waveforms and octaves, its filter and two envelopes, its switches, its lit key assign mode buttons (one lit at a time), HOLD and EFFECTS kept in the patch, its wheels, and on its rear its CV, TRIG, pedal, MIDI and USB sockets, traced on Behringer's drawing, ready for the AI patch generator.
- New Behringer synth: the JN-80, the Juno-60 remade as a 4-voice polysynth with 49 keys, its voice, oscillator and chorus settings kept in the patch, ready for the AI patch generator
- New Behringer synth: the K-2 MKII, an 80 HP semi-modular after the MS-20: its two VCOs, its high-pass and low-pass filters, its two envelopes and modulation generator, its patch bay over the printed lines, its external signal processor, and on its back the four MIDI CHANNEL switches.
- New Behringer drum machine: the LM Drum, a hybrid 8/12-bit sampling drum machine: its sixteen pads and transport keys, its mixer and pan faders, its tuning knobs, wave designer and analog filter, its screen showing the sample bank, and on its back the sixteen voice outputs, the trigger outputs, sync and MIDI.
- Fix: on a table, two sockets already joined no longer take a second identical lead, and a MIDI socket takes one plug, as in real life; jack sockets still take stacked plugs
- Fix: the card images of Arturia's MiniBrute 2 and MiniBrute 2S show their whole face again, their edges no longer cropped.
- Cabling: the GATE/TRIG input of Instruō's cèis gets its signal type, gate, like the other GATE/TRIG inputs.
- Cabling: 6 jacks on 3 Michigan Synth Works modules get their signal type, read in their description: the 2hp2cv's CV and gate outputs, the Microtest's CV output and the Chronovore's ACCENT output as a gate.
- Cabling: 27 jacks on 5 retired Eowave modules get their signal type, read on Eowave's LEGACY pages: the modulation inputs of the Fluctuations M, the Germania MK1, the Magnétosphère, the Orage MK1 and the Space Bug M as CV, the inputs and outputs of the Fluctuations M and the Germania MK1 as audio, the Orage MK1's SYNC as audio; its CT1, not described, stays untyped.
- Tables: in Cable mode, each machine shows its picture from afar and takes its real panel as you come close; a big table opens and scrolls much faster, and its cables can be taken as soon as it opens.
- New Arturia sequencer: the BeatStep Pro, two step sequencers and a drum sequencer: its 20 encoders, its 16 steps and 16 pads, its raised buttons, its tempo, project and pattern displays kept in the patch, and on its rear its pitch, velocity and gate outputs, its 8 drum gates, its clock and its MIDI ready to cable, traced on Arturia's drawing.
- Fix: an AI agent connected to Pulsers can create your racks and patches, not only read the catalogue (connect it again once to give it that access)
- New guide to connect your AI agent to Pulsers (Claude, ChatGPT, Le Chat, Claude Code): the address to copy, the three steps for each, and what to ask it
- New Behringer synth: the Grind, the Crave with the Brains' 24-model oscillator, its model chosen with a click on its LEDs and kept in the patch, ready for the AI patch generator
- New Arturia synth: the PolyBrute, a 6-voice analog polysynth with 61 keys: its face and modulation matrix, its Morphée, its aluminium wheels, its LEDs keeping the polyphony, the waveforms, the filter routing and the effects, its blue program display and the screen of its name, ready for the AI patch generator.
- New on a table: the Kenton Pro Solo mk3, a desktop MIDI to CV converter, after Kenton's photographs and its manual: its MIDI IN and THRU take MIDI cables, its CV, GATE and three AUX outputs feed your synths, with its display and its three buttons.
- New Behringer synths: the DeepMind 12XD, the DeepMind 12 as a desktop synth, and the DeepMind 6, 6 voices and 37 keys, ready for the AI patch generator
- New Behringer synth: the Edge, a semi-modular analog percussion synth with an 8-step sequencer and a 25-jack patch bay, ready for the AI patch generator
- Behringer: the DeepMind 12 redrawn from the 12XD's sharper view (faders, encoder, VOLUME and PORTAMENTO, screen)
- Fix: the SEQUENCE MODE of Behringer's BQ-10 starts on its mode and steps from detent to detent, like the other selectors
- New Behringer synth: the DeepMind 12, a 12-voice analog polysynth with 49 keys, its screen showing the program's bank and number, ready for the AI patch generator.
- New Behringer synth: the Cat, a duophonic analog synthesizer in 70 HP, two oscillators, a filter, two transient generators and a VCA, ready for the AI patch generator.
- New Behringer sequencer: the BQ-10, a three-channel analog step sequencer of eight steps in 80 HP, with its two trigger processors, its Hz/V and oct/V converters and its adding amp, drawn from Behringer's view.
- New Behringer drum machine: the BDS-3, four analog drum voices in 70 HP triggered over MIDI or by microphone, with their LFO and RUN effect, ready for the AI patch generator.
- New Behringer synth: the 2-XM, two Synthesizer Expander Modules in 80 HP played over MIDI, each with two VCOs, a multimode VCF, two envelopes and an LFO, ready for the AI patch generator.
- New Behringer sequencer: the 1601 Sequencer, the 2600's sequencer in 80 HP, one sequence of sixteen steps or two of eight, its three gate buses and its two quantizers, drawn from Behringer's view.
- New Behringer modules: ten 2500 series modules, the 1003 and 1033 envelopes, the 1004 oscillator, the 1005 Modamp, the 1006 Filtamp, the 1016 noise and random voltages, the 1027 sequencer, the 1036 sample and hold, the 1047 multimode filter and the 1050 mix-sequencer, traced on Behringer's views.
- New Behringer sequencer: the RS-9, the RD-9's sequencer in 52 HP, its ten tracks and their TRIG and ACC outputs, CV, SYNC, RESET and MIDI patchable, its LEVEL knob kept in the patch, its pads, lit keys and display, drawn from Behringer's view.
- New Behringer effect: the Spring Reverberation 646, a spring reverb in its desktop case with wooden cheeks, its microphone (balanced and unbalanced) and auxiliary (500 mV and 10 mV) inputs, its output and footswitch socket patchable, its three knobs REVERBERATE, AUX. CHANNEL and MIC. CHANNEL, its POWER switch and its faceted amber lamps, drawn from Behringer's view.
- New discontinued Eowave module: the Fluctuations Magnétiques, a 22 HP quad multimode filter, traced on the maker's photograph: its four filters A to D with their ion and reson knobs, their low-pass, band-pass or high-pass switches, SYNC, A>B and C>D, its inputs, modulation inputs and outputs.
- New discontinued Eowave module: the first Magnétosphère, a 10 HP discrete 24 dB low-pass filter on a silver panel, its large ionisation dial numbered 1 to 10, its réson, entrée and mod2 knobs and its five jacks (the large Eowave dial takes the 1-to-10 scale).
- New discontinued Eowave module: the Orage MK1, a 10 HP triangle-core VCO on a silver panel, its KP dial from 1 to 10, its four crenellated-skirt knobs and its eleven jacks, its five waveform outputs among them (the Eowave chromed knob takes a large crenellated skirt).
- New discontinued Eowave module: the Germania 241 MK1, a 5 HP germanium VCA on a silver panel, its signal, gain and mod2 knobs and its four jacks.
- New discontinued Eowave module: the Rayonnement, a 5 HP ADSR generator on a silver panel, its attaque, chute, sustain and relâche knobs, its red lamp, its BOUCLE switch and its three jacks.
- New discontinued Eowave module: the Space Bug M, a 10 HP delay kit, its translucent blue circuit-board panel drawn from the kit guide's plan, its time, regen, mix, input and mod 1 knobs and its four jacks.
- New discontinued Doepfer module: the A-126 VC Frequency Shifter, Doepfer's first frequency shifter in 8 HP: Level, Shift, CV and Mix knobs, Overload LED, Audio In and CV1 inputs, Audio Out, Up, Down and Mix outputs.
- New synth: the Erica Synths Bullfrog, a semi-modular analogue desktop synth: its sine and pulse VCO with shaping, its noise and three-input mixer, its resonant 24 dB low pass filter, its VCA and delay, its two AR envelope generators that loop as LFOs, its sample and hold, its divider, its MANUAL GATE key, its voice card slot and its 36 jacks; on its rear, the GATE IN and CV IN inputs, the PHONES and AUDIO outputs and MIDI IN; the AI generator can patch it.
- New synth: the Bastl Kastle 2 Wave Bard, a pocket sampler with a patch bay: its seven knobs, SHIFT and BANK, its power switch, its pattern generator, LFO and envelope, and its bay of 28 points on female headers, patched with jumper cables (a row of three joined holes takes up to three cables, one a hole); on its rear, its SYNC and AUDIO jacks and its USB-C MIDI; the AI generator can patch it.
- New synth: the Bastl Kastle 2 Alchemist, a pocket synth voice in the Wave Bard's case and patch bay: its seven knobs, SHIFT and MODE, its power switch, its pattern generator, LFO and envelope, and its bay of 28 points on female headers for jumper cables; its synth mode (Filter, FM, Supersaw, Hypersine, Glitchnoise) kept in its internal settings; on its rear, its SYNC and AUDIO jacks and its USB-C MIDI; the AI generator can patch it.
- New synth: the Bastl Kastle v1.5, a pocket modular synth on one board: its complex oscillator (PITCH, TIMBRE, WAVESHAPE and three synthesis modes chosen by MODE), its triangle and pulse LFO, its STEPPED generator, its I/O ports and its 16 patch points on female headers (rows of three, pairs and single holes); on its rear, its I/O and OUT jacks; the AI generator can patch it.
- New synth: the Bastl Kastle ARP, a pocket modular melody generator: its quantised sine oscillator (NOTE, TIMBRE, DECAY and three chords chosen by CHORD), its BASS output, its triangle and pulse LFO, its PATTERN generator, its I/O ports and its 16 patch points on female headers; on its rear, its side drawn from a photograph, its I/O and OUT jacks; the AI generator can patch it.
- New synth: the Bastl Kastle Synth, the first Kastle (2016), in frosted white acrylic: its complex oscillator (PITCH, TIMBRE, WAVESHAPE and three synthesis modes chosen by MODE), its triangle and pulse LFO, its STEPPED generator, its I/O ports and its 16 patch points on female headers; on its rear, its I/O and OUT jacks; the AI generator can patch it.
- New synth: Bastl's MG Monolith, a granular sampler in a metal case: its six big buttons each playing a sample, its four sound knobs on two pages (SAMPLE RATE, CRUSH, ATTACK, RELEASE / GRAIN SIZE, SHIFT SPEED, START, END), INPUT and OUTPUT, its display; each sound, the preset and the page are noted in its internal settings; on its rear, its MIDI IN, its input and output jacks; the AI generator can set it.
- New synth: Bastl's bitRanger (Casper Electronics), a patchable analog logic computer: its three oscillators LFO, VCO and HFO, its 12 DIVIDER BITS, its MUX1 and MUX2 multiplexers and their ADVENTURE BITS, its BYTE section, its XOR gate, its 121 patch holes on headers, its speaker; on its sides its CLK IN, CLK OUT, CONN1 / VCO CV IN and CONN2 / BYTE CV OUT jacks; the AI generator can patch it.
- Your AI agent enters your racks and patches: give the photo to your assistant (Claude, for instance) connected to Pulsers, it makes the rack or the patch as a private draft, once you authorize it. How-to on the AI agents page, authorized agents and taking their access away in My account.
- New Happy Nerding module: the 4xMUTE, four clickless mutes in 4 HP: buttons lit green while the signal passes and red while it is muted (kept in the patch), the lower inputs normalled to the upper ones, in silver and black.
- New brand Touellskouarn and its Kala Goañv module, a hand-wired 8 HP inductor based effect: a big vintage CUTOFF knob, resonance, input and output levels, a CV input, on an aluminium panel printed in red.
- New Happy Nerding module: the Dual xFade, a 4 HP dual voltage controlled crossfader: manual A-B crossfade and CV attenuverter on dual concentric knobs, their CV lamps, A, B and CV inputs and an output per section, and the control link switch, in black and silver.
- New Happy Nerding module: the ADSR, a 4 HP envelope generator: Attack, Decay, Sustain and Release knobs, a fast/slow switch, a manual trigger button, gate input and output, in silver and black.
- New Happy Nerding module: the TriTone, a 6 HP three section EQ and saturator: Hi Shelf, Band Pass and Low Shelf on dual concentric knobs (frequency inside, gain outside), a frequency CV input per section, their inputs and outputs, and the switches chaining them, in black and silver.
- New Happy Nerding module: the Super Sawtor, a 4 HP analog supersaw generator (Euro panel): Spread, CV and Mix knobs, its CV lamps, CV input, input and output, and the input level trimmer, in silver and black.
- New Happy Nerding module: the PanMix Jr, a 6 HP three channel stereo mixer: pan and volume for each channel on dual concentric knobs, its blue L and R lamps, each channel's L and R outputs, channels 1 and 2 switched into the next, in black and silver.
- New Happy Nerding module: the PanMix, a 16 HP six channel stereo mixer: pan and volume for each channel on dual concentric knobs, a bipolar CV knob per channel and its switch to the amplitude or the panning, total L+R volume, headphones output, L and R outputs and 10 rectangular lamp meters, in black and silver.
- New Happy Nerding module: the Isolator, a 4 HP galvanically isolated stereo output: L and R inputs (the left one to both outputs when nothing is plugged into the right one), L and R balanced outputs and a headphones output on 6.35 mm jacks, Level and Phones knobs, in silver and black.
- New Happy Nerding module: the HN VCF, a 6 HP state variable filter: 12 dB low pass, 12 dB high pass, 6 dB band pass and 18 dB LP! outputs with extra drive, frequency, resonance and drive on dual concentric knobs (the cap sets, the skirt doses the bipolar CV, each kept in the patch) with their lamps, FM, 1V/O, resonance and drive CV inputs, in silver.
- New Happy Nerding module: the FX AID Pro, a 14 HP stereo multi-effects: its OLED shows the effect chosen among the factory bank's 200 (its number, name and three parameters, each with its index line following its knob), a click opens the list of effects; three parameter knobs and their CV inputs, input level, program encoder, Dry/Wet, SRR and D/W CV inputs, L and R inputs and outputs, in black and silver.
- New Happy Nerding module: the FX AID, a 4 HP stereo multi-effects: 32 effects in 4 banks of 8, three effect controls and a Dry/Wet with its CV input, an assignable CV input, L and R inputs and outputs, program buttons and their green lamps, in silver and black.
- New Happy Nerding module: the FM AID, a 4 HP through-zero linear FM: FM and CV knobs, CV, MOD and CAR inputs (the Carrier normalled to the Modulator), square, sine, sawtooth and triangle outputs, and the Carrier level trimmer, in black printed in gold and silver.
- New Happy Nerding module: the 6xMIX, a 6 HP six-channel audio mixer: three groups of two channels on dual concentric knobs (A on the cap, B on the skirt), each with its output and lamp, and switches to mix each group into the next, in silver and black.
- New Happy Nerding module: the 4x St. Mixer, a 4 HP quad stereo mixer: four stereo inputs on two dual knobs, the right inputs normalled to the left ones, a stereo mix output and its two lamps, in silver and black.
- New Happy Nerding module: the 3xVCA, three linear VCAs in 6 HP: each with its input, CV input and output, dual knobs for the level and the CV's attenuation, switches to mix each VCA into the next one's output and two-coloured LEDs, in silver and black.
- New Happy Nerding module: the 2xSAM, a 4 HP dual stereo attenuator-mixer: two stereo channels each on one knob, their L and R outputs and a stereo mix output, the right inputs normalled to the left ones, in silver and black.
- New Happy Nerding module: the FX AID XL, a 6 HP stereo multi-effects: 32 effects in 4 banks of 8, three effect controls and a Dry/Wet each with its CV input, an SRR input, L and R inputs and outputs, program buttons and their lamps, in silver and black.
- New maker, Happy Nerding, and its 3xMIA: a 6 HP six-channel attenuverting mixer, three blocks of two channels on dual concentric knobs (A on the cap, B on the skirt, each kept in the patch), a switch to mix each block into the next, its lamps and its nine jacks, in black and silver.
- New SOMA module: the Breakout Box, FLUX's CV / MIDI interface and a MIDI to CV converter in 6 HP, stood upright as SOMA stands it: eleven CV outputs (upper and lower X, Y and Z, TILT, VEL and CV for voices I and II), the XYZ button whose mode the patch keeps (6 poles or XYZ with FLUX, MPE with a computer) and its XYZ LED, the power and USB LEDs, the USB-C socket, MIDI OUT and IN on DIN-5, and its channels and CC numbers in the internal settings.
- New Intellijel module (discontinued): the µStep, the dual 8-step gate sequencer in 4 HP: eight step buttons whose state the patch keeps (off, A with its red LED, B with its green LED, or both), CLK and RST inputs, OUT A and OUT B outputs, and its menu settings (lengths, swing, modes, clock divider) in the internal settings.
- New Intellijel module (discontinued): the Boombox, the 20 HP speaker module: an amplified speaker behind its grille, a LEVEL control and a CLIP lamp, an IN input passed on to a THRU output.
- New Intellijel module (discontinued): the Azimuth II, the 10 HP four-VCA stereo crossfader, panner and width: XFADE / PAN with its CV attenuator and L→R or R→L direction, WIDTH, VCA L BIAS and VCA R BIAS with their attenuators, two lamps, LEFT and RIGHT inputs (LEFT normalled to RIGHT) and outputs.
- New Intellijel module (discontinued): the Dr. Octature II, David Dixon's 14 HP octature filter: 1-pole to 4-pole low-pass with eight outputs in phases of 45° to 360° with their lamps, Q, CUTOFF, FINE, FM1, FM2, input level with a CLIP lamp, QUAD / MONO and VCO / LFO switches, IN, 1V/OCT, Q, FM1 and FM2 inputs.
- New Intellijel module (discontinued): the µMod II, the 6 HP ring modulator and analog logic module: QUADRANT, X and Y attenuators, X +/- and Y +/- rectifying switches, RING, SUM, DIFF, MIN and MAX outputs with their lamp pairs.
- New Intellijel module (discontinued): the Korgasmatron II Expander, the Korgasmatron II's 6 HP expander: for each filter an AUX IN input with its level and mode (AUX MODE, LP2 to BR1) and a Q CV input with its attenuator.
- New Intellijel module (discontinued): the Dubmix Aux Expander, the Dubmix's 22 HP expander: AUX B and AUX C sends for each of the four channels with their CV inputs and attenuators, AUX B MASTER and AUX C MASTER levels, CLIP lamps, stereo AUX B and AUX C returns.
- New Behringer module: the CU1A in 6 HP, a 2 in, 2 out USB audio interface with a headphone output, powered by USB, its MONITOR switch and its input and output levels kept in the patch, drawn from Behringer's views.
- Fix: the Wasp VCF's yellow knob is redrawn from Behringer's view, its collar of nine lobes, its smooth skirt and its line running past the cap.
- Fix: the small knobs of Behringer's modules are redrawn from Behringer's views: the smooth top's ring of 40 teeth (Halos, Steps, Swords, Waves), the knurled top's 18 teeth and arrow index (Abacus, Brains).
- Fix: the white index of Behringer's smooth knob (Abacus, Brains, Chaos, Space FX, Four Play) has the length and width of Behringer's views.
- Fix: the Vocoder VC16's three large knobs sit at the centre of their printed scales.
- Fix: the screws and jacks of 17 Behringer modules are centred on their places in Behringer's views.
- Fix: the large fluted knob of Behringer's modules (Halos, Skies, Swords, Waves, Surges, VC16) is redrawn from Behringer's views, its 36 notches, its rings and a long white index.
- Fix: the light USB-B socket of Behringer's modules (CM1A, Brains, PP1) is drawn from Behringer's views, its opening the right way up.
- New Behringer module: the Vocoder VC16 in 16 HP, a 16-band vocoder with six internal carriers, its carrier chosen with a click on its LEDs and its settings (mic or line level, MIDI channel, octave) kept in the patch, traced from Behringer's views.
- New Behringer module: the Victor in 14 HP, a vector oscillator of four oscillators morphed by a joystick, its preset, frequency range and X and Y modulation depths kept in the patch, traced from Behringer's views.
- New Behringer module: the Space FX in 14 HP, a stereo multi-effects module with 32 algorithms, its program chosen on its screen and its INPUT LEVEL switch kept in the patch, traced from Behringer's views.
- New Behringer module: the Radar in 6 HP, a contact microphone under a surface to tap and scratch, its gain, an envelope follower and a gate detector, its three slide switches kept in the patch, traced from Behringer's views.
- New Behringer module: the Chaos in 18 HP, a random sampler after Marbles, its triggers on a warped clock and its three random voltages, its state buttons and hidden settings (trigger duty, Y, scale) kept in the patch, traced from Behringer's views.
- Fix: a patch's print shows the internal settings that are numbers or text (the Brains', the fourMulator's) and those nothing has noted: the sheet no longer printed.
- New Behringer module: the Brains in 16 HP, an oscillator with 24 synthesis engines in three banks, from virtual analogue to drums, its model chosen with a click on its ten LEDs and its range and low-pass gate settings kept in the patch, traced from Behringer's views.
- Fix: in a rack's Patch mode, a refused cable (MIDI into an audio or CV jack, a clip pin, a bus) says why, as in the patch editor: it was refused without a word.
- New Behringer module: the Surges in 8 HP, a multi-mode filter, high, band and low pass at once, 12 or 24 dB, its SLOPE switch kept in the patch, traced from Behringer's views.
- New Behringer module: the Four Play in 12 HP, four VCAs with a curve from exponential to linear that turn into a mixer, their BOOST switches kept in the patch, traced from Behringer's views.
- New Behringer module: the Perfect Pitch PP1 in 10 HP, a pitch tracker turning a voice or an instrument into CV, gate and MIDI, its HI-Z, LOW CUT and BEND switches kept in the patch, traced from Behringer's views.
- New Behringer module: the Four LFO in 14 HP, four LFOs free, in quadrature, phased or divided, its TOGGLE button and mode LEDs kept in the patch, traced from Behringer's views.
- New Behringer module: the CM1A in 6 HP, a MIDI to CV and trigger converter, USB and MIDI, mono or duophonic, its four modes kept in the patch, traced from Behringer's views.
- New Behringer module: the Steps in 14 HP, six segments as ramps, glides or holds, chained into envelopes, sequences or LFOs, its lit buttons and sliders, traced from Behringer's views.
- New Behringer module: the Wasp VCF in 8 HP, the Wasp's multi-mode filter, its yellow knobs, traced from Behringer's views.
- New Behringer module: the Swords in 18 HP, a dual morphing filter with drive and wavefolding, routed single, parallel or in series, traced from Behringer's views.
- New Behringer module: the Waves in 14 HP, a function generator, envelope, LFO or oscillator, its three buttons in their colours, traced from Behringer's views.
- New Behringer module: the Skies in 18 HP, a granular processor with freeze and saved buffers, its four modes kept in the patch, traced from Behringer's views.
- New Behringer module: the Halos in 14 HP, a modal, sympathetic-string or Karplus-Strong resonator, its three-colour buttons and its blue patterned panel, traced from Behringer's views.
- New Behringer module: the Abacus in 20 HP, two rise and fall functions that cycle and two attenuverters, their sum, inversion and OR, traced from Behringer's views.
- New Behringer module: the Bode Frequency Shifter 1630 in 14 HP, Moog's frequency shifter, its large AMOUNT OF SHIFT knob, its linear or exponential SCALE selector and its A, B and MIX outputs, traced from Behringer's views.
- New Behringer module: the 2600-VCO, the ARP 2600's oscillator in 16 HP, four simultaneous waveforms, its frequency, pulse width and modulation faders, traced from Behringer's views.
- New Behringer module: the CP35 Attenuators of the Modular 55 and 35 in 21 HP, four passive attenuators with chained inputs, the -6 V and +6 V references and two multiples, traced from Behringer's views.
- New Behringer module: the CP3A-M Mixer of the Modular 55, 35 and 15 in 14 HP, four inputs with their levels, a master gain, positive and negative outputs and two multiples, traced from Behringer's views.
- New Behringer module: the CP3A-O Oscillator Controller of the Modular 55 and 35 in 8 HP, three control inputs and an attenuated external input, each switched into three frequency outputs, traced from Behringer's views.
- New Intellijel module (discontinued): the Rubicon, David Dixon's 18 HP thru-zero triangle core VCO: COARSE, FINE, TZFM, SYMMETRY, EXP FM and PW, four attenuators, LFO / VCO, SINE TYPE, PULSE TYPE, TZFM EXP / LIN, SUB OCT and RESET switches, three LEDs, eight inputs and eight outputs (sine, triangle, saw, double saw, zigzag, square, pulse, sub).
- New Intellijel module (discontinued): the Korgasmatron II, the 20 HP dual multimode filter after the Korg MS-20's: per filter CUTOFF, Q, Q-DRIVE, FM1, FM2, input level and MODE (LP2 to BR1), HARD / SOFT clip, a voltage-controlled XFADE with its direction, serial or parallel configuration, two LEDs, twelve jacks and their normalled connections.
- New Intellijel module (discontinued): the Dubmix, the 28 HP four-channel stereo mixer: mute buttons lit while their channel is muted (kept in the patch), levels, pans and AUX A sends, POST / PRE switches, MASTER LEVEL, the AUX A send and return, LED meters with their switches, attenuators on the ten CV inputs, inputs, OUT L, OUT R, AUX A and MUTE outputs.
- New Intellijel module (discontinued): the Mutamix, the 18 HP six-channel mixer with mutes: six mute buttons keeping their state in the patch, each fader's LED lit while its channel is muted, six OUTPUT BUS A, B or C switches, bus A and C attenuators, six inputs, six MUTE CTRL / X-MODE inputs and three bus outputs.
- The patches page becomes a mosaic: synth, modular and table patches mixed, newest first, laid row by row, each card naming its instrument and its kind; All, Synths, Modular and Tables chips filter it, keeping the search, the sort and the tags, on 4, 3 or 2 columns depending on the screen.
- New Intellijel module (discontinued): the Atlantis, the 40 HP semi-modular synth voice after the Roland SH-101: eighteen faders (mixer, filter, VCO, MOD oscillator and ADSR), TYPE, OCTAVE and FINE knobs, fifteen slide switches (sub oscillator, noise colour, filter type and slope, LP BOOST, envelope polarity, VCO / LFO, LINK, EXP / LIN, SYNC, PWM source, CYCLE, x1 / x10, DRIVE, ENV / GATE), the GATE button, three LEDs, twenty-seven jacks and its nine normalled connections.
- New Intellijel module (discontinued): the µScale II, the 6 HP quantizer and interval generator: twelve keys laid out as a piano octave, a click adds the note to the scale or takes it out and lights or puts out its lamp (the scale is kept in the patch), the SHIFT UNI / ± switch, 1V/OCT and SHIFT inputs, OUT A and OUT B outputs.
- On a cabled patch's page, a “Cabling diagram” block under the notes: opened, the same diagram as the Cabling window's, drawn from the patch's cables, so always up to date.
- New Intellijel module (discontinued): the Metropolis, the eight-stage sequencer after the Roland M-185 in 34 HP: a five-digit display showing the direction mode (a click opens it to choose among the ten, Frd to rnd-F), PITCH, PULSE COUNT and GATE MODE sliders, SLIDE / SKIP buttons and their LEDs, nineteen transport and menu buttons, the DATA encoder, GATE TIME and SLIDE TIME, AUX A and AUX B inputs, GATE and PITCH outputs.
- New Intellijel module (discontinued): the Rubicon², the thru-zero triangle core VCO in 20 HP: OCTAVE, PITCH, SYMMETRY, INDEX, PW and WARP, the PITCH OFFSET trimmer, LOCK, VCO/LFO, HARD/FLIP, SUB and SQUISH switches, sine and pulse types, nine inputs and nine outputs.
- New Intellijel module (discontinued): the Jellysquasher, the analog transformer compressor in 18 HP: TUBE, TAPE, XFORM and FX ON latching lit buttons kept in the patch, an LP, BP or HP sidechain filter, threshold, ratio, attack, release, mix and gain with their CV inputs, a ten-LED meter in VU or GR.
- New Intellijel module (discontinued): the Dual ADSR, two ADSR envelopes on faders in 14 HP: A, D, S and R faders, a GATE button, CYCLE and RATE switches, level and EOD LEDs, GATE, RETRIG and LEVEL inputs, normal, inverted and EOD outputs.
- New Intellijel module (discontinued): the Dubmix Mini Expander, the Dubmix's small expander in 6 HP: MASTER INPUT L and R, four direct outputs, LEVEL 1 to 4 CV inputs with their attenuators.
- Cabling: 72 jacks on 24 modules get their signal type, read in the maker's manual or product page: the inputs and outputs of the Doepfer A-101-2, A-105-4, A-106-1, A-132-4, A-143-3, A-155 and A-180-4 among others, the Delay 1's clocks, the Receive 2 as audio, the Autopilot's pitch outputs, the UTL-1E's OR gate; jacks whose manual allows two types stay untyped.
- Cabling: 73 jacks on 25 modules get their signal type, read in the maker's manual or product page: the inputs and outputs of the Doepfer A-101-2, A-105-4, A-106-1, A-132-4, A-143-3, A-155 and A-180-4 among others, the Delay 1's clocks, the Receive 2 as audio, the Autopilot's pitch outputs, the UTL-1E's OR gate; jacks whose manual allows two types stay untyped.
- New Intellijel module (discontinued): the µMIDI 1U, the MIDI to CV and clock in 22 HP 1U: CLK DIV and LEARN buttons, six LEDs, RUN, RESET, 1/16th, CLK, GATE, TRIG, CC, MOD, VEL and PITCH outputs.
- New Intellijel module (discontinued): the Audio I/O Jacks 1U, the Audio I/O 1U's jacks in 16 HP 1U: balanced ¼-inch TRS line inputs and outputs, L and R.
- New Intellijel module (discontinued): the Audio I/O 1U, the balanced line level interface in 24 HP 1U: LINE IN L and R and LINE OUT L+R gains, signal and CLIP LEDs per path, LINE IN outputs and LINE OUT L and R inputs (L normalled to R).
- New Intellijel module (discontinued): the 2018 Audio I/O, the balanced line level interface in 10 HP: INPUT GAIN and OUTPUT GAIN L and R, four six-LED meters, modular L and R inputs and outputs, balanced ¼-inch TRS inputs and outputs.
- New Intellijel module (discontinued): the Quadra Expander, the Quadra's expander in 12 HP: attack and decay CV inputs with attenuators, end of cycle outputs and LEDs, QUAD 1+2 and QUAD 3+4 switches, OR 1+2 and OR 3+4 outputs with their level and LED.
- New Intellijel module (discontinued): the Quadra, four function generators in 12 HP: ATTACK and DECAY knobs, an exponential or linear curve switch, an AD, ASR or Cycle switch and an LED per function, TRIG inputs and ENV outputs.
- New Intellijel module (discontinued): the Linix, six linear VCAs and a mixer in 16 HP: BIAS knobs, CV attenuators and CV LEDs per channel, CV and IN inputs, OUT 1 to 5 summed into SUM until patched, the sum's lamps and CLIP.
- New Intellijel module (discontinued): the Plog, the voltage controlled logic in 8 HP: two three-input X, Y, Z Boolean blocks whose type (AND, OR, NOR, XOR, NAND, XNOR) is set by a button and by attenuated CV, a toggle flip-flop with its TRIGGER button, a data flip-flop, OUT A, OUT B, OUT T and OUT D outputs and their LEDs.
- New Intellijel module (discontinued): the Quad Inverter, four buffered voltage inverters in 2 HP: an input and its output per inverter, each output normalled to the next inverter's input.
- New Intellijel module (discontinued): the µJack, the line and headphone output in 6 HP: a headphone level knob, a MONO/STEREO switch, LEFT and RIGHT attenuators, LEFT and RIGHT inputs (LEFT normalled to RIGHT), L and R line outputs and a headphone output on ¼-inch jacks.
- New Intellijel module (discontinued): the µFold II, David G. Dixon's wavefolder in 6 HP: a STAGES switch for 2, 4 or 6 stages, FOLDS and SYMMETRY knobs with their CV attenuators, FOLDS, SYM and IN inputs, the OUT output.
- New Intellijel module (discontinued): the Triatt, the triple attenuator, inverter and mixer in 6 HP: three knobs with their three-position polarity switches, IN A, IN B and IN C inputs, OUT A and OUT B outputs that leave the sum when patched, the C/SUM output.
- New Intellijel module (discontinued): the Dixie II, the analog VCO or LFO in 6 HP: COARSE and FINE knobs, an LFO/VCO switch and a rate LED, 1V/OCT, LIN FM, FLIP and PWM inputs, six outputs: triangle, sine, saw, zig-zag, square and pulse.
- New Intellijel module (discontinued): the µVCF, David Dixon's state variable filter in 6 HP: FREQ, Q and bipolar FM2 knobs, input and FM1 attenuators, IN, FM1 and FM2 inputs, simultaneous LPF, BPF and HPF outputs.
- New Doepfer module (discontinued): the A-107 Multitype Morphing Filter, the filter of 36 analog types in 26 HP, switched or morphed along chains of 32 steps: a three-digit display showing the chain chosen (a click opens it to choose from C01 to C64), the Display Mode buttons and the Value encoder, Step, Morph., Freq., Res. and Amp. with a manual knob, a CV1 input and an attenuated CV2 input each, Step Clock and Step Reset, an audio input with its level and the audio output.
- New Doepfer module (discontinued): the A-192-1 Voltage-to-MIDI Interface CVM16, the CV-to-MIDI interface in 12 HP: sixteen CV inputs turned into MIDI controllers, 128 presets, square MIDI In and Out sockets, a Snapshot button and the Control LED.
- New Behringer module: the System 900 902 Voltage Controlled Amplifier in 8 HP, the VCA with a linear or exponential response on its CONTROL MODE rocker, its FIXED CONTROL VOLTAGE, two signal inputs and outputs and three control inputs, traced from Behringer's views.
- New Behringer module: the System 900 921A Oscillator Driver in 8 HP, the driver of the 921B oscillators, its FREQUENCY in semitones or octaves on its rocker, its rectangular wave width, their control inputs and its outputs to the 921Bs, traced from Behringer's views.
- New Behringer module: the System 900 960 Sequential Controller in 56 HP, the eight-stage sequencer with three rows of knobs, its oscillator, its lamps, SET buttons and SKIP, NORMAL or STOP selectors per stage, a ninth stage, three row outputs X1, X2 or X4 and the rocker for timing by the third row, traced from Behringer's views.
- New Behringer module: the System 900 962 Sequential Switch in 8 HP, the three-stage sequential switch, their buttons, lamps and trigger inputs and outputs, SHIFT, three inputs to two outputs, traced from Behringer's views.
- New Behringer module: the System 900 961 Interface in 21 HP, the audio and S-trigger to V-trigger converters, and two banks of six A and B V-trigger inputs to S-trigger with their SWITCH-ON TIME, traced from Behringer's views.
- New Behringer module: the System 900 992 Control Voltages in 8 HP, four lit slide switches turning on three control inputs and an external input through an attenuverter, summed to three outputs, traced from Behringer's views.
- New Behringer module: the System 900 914 Fixed Filter Bank in 28 HP, twelve fixed band pass filters from 125 Hz to 5.6 kHz, a low pass and a high pass, each with its level, traced from Behringer's views.
- New Behringer module: the System 900 921 Voltage Controlled Oscillator in 14 HP, its RANGE and AUX OUT WAVEFORM selectors, its SCALE and COARSE RNG levers, its clamping point and four waveform outputs, traced from Behringer's views.
- New Behringer module: the System 900 921B Oscillator in 8 HP, the oscillator driven by a 921A, its RANGE selector, its SYNC lever and its 921AB link jacks, traced from Behringer's views.
- New Behringer module: the System 900 923 Filters in 8 HP, a low pass and a high pass filter, and white and pink noise, traced from Behringer's views.
- New Behringer module: the System 900 903A Random Signal Generator in 4 HP, two white noise outputs and two pink noise outputs, traced from Behringer's views.
- New Behringer module: the System 900 904A Voltage Controlled Low Pass Filter in 8 HP, the ladder low pass filter, its three-range FREQUENCY RANGE selector, REGENERATION and three control inputs, traced from Behringer's views.
- New Behringer module: the System 900 904B Voltage Controlled High Pass Filter in 8 HP, the high pass filter, its LOW or HIGH FREQUENCY RANGE selector and three control inputs, traced from Behringer's views.
- New Behringer module: the System 900 911 Envelope Generator in 8 HP, the T1, T2, E SUS and T3 envelope from 2 ms to 10 s, started by S-TRIG IN, traced from Behringer's views.
- New Behringer module: the System 900 911A Dual Trigger Delay in 8 HP, two S-trigger delays from 2 ms to 10 s and their COUPLING MODE selector (OFF, PARALLEL, SERIES), traced from Behringer's views.
- New Behringer module: the System 900 995 Attenuators in 8 HP, three passive attenuators, their inputs normalled down the chain, traced from Behringer's views.
- New Behringer module: the System 900 994 Multiples in 4 HP, two passive four-socket multiples, traced from Behringer's views.
- New Doepfer module (discontinued): the A-187-1 Voltage Controlled DSP Effects, the DSP effects module in 18 HP: an LCD showing the effect chosen (a click opens it to choose among the twelve), Effect up and down and Bypass buttons, four parameters with a Man. knob, a CV input and a CV knob each, two audio inputs and two outputs.
- New Doepfer module (discontinued): the A-188-2 Tapped BBD Module, a six-tap bucket brigade delay in 30 HP: an output per tap, two mixes with a level and polarity per tap and Mix, Delay, CV1 and CV2 clock, feedback with polarity, Clk Out and CV Out outputs.
- New Doepfer module (discontinued): the A-190-2 Low Cost MIDI-to-CV/Gate Interface, the low cost MIDI to CV/gate interface in 6 HP: MIDI In, Learn button, Glide control, Gate output and its LED, CV Note, CV Pitch, CV V/V and CV Ctr. outputs.
- New Doepfer module (discontinued): the A-190-1 MIDI-to-CV/Gate/Sync Interface, the MIDI to CV/gate/sync interface in 10 HP (its face reads A-190 MCVS): MIDI In and Thru sockets, Group, Menu, Inc./+ and Dec./- buttons, six menu LEDs, Clock, Reset and Gate outputs with their LEDs, CV 1 and CV 2 outputs.
- New Doepfer module (discontinued): the A-101-3 Modular 12 Stage Vactrol Phaser, two six-stage vactrol phasers in 30 HP: an output and a feedback input for each of the twelve stages, Lev., CV, Shift, Mix and Pol. polarizer knobs per unit, shift LEDs, normalled to a phaser with feedback or twelve stages chained.
- New Doepfer module (discontinued): the A-141 VCADSR, a voltage controlled ADSR envelope in 14 HP: A, D, S and R knobs, a CV input with attenuator per stage, Gate and Retrigger inputs, ADSR Out output and its LED.
- New Doepfer module (discontinued): the A-129/5 VUV, the A-129 vocoder's voiced/unvoiced detector in 8 HP: Gain and Treble Boost knobs, Speech output, switching between voiced and unvoiced carriers, Gate output and its LED.
- New Doepfer module (discontinued): the A-129/4 SLC, the controller of the A-129/3's slew limiters in 8 HP: Freeze, Slew and Follow toggle, Manual Slew Rate and Slew CV knobs, Freeze input, three Slew Control outputs and their LED.
- New Doepfer module (discontinued): the A-129/3 Vocoder Slew-Limiter, five attenuators and offsets with slew limiting for the vocoder's bands in 16 HP: Attenuator and Offset knobs, CV In 1 to 5 inputs, CV Out 1 to 5 outputs, Slew Control input.
- New Doepfer module (discontinued): the A-129/2 VOC-S, the modular vocoder's synthesis section in 12 HP: Instrument Input, 15 CV inputs (Low Pass, Band 1 to 13, High Pass), Vocoder Output.
- New Doepfer module (discontinued): the A-129/1 VOC-A, the modular vocoder's analysis section in 20 HP: Speech Input, 15 CV outputs (Low Pass, Band 1 to 13, High Pass) with their LEDs, High Pass Output audio output.
- New Behringer module: the System 100 140 Dual Envelope/LFO in 16 HP, two ADSR envelopes on faders with their MANUAL GATE buttons, and an LFO with a five-waveform selector, three ranges and a delay, traced from Behringer's views.
- New Behringer module: the System 100 150 Ring Mod/Noise/S&H/LFO in 16 HP, a ring modulator normalled to the noise and the LFO, white and pink noise, a sample and hold with its clock and lag, and an LFO, traced from Behringer's views.
- New Behringer module: the System 100 172 Phase Shifter/Delay/LFO in 16 HP, a phase shifter and an audio delay modulated by the module's LFO, that LFO and a gate delay, traced from Behringer's views.
- New Behringer module: the System 100 182 Analog Sequencer in 16 HP, two rows of eight steps with their LEDs, in parallel or in series over sixteen steps, STEP NUMBER selector, TEMPO, DELAY and GATE TIME, traced from Behringer's views.
- New Behringer module: the System 100 297 Dual Portamento/CV Utility in 16 HP, two four-input voltage mixers with inverted outputs and +10/-10 V under their last inputs, two portamentos on faders and +10 V and -10 V outputs, traced from Behringer's views.
- New Behringer module: the System 100 305 EQ/Mixer/Output in 24 HP, a four-band parametric EQ, a four-channel stereo mixer on faders, a reference oscillator, and the master outputs in 3.5 mm and 6.35 mm with a headphone output, traced from Behringer's views.
- New Behringer module: the System 100 110 VCO/VCF/VCA in 16 HP, a complete voice patched inside: its VCO (triangle, sawtooth or pulse, RANGE selector from 32' to 2'), its CUTOFF and RES faders, its VCA with LOW and HIGH outputs and its signal and overload LEDs, traced from Behringer's views.
- New Behringer module: the System 100 112 Dual VCO in 16 HP, two oscillators with three waveforms, RANGE selector from 32' to 2', PITCH, pulse width by hand and by voltage, two outputs and a WEAK or STRONG sync each, traced from Behringer's views.
- New Behringer module: the System 100 121 Dual VCF in 16 HP, two low-pass filters, each with a three-input mixer, CUTOFF and RES faders, a four-position fixed high-pass and two outputs, traced from Behringer's views.
- New Behringer module: the System 100 130 Dual VCA in 16 HP, two VCAs, each with a three-input mixer, INITIAL GAIN, a linear or exponential response, HIGH and LOW outputs and signal and clip LEDs, traced from Behringer's views.
- New discontinued Erica Synths module: the DIY Dtech VCF, Edward Dtech's 14 HP lowpass/bandpass filter on the Polivoks' K140UD12 ICs, drawn from the panel plan in its manual: its INPUT, RES. CV, CV1 and CV2 inputs and its output, its LP/BP switch, its nine pointer knobs, CUTOFF CURVE and CUTOFF red, RESONANCE and RES. SLOPE yellow (the Erica pointer knob takes red and yellow caps).
- New discontinued Erica Synths module: The Cursible, designed by Sacrament with Erica, a 14 HP six-channel morphing effects-send matrix traced on the maker's photograph with its ouroboros: its six sends and six returns, its audio input and sum output, its CLK and XFD inputs, its eight SHIFT, BYPASS and channel buttons round its encoder, its XFD CV LVL and AUDIO LVL knobs (new parts: The Cursible's encoder, small knurled knob, grey buttons and round-nut jack).
- New D&D Modules module: the Heaven 16, a 27 HP analogue sequencer, two rows of 8 steps or one of 16, with a white panel and a black one, traced on the maker's photographs: its sixteen step knobs, their STOP / OFF / ON and BUS switches, its BPM, INT / EXT and STEP clocks, its CYCLES selectors, its PAUSE, RST and RESET ALL buttons, its MODE, range and transpose switches (a new brand and new parts: the Heaven 16's step knob, red button and jack).
- New SoundForce module: the Dual ADSR, a 20 HP pair of digital ADSR envelopes, traced on the maker's photograph: for each envelope its four A, D, S and R faders scaled 0 to 10 and their CV inputs with their knobs, its LIN/EXP, S/M/L (the M range with EXP replicating the Juno 106's envelope), CYCLE and A/D/R (end of stage) switches, its LED, its button, its GATE and RE inputs and its OUT, INV and EO outputs (a new brand and new parts: the Dual ADSR's small knob, fader and button).
- New Vostok Instruments module: the Trace, a 4 HP four-channel interpolating scanner made with DivKid, traced on the maker's drawing and photograph: its SCAN fader fading IN 1 through IN 4 into one another, its SCAN input with its SCAN CV attenuator and its +|- polarity switch, its OUT and its dot-matrix numbers 1 to 4 (a new brand and new parts: the Trace's knob, fader and switch).
- New discontinued Erica Synths module: the Sequential Switch V1, Erica's first assembled module, a 14 HP eight-step sequential switch traced on the maker's photograph: its MAN. STEP and MAN. RESET buttons, its eight ACTIVATE buttons (two of them blue), its eight step LEDs, its eight IN/OUT jacks, its clock and reset inputs and its gate output.
- New discontinued Erica Synths module: the Sequential Switch CV Expander V2, an 8 HP eight-step expander that turns the Sequential Switch into a CV sequencer, traced on the maker's photograph: its eight step knobs, with the expander's new black skirted knob, and its 1V, 5V or 3V range switch.
- New discontinued Erica Synths module: the Sequential Switch V2, a 10 HP eight-step sequential switch traced on the maker's photograph: its MAN. STEP and MAN. RESET buttons, its eight step buttons, its eight IN/OUT jacks, its clock and reset inputs and its gate output.
- New discontinued Erica Synths module: the MIDI to Trigger, eight trigger outputs from MIDI notes in 6 HP, traced on the maker's photograph: its eight outputs with their lamps, its PROG button and its MIDI socket.
- New discontinued Erica Synths module: the MIDI to Clock V2, a 6 HP bidirectional MIDI to clock converter traced on the maker's photograph: its divided and multiplied clock outputs with their lamps, its DIV, MULT, MIDI IN / OUT and PPQ switches, its start / stop button and its MIDI socket.
- New discontinued Erica Synths module, DIY kit: the DIY Synth Voice, a complete patchable 30 HP synth voice traced on the maker's photograph: its eighteen knurled pointer knobs (a new part), its BP / LP, LIN / LOG and EG / LFO switches, its lamps, its MAN. GATE buttons and its fourteen jacks.
- New discontinued Erica Synths module, DIY kit: the DIY Bassline, a 16 HP analogue acid bassline voice traced on the maker's photograph with its circuit-trace artwork and grey scales: its nine knobs, its VCF MODE and W-FORM switches, its envelope lamps and its SCALE trimmer.
- New discontinued Erica Synths module, DIY kit: the DIY Delay, a 14 HP tape or digital delay up to 800 ms traced on the maker's photograph with its circuit-trace artwork: its TIME, IN LVL, FEEDBACK and DRY/WET knobs, its MODE switch, its ADD, HOLD, REVERSE and TAP SYNC buttons with their lamps, and its CV inputs.
- New discontinued Erica Synths module, DIY kit: the DIY BBD Delay/Flanger, a 14 HP BBD delay and flanger traced on the maker's photograph with its circuit-trace artwork and grey scales: its TIME, LFO RATE, FEEDBACK, DRY/WET, IN LEVEL and MOD. LEVEL knobs, its COLOUR, LFO SHAPE and FBK DRIVE switches, its LFO lamp and its feedback send and return.
- New discontinued Erica Synths module, DIY kit: the DIY SWAMP, a 14 HP Wogglebug-inspired random CV and audio generator traced on the maker's photograph with its circuit-trace artwork: its RATE, SWAMP RANGE, SMOOTH RANGE, TIME, CLUSTER and RATE CV knobs, its S WAVE and T WAVE switches, its lamps and its ten jacks.
- New discontinued Erica Synths module, DIY kit: the DIY MIDI-CV, a 6 HP duophonic MIDI to CV interface traced on the maker's photograph with its circuit-trace artwork: its GLIDE knob, its CV, gate, MOD and clock outputs, its 1VOICE / 2VOICE switch, its PROG button, its lamps and its MIDI socket.
- New discontinued Erica Synths module, DIY kit: the DIY Multimode VCF, a 10 HP AS3320 multimode filter traced on the maker's photograph with its circuit-trace artwork: its CUTOFF, AUDIO LVL, RESONANCE, C-OFF CV and RESO CV knobs, and its simultaneous LP, BP and HP outputs.
- New discontinued Erica Synths module, DIY kit: the DIY Polivoks VCA II, an 8 HP dual Polivoks VCA traced on the maker's photograph with its circuit-trace artwork: its CV1 and CV2 LEVEL knobs, its SINGLE / DUAL switch and its MIX OUT.
- New discontinued Erica Synths module, DIY kit: the DIY Polivoks EG II, an 8 HP Polivoks-inspired ADSR envelope traced on the maker's photograph with its circuit-trace artwork: its ATTACK, DECAY, SUSTAIN and RELEASE knobs, its ADSR / loop switch, its EG and GATE DELAY lamps, and its gate delay output.
- New discontinued Erica Synths module, DIY kit: the DIY Polivoks VCF II, a 10 HP lowpass or bandpass Polivoks filter traced on the maker's photograph with its circuit-trace artwork: its CUTOFF, IN LEVEL, RESONANCE, CV1 and CV2 LEVEL knobs, and its LP / BP switch.
- New discontinued Erica Synths module, DIY kit: the DIY Polivoks VCO II, a 12 HP Polivoks-inspired VCO traced on the maker's photograph with its circuit-trace artwork: its TUNE, OCTAVE, PULSE WIDTH and FM LEVEL knobs, its SCALE and OCTAVE calibration trimmers, its triangle, saw and pulse outputs.
- New discontinued Erica Synths module, Fusion series: the Fusion VCO, a 24 HP VCO with vacuum tube suboscillators traced on the maker's photograph, its two tubes included: its FREQUENCY, WAVESHAPE, FM LEVEL, DRY/WET, SUBWAVE1, SUB MIX, COLOUR and SUBWAVE2 knobs, and its sine / triangle / pulse waveform switch.
- New discontinued Erica Synths module, Fusion series: the VCA / Waveshaper / Ringmodulator, a 14 HP VCA on two miniature pentodes traced on the maker's photograph, its tubes included: its BIAS 1 and 2, INPUT FADER, CV1 and CV2 LEVEL and DRIVE knobs, its BIASED / DIRECT switch, its ring modulator (IN A and IN B normalled to OUT1 and OUT2) and IN1 normalled to IN2.
- New discontinued Erica Synths module, Fusion series: the VCF3, a 20 HP tube and vactrol lowpass filter traced on the maker's photograph, its two tubes included: its IN1 to IN3 LVL, CUTOFF, RESONANCE, CV1 LVL and RECORD CV knobs, its RECORD button and gate LED, its mixer (MIX OUT normalled to VCF IN), its multiple and its CV recorder (CV OUT normalled to CV1 IN).
- New discontinued Erica Synths module, Fusion series: the VCF V2, a 14 HP four pole tube lowpass filter with a three input mixer, traced on the maker's photograph, its tube included: its IN1 to IN3 LEVEL, CUTOFF, RESONANCE and CV LEVEL knobs, its 24dB / 12dB slope switch, its inputs and its MIX OUT and VCF OUT outputs.
- New discontinued Erica Synths module, Fusion series: the VCO V2, a 14 HP analogue VCO with a suboscillator, BBD detune and tube crunch, traced on the maker's photograph, its tube included: its TUNE, DETUNE, PULSE WIDTH, SUB LEVEL, FM LEVEL and TUBE CRUNCH knobs, its octave, COLOUR and WAVE switches, its trimmer, its inputs and its triangle, pulse, suboscillator and main outputs.
- New discontinued Erica Synths module, Fusion series: the Mixer V3, a 14 HP dual three-input tube mixer traced on the maker's photograph, its tube included: its six level knobs, its six inputs, its OUT A, INV A, OUT B and OUT A+B outputs.
- New discontinued Erica Synths module, Fusion series: the Ring Modulator V2, a 12 HP germanium diode ring modulator with a vacuum tube, traced on the maker's photograph, its 12AX7 tube included: its SIGNAL LVL and CARR. LVL knobs, its COLOUR switch, its SIGNAL IN and CARR. IN inputs and its OUT output.
- New discontinued Erica Synths module, Black Series: the Stereo Mixer V2, a compact 10 HP stereo mixer traced on the maker's photograph: its three stereo channels and their stereo potentiometers, its mono IN4 panned by CV, its M / +6 / 0 switches on channels 1 and 2, its four level LEDs and its OUT L and OUT R outputs.
- New discontinued Erica Synths module, Black Series: the CV Processor (V2), a 6 HP dual attenuverter traced on the maker's photograph: its SCALE1, OFFSET and SCALE2 knobs, its IN1 and IN2 inputs, IN2 normalled to OUT1, its direct and inverted outputs, and its two bicolour LEDs.
- New discontinued Instruō module: the Aithēr, a 12 HP CV, MIDI and OSC hub over Wi-Fi, traced on the maker's photograph: its four CV inputs and four CV outputs, gate in and out, two MIDI sockets, its four displays lit as photographed, its voltage / IP / target switch, its mode select button and its lit Wi-Fi icon.
- New discontinued Instruō module: the tágh (Legacy), a 14 HP sample and hold and random voltage source, traced on the maker's photograph: its IN and CLK IN inputs, OUT and NOISE OUT outputs, its analogue noise normalled to the input, its LEVEL, RATE and SLEW knobs, its S&H / H&T, rectifier and RATE range switches, and its hourglass lit from behind; the Limited Edition as a finish, its own print and its yellower hourglass.
- New discontinued Erica Synths module, Black Series: the Voltage Controlled Clock V1, an 11 HP tap tempo clock, its BPM display a click sets (30 to 400), its TAP and START/STOP buttons, RATE, SHUFFLE and CV LEVEL, and its CLK OUT, DIV CLK, SHUF CLK and RND CLK outputs.
- New discontinued Erica Synths module, Black Series: the VC Clock V2, a 10 HP tap tempo clock, its BPM display and CONFIG menu a click sets (BPM 30 to 400, DIV, SHD, RND, RST, SHG, RNG, PTS), its TAP/RND, RST and START/STOP buttons, its CLK IN, BPM CV and SHFL CV inputs and RST OUT, CLK OUT, DIV OUT, SHFL OUT and RND OUT outputs.
- New discontinued Erica Synths module, Black Series: the MIDI-CV V2, a 6 HP duophonic MIDI interface, its MIDI IN socket, CLK, MOD, CV1, GATE1, CV2 and GATE2 outputs, GLIDE knob, 1 VOICE / 2 VOICE switch, PROGRAMM button and four lamps.
- New discontinued Erica Synths module, Black Series: the Joystick Controller, a large joystick without a spring in 12 HP, its E, W, N and S, X and Y outputs and their inverses, and its X IN and Y IN inputs offset by the joystick.
- New discontinued Erica Synths module, Black Series: the Hole DSP, a 14 HP stereo effects processor, its 16 effects in two banks (delays, reverbs, a flanger, a chorus) chosen on its display, its BANK button and CLIP lamp; R IN normalled to L/MONO IN.
- New discontinued Erica Synths module, Black Series: the Quad VCA, four logarithmic VCAs in 10 HP, each output mixed into the next when left unpatched (OUT4 alone gives the sum of all four).
- New discontinued Erica Synths module, Black Series: the VCO Expander, the Black VCO's waveform mixer and -2 octave suboscillator, with its three position SINE / TRI switch.
- New discontinued Erica Synths module, Black Series: the PFL, pre-fade listening of the Stereo Mixer V2 in headphones, with its four IN ON switches and VOLUME.
- New discontinued Erica Synths module, Black Series: the Dual VCF, two AS3320 multimode filters in 18 HP, simultaneous HP, BP and LP outputs, LINK, HP / BP / LP and series / parallel switches, and its 16 lamp spectrum analyser.
- New discontinued Erica Synths module, Black Series: the Double Bass, two transistor suboscillators (-1 and -2 octaves) and a lowpass filter, voltage controlled mix and colour, a sync input and a THRU output.
- New discontinued Erica Synths module, Black Series: the CV Expander, the HADSR's satellite, four CV inputs and their levels for attack, decay, sustain and release.
- New discontinued Erica Synths module, Black Series: the Wavetable VCO, a 12 HP wavetable oscillator with wave morphing, bitcrush and a suboscillator, its BANK button and four lamps, and its COARSE / FINE and SUB switches.
- New discontinued Erica Synths module, Black Series: the DADSR EG, a looping Delay-Attack-Decay-Sustain-Release envelope with a gate delay, its CV attenuators, LOOP switch and M. GATE button; GATE normalled to DELAY OUT.
- New discontinued Erica Synths module, Black Series: the Dual EG/LFO, two ADSR envelopes or LFOs in 10 HP, with its 1 / 2, S / L / LFO and ADSR / 2xAD switches and stage lamps; GATE2 normalled to GATE1.
- New discontinued Erica Synths modules, Black Series: the Ring-Xfade, a dual ring modulator, crossfader and VCA, with its COUPLING and VOL CV switches and four lamps; the VC EG, a voltage controlled looping ADSR, with its CV attenuators and LIN / LOG switch; its VC EG Expander, stage outputs and a LOGIC / CV switch; the Output Module V1, a stereo output mixer with a headphone amplifier and 6.3 mm jacks.
- New discontinued Erica Synths modules, Black Series: the 8-Multi V2, an active 2 x 4 multiple, INPUT2 normalled to INPUT1, with its two lamps; the Digital Noise, a polynomial digital noise, EXT CLK taking over from the internal clock; the HADSR Envelope Generator, a looping five stage envelope, with its LOOP MODE, HOLD MODE and EG MODE switches; the Modulator, an LFO, noise and sample and hold, CV IN normalled to the white noise and CLK IN to the LFO.
- New discontinued Erica Synths modules, Black Series: the EG, an ADSR envelope with looping and a delayed gate, with its SINGLE / LOOP and SHORT / LONG switches; the LFO, with tap tempo, a divider and a built-in VCA, its six waveforms and its ATTACK / HOLD switch; the High Pass VCF and the Low Pass VCF, 24 dB resonant filters with drive, with their DRIVE switch.
- New discontinued Erica Synths module, Pico series: the Pico System III as a 42 HP Eurorack panel, a full analogue modular system (sequencer, two VCOs, VCO CTRL, three mixers, modulator, two envelopes, two low pass gates, BBD delay), with its 52 jacks, 31 knobs, 8 switches and 8 lamps, and its voicecard connector; MIX2 and MIX3 summed into SUM OUT.
- New discontinued Erica Synths modules, Pico series, in 3 HP: the SEQ2, a four-step analogue sequencer and waveshaper, with its four lamps and its 2 / 3 / 4 length selector; the Switch, a passive switch connecting IN1, IN2 or IN3 to OUT, either way.
- New discontinued Erica Synths modules, Pico series, in 3 HP: the Drums, two sample drums set by a lit encoder, with its six lamps and its DRUM1 / DRUM2 and EXCL / IND switches; the SEQS, a four-channel sequential switch, its COM and IO1 to IO4 jacks working both ways; the Logic, a dual Boolean logic and clock divider, with its two mode buttons and lamps, IN2A and IN2B normalled to IN1A and IN1B.
- New discontinued Erica Synths modules, Pico series, in 3 HP: the EG, an AD / ASR envelope and LFO, with its RATE duration selector and its LIN / LOG switch; the T→G, a trigger to gate converter with set length and probability, with its TRIG / INDEP switch; the Mask, a random sample and hold between two CVs, with its NORM / INV and NORM / DISTR switches; the EF, a preamp, envelope follower and gate extractor, with its three-way attack switch.
- New discontinued Erica Synths modules, Pico series, in 3 HP: the BBD, an analogue bucket brigade delay, with its IN LVL input level switch; the LFO/S&H, an LFO and a sample and hold clocked by the LFO when CLK IN is free; the LPG, a vactrol low pass gate with its decay envelope and its VCA / VCF switch; the Noise, white noise, filtered noise and percussion; the Ringmodulator, a ring modulator with its sine oscillator.
- New discontinued Erica Synths modules, Pico series, in 3 HP: the VCF3, a 24 dB lowpass filter; the A Logic, sum, difference, maximum and minimum of two signals, with its four lamps; the Attenuator, a dual passive attenuator; the CV Mixer, a three-channel CV mixer; the Multi, a dual buffered multiple, IN B normalled to IN A; the Scale, an attenuverter with boost and offset, with its lamp; the VCA, a dual linear VCA, IN2 normalled to IN1.
- New Dreadbox module: the WL Echo, a 30 to 800 ms delay of the WL series in 8 HP (discontinued), its panel traced from the maker's sheet: its three black knobs MIX, FEED and TIME, its input, its time CV input and its output.
- New Dreadbox module: the WL Reflector, a BBD chorus, flanger and echo of the WL series in 10 HP (discontinued), its panel traced from the maker's sheet: its white GAIN, TIME and FEED sliders, its white MIX knob, its input, its CV and CV/2 inputs, its wet and mix outputs.
- New Dreadbox module: the WL Murmux Filter, the classic Murmux filter of the WL series in 12 HP (discontinued), its panel traced from the maker's sheet, its herringbone print included: its white GAIN, CUT and RES sliders, its white 1 to 4 low pass poles selector, its input, its three CV inputs and its high pass and low pass outputs.
- New Dreadbox module: the WL Modulator, an LFO or envelope of the WL series in 8 HP (discontinued), its panel traced from the maker's sheet: its white RISE, FALL and LVL sliders, its LFO or envelope and low or high rate toggles, its LED, its gate, trigger and CV inputs, and its output.
- New Dreadbox module: the WL Splash, a three-algorithm reverb of the WL series in 8 HP (discontinued), its panel traced from the maker's sheet: its white EXC, DEC and MIX sliders, its three-way mode toggle, its input, its exciter and decay CV inputs, and its output.
- New Dreadbox module: the WL Oscillator, a saw core oscillator of the WL series in 10 HP (discontinued), its panel traced from the maker's sheet: its black TUNE knob and white FINE knob, its CV, SYNC and PW inputs, its triangle, saw and square outputs.
- New Dreadbox module: the WL LFO, a voltage controlled LFO of the WL series in 8 HP (discontinued), its panel traced from the maker's sheet: its black TUNE knob, its PW knob, its rate LED, its CV input and its rising ramp, falling ramp, triangle and square outputs.
- New Dreadbox module: the WL Phaser, a 4-stage analog phaser of the WL series in 12 HP (discontinued), its panel traced from the maker's sheet: its LFO's black RATE and DEPTH sliders, the phase's white MAN and FEED sliders, its wave and stages toggles, its LED, its input, its LFO outputs, its CV input and its output.
- New Dreadbox module: the WL Random, noise, sample and hold, lag and clock of the WL series in 10 HP (discontinued), its panel traced from the maker's sheet: the lag's white RISE and FALL sliders, the clock's black RATE slider, its slow or fast toggle, its two LEDs, its noise, gate and clock outputs, and the sample and hold's and the lag's inputs and outputs.
- New Dreadbox module: the WL Dual VCA, a dual logarithmic OTA VCA of the WL series in 8 HP (discontinued), its panel traced from the maker's sheet: its two white knobs LVL A and LVL B, and for each VCA its input, its two CV inputs and its output.
- New Dreadbox module: the WL Filter, a 2-pole OTA filter of the WL series in 8 HP (discontinued), its panel traced from the maker's sheet: its white CUT and RES knobs, their CV inputs, its input and its high pass and low pass outputs.
- New Dreadbox module: the WL Envelope, an ADSR envelope of the WL series in 8 HP (discontinued), its panel traced from the maker's sheet: its four white sliders A, D, S and R, its slow or fast rate toggle, its manual gate button, its gate input and its positive, negative and attenuated bipolar outputs.
- New Dreadbox module: the WL Drive, a distortion drive of the WL series in 4 HP (discontinued), its panel traced from the maker's sheet: the Abyss synthesizer's drive circuit, its white GAIN knob and its CV input, its input and its output.
- New Doepfer module (discontinued): the A-164-1 Manual Gate, three manual gates in 6 HP: three numbered keys, In1 input normalled to +12 V, Out 1, Out 2 and Out 3 outputs.
- New Doepfer module (discontinued): the A-174-1 Joy Stick, two voltages from a spring-loaded joystick in 10 HP: Offset Y and X knobs, - and + LEDs for each, CV Y and CV X outputs.
- New Doepfer module (discontinued): the A-127 BOM Filter Breakout Module, an expander for the A-127 triple filter in 8 HP: three channels, each with a Level knob, a Single In input and LP, HP, BP and N outputs.
- New Doepfer module (discontinued): the A-109 VC Signal Processor, 24 dB VCF, VCA and panning in 20 HP: CVF1, Frq., CVQ1, Res., CVA1, Amp, CVP1, Pan. and Level knobs, the VCF's output normalled to the VCA, and the VCA's to the panner.
- New Doepfer module (discontinued): the A-138e Quad 3-Way Crossfader / Mixer / Polarizer, four three-way crossfaders in 16 HP: A, B and C inputs, A Inverted and Output outputs, a knob and a switch per unit.
- New Doepfer module (discontinued): the A-121 VCF2 Multimode Filter, a 12 dB multimode filter in 12 HP: Audio Level, Frequ., FCV2, Res. and QCV2 knobs, Notch, High, Band and Low outputs.
- New Doepfer module (discontinued): the A-111-1 High End VCO, a high end VCO in 14 HP: Octave selector, Tune, Fine, CV2, Lin.FM, PW and PCV knobs, Pulse, Saw, Triangle and Sine outputs.
- New Behringer module: the System 100 173 Quad Gate/Multiples in 16 HP, its four signal gates (IN, OUT, an active-high and an active-low control input, a green LED) and its six four-way multiples, traced from Behringer's views.
- New discontinued Analogue Solutions module: the RM, a ring modulator in 6 HP, two IN and one OUT, drawn from its 2015 photograph found in the maker's site archives.
- New discontinued Analogue Solutions module: the CVM CV-MIDI x2, a two-channel CV and gate to MIDI converter in 10 HP, CV1, CV2 and GATE in for each channel, MIDI OUT and its activity LED.
- New discontinued Analogue Solutions module: the M2CV, a MIDI to CV converter with a 16-bit pitch in 12 HP, MIDI IN and THRU, PITCH, GATE, CNTL, ACC and LEG out, PROGRAM and MAN TRIG buttons.
- New discontinued Analogue Solutions module: the SQ8, an 8-step analogue CV and gate sequencer in 18 HP, its eight knobs pulled out to turn their step's gate off (a double click in the editor), its STEP button and RANGE switch.
- New Nonlinearcircuits module: the 4seq, a 4-step sequencer stepping forwards and backwards with a clock divider, in 8 HP: four stage knobs, clock and u/d in, outX and outY stepping in opposite directions, /2, /4, /8 and /16 gate outputs with their LEDs.
- New Nonlinearcircuits module: the Triad, three attack/release envelope generators fired by a trigger or a gate, in 8 HP: ATT and REL knobs for each, IN1 to IN3 in (IN1 fires all three), OUT1 to OUT3 out and an LED for each envelope.
- New Doepfer module (discontinued): the A-101-9 Universal Vactrol Module, two vactrol pairs in 8 HP: CV and Man. knobs, CV In input, VAC1 and VAC2 sockets and VAC Control LED for each.
- New Doepfer module (discontinued): the A-117 Digital Noise / 808 Sound Source, in 8 HP: digital noise or random clicks set by Rate, the EXT. CLK input normalled to the knob, the TR-808's 6 and 2 oscillator outputs.
- New Doepfer module (discontinued): the A-122 24dB Low Pass 2, a 24 dB low pass on a Curtis chip in 8 HP: Lev., Frq., FCV, QCV and Res. knobs, Audio In, FCV1, FCV2 and QCV inputs, Audio Out.
- New Doepfer module (discontinued): the A-105-1 SSM 24dB Low Pass, a 24 dB low pass on the SSM2044 in 8 HP, with the A-122's knobs and sockets.
- New Doepfer module (discontinued): the A-132-2 Quad VCA, four linear VCAs in 8 HP under one control: Amp. knob, CV1 and CV2 inputs with its polarizer, four In and four Out.
- New Doepfer module (discontinued): the A-138c Polarizing Mixer, a four-channel polarizing mixer in 8 HP: In1 to In4 and Out knobs zero at their middle, In1 normalled to an offset.
- New Doepfer module (discontinued): the A-144 Morphing Controller, in 8 HP: CV and Man. Morph knobs, CV In input, four outputs of staggered triangles for the A-135.
- New Doepfer module (discontinued): the A-147 VCLFO, a voltage controlled LFO in 8 HP: Frequ. and CV knobs, Reset and CV inputs, triangle, sine, square and sawtooth outputs and their three LEDs.
- New Doepfer module (discontinued): the A-163 Voltage Controlled Divider, a voltage controlled frequency divider in 8 HP: Manual and CV knobs, CV In and In inputs, Out.
- New Doepfer module (discontinued): the A-167 Analog Comparator / Subtractor / Offset Generator, in 8 HP: +In, -In, Offs. and Gap knobs, Analog Sum, Cmp. Out and Inv. Cmp. Out outputs and its LED.
- New Doepfer module (discontinued): the A-171 VC Slew Limiter, a voltage controlled slew limiter in 8 HP: Rate and CV2 knobs, CV1, CV2 and two linked Sign. In inputs, Out and its − and + LEDs.
- New Doepfer module (discontinued): the A-176 Manual CV Source, three manual voltages in 8 HP: CV1 and CV2 with their Fine knob and two outputs each, CV3.
- New Doepfer module (discontinued): the A-132-1 Dual Linear VCA, two linear VCAs in 4 HP, mostly for control voltages: CV 1 and CV 2 inputs summed, Sig. In and Sig. Out for each.
- New Doepfer module (discontinued): the A-175 Dual Voltage Inverter, two voltage inverters in 4 HP: two linked In sockets, the Inv. Out output and its − and + LEDs for each.
- New Doepfer module (discontinued): the A-165 Dual Trigger Modifier, two trigger modifiers in 4 HP: the gate inverted at Inv. Out and a pulse at each edge at +/- Out, with their LEDs.
- New Doepfer module (discontinued): the A-172 Maximum / Minimum Selector, in 4 HP: of its four inputs, the highest voltage at Max. Out and the lowest at Min. Out, with their − and + LEDs.
- New Doepfer module (discontinued): the A-180-1 Multiples, two passive multiples of four sockets in 4 HP.
- New Doepfer module (discontinued): the A-185-1 Bus Access, in 4 HP: an external gate and CV onto the system bus, and back out at two Gate Out and two CV Out with their LEDs.
- New Doepfer module (discontinued): the A-186-1 Gate/Trigger Combiner, in 4 HP: seven inputs joined by OR into one output, no power needed.
- New Doepfer module (discontinued): the A-183-1 Dual Attenuator, two passive attenuators in 4 HP, each a knob between In and Out.
- New Doepfer module (discontinued): the A-181 Multiples 2, in 4 HP: a 6.35 mm mono socket linked to two 3.5 mm sockets, and a 6.35 mm stereo socket split into tip and ring.
- New Doepfer module (discontinued): the A-138u Dual Micro Mixer, two three-input mixers in 4 HP, the upper output normalled to the lower first input for a five-input mixer.
- New synth: the Korg minilogue bass, the minilogue's limited edition (2022): its black marbled face and light grey print, its knobs with their red index, its reversed keyboard (black naturals, red sharps), its red wooden back and its sockets cabled, MIDI included, and the program chosen on its screen among its 100 factory programs, written for it with bass players.
- New synth: the Korg monologue, a monophonic analogue synth (2016), in five finishes (silver, black, red, dark blue and gold), its 25 slim keys, its chrome levers and their red LEDs, its 16 lit sequencer steps, the program chosen on its screen among its 80 factory programs, and the sockets of its wooden back cabled, MIDI included.
- New Dreadbox module: the Drips, the first drum synthesizer of the name (V1.0) in 21 HP (discontinued), its black panel traced from the maker's sheet: two VCOs with FM, noise and mixer, an LP/BP/HP filter, two envelopes and the tap tempo clock with its TAP button and LED, its CV inputs and its ENV, clock and audio outputs.
- New Dreadbox module: the Drips V2, the drum synthesizer's second version in 21 HP (discontinued), its black panel traced from the maker's photograph: two VCOs with FM, noise and mixer, an LP/BP/HP filter toggle, two envelopes and the clock set by TEMPO with its LED, its clock and CV inputs, and its ENV, clock and audio outputs.
- New Dreadbox module: the WL Multiple, a passive multiple of the WL series in 2 HP (discontinued), its panel traced from the maker's sheet: nine jacks in three groups, the two marked jacks that break a group off the one above.
- New Dreadbox module: the WL Attenuator, a dual passive attenuator of the WL series in 2 HP (discontinued), its panel traced from the maker's sheet: a linear and a logarithmic channel, each with its input, LVL knob and output.
- New Dreadbox module: the WL Divider, a frequency divider of the WL series in 2 HP (discontinued), its panel traced from the maker's sheet: its input and its /2 and /4 outputs, always a square wave.
- New Dreadbox module: the WL Mixer, a triple 3 to 1 mixer of the WL series in 6 HP (discontinued), its panel traced from the maker's sheet: three columns of three inputs and their output, for audio and CV alike.
- New Dreadbox module: the Lamda, an 8-pole state variable filter in 20 HP (discontinued), its cream panel traced from the maker's sheet: its six filter types on a selector, CUT OFF, POST CUT and RESON, its DRIVE and its VCA, the input with its level micro knob and the CUT, POST and VCA CV inputs.
- New Dreadbox module: the Theta, a dual LFO, white noise, sample and hold and clock in 20 HP (discontinued), its cream panel traced from the maker's sheet: its two triangle or square LFOs with their LEDs, the noise normalled to the sample and hold, the tap tempo clock with its pulse width and its LED.
- New Dreadbox module: the Delta, a dual digital delay in 16 HP (discontinued), its cream panel traced from the maker's sheet: a shared TIME and an offset for each delay, each one's feedback, mix and time CV, its wet outputs and its output.
- New Dreadbox module: the Gamma, a synth voice in 22 HP (discontinued), its black panel traced from the maker's sheet: its oscillator of three to six VCOs with HARMONICS, its band or low pass OTA filter, its VCA and its direct VCA, with their voice to filter and filter to VCA normalisations.
- New Dreadbox module: the Ypsilon, a complex waveform LFO in 22 HP (discontinued), its black panel traced from the maker's sheet: its rising or falling ramp, its four shaping knobs, RATE and LVL, its eight wave outputs, its RST input and its voltage controlled attenuator normalled to the final waveform.
- New Instruō module: the tòna, an all-analogue oscillator in 12 HP (discontinued), traced from the panel drawing in its manual: its square, sawtooth, triangle and sine outputs, its wavefold output with its LED fader and attenuated CV input, its 1V/Oct input, its linear FM with attenuator and its hard sync input.
- New Instruō module: the tràigh, a 24 dB/octave transistor ladder low pass filter with a three channel mixer, in 16 HP (discontinued), traced from the panel drawing in its manual: its three inputs and their LED faders, its output level fader, its coarse and fine cutoff, its 1V/Oct input, its linear FM with attenuator and its self-oscillating resonance.
- New Instruō module: the cèis, an all-analogue ADSR envelope generator in 8 HP (discontinued), replaced by the cèis[2], traced from the panel drawing in its manual and fitted to the maker's photograph: its four LED faders for attack, decay, sustain and release with their CV inputs, the fader track and dust shutter showing in the slot as photographed, a gate output per stage, its combined trigger output, its curve from linear to log/expo, its Gate/Trig switch and its manual button.
- New Befaco module: the Joystick, an attenuverting joystick and gate generator in 12 HP, from the maker's photograph: its arcade stick drawn with its volume, the stepped boot lit along its crests, the flange and the stick's top, its X and Y outputs with their RANGE and OFFSET, its X and Y inputs, its two gate buttons with their outputs and lamps, and its X and Y lamps unlit as photographed.
- New Befaco module: the AC/DC, a DC-coupled USB audio interface in 6 HP (discontinued), from the maker's photograph and the panel drawing in its manual: its four inputs with their gains, their green level lamps lit and their red clip lamps unlit as photographed, its four outputs with their lamps, and its USB-B socket.
- New Befaco module: the MIDI Thing V1, a four channel MIDI to CV interface in 6 HP (discontinued), from the maker's photograph and the panel drawing in its manual: its four CV and four gate outputs with their lamps, its clock and start/stop outputs, its MIDI DIN input, and its LEARN/MODE button, a red cap on a chromed bushing, with its two lamps.
- New Befaco module: the Instrument Interface V1, the I², a preamp, envelope follower and trigger extractor in 11 HP (discontinued), from the panel photograph in its manual: its 6.35 and 3.5 mm inputs and their GAIN, its band pass filter and AUDIO OUT, its LOW, MEDIUM or HIGH response, its FOLLO OUT and REGE OUT with their ATTACK, DECAY and clear lamps, its THRESHOLD and GATE OUT and TRIGG OUT with their lamps, its chromed jacks and its two orange red knobs.
- New Befaco module: the Mixer V1, a four channel mixer in 5 HP (discontinued), from the maker's render: its four inputs and their CH1 to CH4 levels, its summed +OUT and its inverse -OUT on red jacks, and its lamp.
- New Befaco module: the VC Slew Limiter, a voltage controlled slew limiter in 6 HP (discontinued), from the maker's render: its RISE and FALL faders with their RISE CV and FALL CV inputs, its SHAPE, its IN and its OUT on a red jack.
- New Befaco module: the Output V2, a stereo output and headphone module in 6 HP (discontinued), after the maker's photograph: its L and R inputs and their lamps, its VOL knob, its MONO and HPF switches, its 6.35 mm MAIN (L,R) and PHONES outputs, and its two 3.5 mm to 6.35 mm adapters.
- New Befaco module: the Hexa VCA, six VCAs and a mixer in 17 HP (discontinued), after the maker's render: VCAs A to E with their two CV inputs, their INIT knob and LIN/EXP switch, their inputs and outputs, summed into the sixth VCA, MASTER, with its red knob and its ALONE / MASTER switch.
- New Befaco module: the VC ADSR V1, the first version of Befaco's ADSR envelope in 11 HP on a white panel (discontinued), after the maker's render: its A, D, S and R faders and their CV inputs, its GATE IN and TRIGER IN inputs, its push button, its lamp, its switch and its output.
- New Befaco module: the A*B+C V1, the first version of Befaco's dual multiplier and adder in 6 HP (discontinued), after the maker's render: its two sections with their A, B and C inputs, their B LEVEL and C LEVEL knobs, their output and its lamp, OUT 1 normalled to OUT 2.
- New Befaco module: the Dual Atenuverter, a dual attenuverter with offset in 5 HP (discontinued), after the maker's render and page: its two sections with their ATENUVERTER and OFFSET knobs, their input, their output and their bicolour lamp, IN 1 normalled to IN 2.
- New Befaco modules: the ARK, Befaco and Tesseract Modular's 16-track sequencer, in two modules mounted side by side or apart, after the maker's photograph and manual. The ARK Core in 18 HP: its colour screen, its four encoders, its twelve buttons, its USB HOST port, its eight CV/AUDIO outputs, its eight GATEs, its six CV inputs, CLOCK and RESET in and out, and MIDI TRS. The ARK Control in 22 HP: its grid of sixteen mechanical keys and its four bank keys A to D, its NOTE, VELOCITY, LENGTH and CHANCE encoders, and its PATTERN, SHIFT, [SELECT], TRACK SEL, STEP, REC, FILL and MUTE buttons.
- New synth: the Erica Synths Bassline DB-01, the analogue monophonic bass synth with its sequencer (2020), after the maker's photographs and manual: its twelve lobed knobs, its waveform switch and its BP/LP filter switch, its two encoders, its display, its eight small buttons and its 16 step keys, and on its rear its CLK, CV, GATE, C.OFF CV and MAIN OUT sockets, patchable on a table, MIDI included.
- New synth: the Erica Synths x 112dB Steampipe, the 8-voice polyphonic physical modelling synth of wind and string instruments, after its manual's drawings and the maker's photographs: its 37 knobs, its square lit buttons (LEGATO, EXT./W, 1-POLE, SPLIT, POLARITY, GLIDE, SYNC, and MODE with two lamps), LFO SELECT and its two encoders, and on its rear its stereo outputs, headphones, SUSTAIN PEDAL and AUDIO IN, patchable on a table, MIDI and USB included.
- New synth: the Erica Synths SYNTRX II, the analogue synth patched through its 16 x 16 matrix of lit points, after the maker's photographs and its manual's drawings: its 46 knobs with OCTAVE and SOURCE B, its twelve paddle switches, its matrix whose connections a patch keeps, its SCOPE meter, its joystick, and on its rear its outputs, headphones, inputs, SCOPE OUT, GATE, CV1 and CV2 inputs, patchable on a table, MIDI included.
- New synth: the Erica Synths x Richie Hawtin Bullfrog XL, the Bullfrog made for the classroom, after its manual's drawing and the maker's photographs: its 23 knobs, its 55 jacks of 6.3 mm, its oscilloscope with its X and Y encoders and MENU, its attenuverter, slew, splitters and divider, its two envelopes, sample and hold and MANUAL GATE, and on its top edge MIDI IN, USB and the voice card slot, patchable on a table.
- New synth: the first Dreadbox Nyx (2017), the paraphonic synth in its wooden cheeks, after Dreadbox's photographs and its manual: its routing selectors, its two oscillators and vibrato, its dual filter, its three modulators, its reverb, its 18 sliders and 15 patch points, and on its rear MIDI IN and THROUGH, the audio IN and OUT, patchable on a table.
- Cabling: 21 jacks on 5 Befaco modules get their signal type, read in the maker's manual or product page: the audio inputs of the Pony VCF and the INamp, the audio outputs of the Pony VCF and the Kickall, the CV inputs of the Pony VCF, the Kickall and the Stereo Strip, the Kickall's Tune input and the Voltio's outputs as pitch; jacks whose manual gives two types, or none, stay untyped.
- Jacks on a module's back: a jack on the back of a Eurorack module is drawn on a tab over its top edge in a rack, where it is patched, and on an "On the module's back" strip on its page. First case: the USB-C MIDI of the three Bastl Citadels, placed on their board's USB footprint.
- New Bastl module: the Dynamo, an envelope follower, comparator and voltage controlled switch in 5 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its EF IN multiple, its EF OUT, -(EF OUT) and |EF IN| outputs, its FAST, SLOW or MID release, its comparator with THRESHOLD and THR, its COMPRESSOR CV and THR-EF outputs, and its A, B and A or B switch with its GATE; its chromed jacks, its knurled black knob and its pale green lamps, unlit as photographed.
- New Bastl module: the Tromsø, an analog downsampler in 5 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its triangle core VCO, VCO or LFO range, its FM input and attenuator, its comparator with THRESHOLD, THR and its lamp, and its S&H or T&H sample and hold, the triangle normalised to the comparator and the comparator to the GATE.
- New Bastl module: the Hendrikson, a guitar amplifier and stomp box interface in 5 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its 6.35 mm INPUT and OUTPUT, their INPUT GAIN and OUTPUT VOLUME, the MIX crossfader with MIX CV to MIX OUT, and its LINE, GUITAR and MODULAR clip lamps.
- New Bastl module: the Noise Square, a noise and square wave source in 5 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its WHITE and PINK analog noises, its SQUARE, COW, METALIC and DIGITAL digital sources with their knobs, its CV SQUARE input and its CV input switched to METALIC or DIGITAL.
- New Bastl module: the Tea Kick, an analog drum in 5 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its twin T circuit with TUNE, RESONANCE and its RANGE switch, its click and CLICK TUNE, its CV input and ATTENUATOR, its TRIGGER input and lamp, its WTF IN input, and its OUTPUT, SQUARE and CLICK outputs.
- New Bastl module: the Skis, a dual decay envelope and VCA in 5 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: for each channel, A and B, its DECAY and lamp, TRIGGER IN and ENV OUT, its VCA with SIGNAL IN, VCA CV IN, SIGNAL OUT and its VCA CRUNCH switch, the envelope normalised to the VCA.
- New Bastl module: the SPA, the grandPa's expander in 5 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its GRAIN SIZE, SHIFT SPEED, X and Y CV inputs with their attenuators, X and Y setting START and END or ATTACK and RELEASE by its switch, its CRUSH input and its GRAIN SYNC input.
- New Bastl module: the grandPa, a granular sampler in 5 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its single-digit display, its micro-SD slot, its two knobs whose parameters change with its RGB lamp's page, its PAGE, FN, UP, DOWN, TRIG A and TRIG B buttons, its TRIG A, TRIG B and CV IN inputs and its OUT output.
- New Bastl module: the Propust, a triple passive filter in 2 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its three fixed RC filters A, B and C, each a highpass then a lowpass, with their three jacks, no power needed.
- New Bastl module: the CV Trinity Expander in 2 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its six inputs, one per CV Trinity channel, resetting the automation or the LFO, or retriggering the envelope.
- New Bastl module: the Knit Rider Expander in 2 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its CLK OUT clock output and its LED, its RESET both ways, and its 3-way passive multiple with its inverted INV OUT.
- New Bastl module: the Little Nerd, a clock and trigger processor in 6 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its IN 1 and IN 2 inputs, its five programmable outputs A to E and their knobs, its PROBABILITY MIX knob, its SHIFT and MODE buttons, its RGB LED and its lamps.
- New Bastl module: the Multiple, a passive multiple in 2 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its nine open-frame sockets, wired together, split into groups by cutting their wires.
- New Bastl module: the CV Trinity, a six-channel modulation source in 14 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its six channels in automation, LFO or ADSR mode with their CV / gate inputs and outputs, its three knobs, its three big square buttons with their legends, CLK IN, CLK OUT and SELECT OUT, its RGB LED and its lamps.
- New Bastl module: the Knit Rider, a six-voice trigger / gate sequencer in 16 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its 32 large round buttons (voices, functions, BAR and STEP) and their lamps, its CLK IN input and its six outputs A to F.
- New Bastl module: the Popcorn, a non-linear CV sequencer in 10 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its eight steps with their knobs, buttons and lamps, SLIDE TIME and GATE TIME, FN, the TRIG A and TRIG B lamps, its TRIG A, TRIG B, CV IN and RESET inputs and its GATE OUT and CV OUT outputs.
- New Bastl module: the Popcorn CV Expander in 2 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its MIN/MAJ, TRIGA S., GATE T., SLIDE T. and OFFSET inputs.
- New Bastl module: the Quattro Figaro, a quad VCA in 10 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its four channels A to D, their GAIN knobs, their CV attenuators, their CV and signal inputs, their signal and inverted CV outputs, its mixed outputs -(A+C), -(B+D), A+B+C+D and -(A+B+C+D), and its normalisations from A to B and C to D.
- New Bastl module: the Popcorn Gate Out Expander in 2 HP (discontinued), from Bastl's first Eurorack line, after the maker's photograph of its aluminium front: its eight gate outputs, one per step, and its JUMP button.
- New Bastl module: the Clutch, a quad attenuator and volume pedal to CV interface in 5 HP (discontinued), from Bastl's first Eurorack line, in its wood finish, after the maker's photograph: its four channels A to D with their knobs, their stereo inputs and outputs, and its switch making channel A a voltage source.
- New maker, Pittsburgh Modular, and its first module: the Double Helix Wavetable Processor from the Safari series, a 9-bit digital wavetable oscillator in 16 HP, red knob version, after the maker's photograph: its two banks of 16 wavetables, its 16 effects modes printed round process select, its seven red-capped knobs, its five CV inputs with their attenuators, its bank, direction and step switches, its pitch input and its wave and mix outputs.
- New maker, Flame, and its first module: the C3 MK2 Knobrekorder, a three-track knob movement recorder in 6 HP, silver panel, after the maker's manual and photograph: for each track a knob, REC, PLAY, STOP and its lamp, a CV-1 input for track 1, a common RESET input and three CV outputs.
- New Pittsburgh Modular module (discontinued): the Lifeforms Double Helix Oscillator, an analogue complex oscillator in 28 HP, after the maker's photograph: its primary and secondary oscillators, its contour section (wavefolder and dynamic impulse low pass gate), its LFO with noise, its two voltage controlled routers and their six a, off, b switches, its 15 notched black knobs with brushed aluminium tops and its 28 jacks.
- New Bastl module: the Kong, a dual drum pad interface in 5 HP (discontinued), from Bastl's first Eurorack line, in its wood finish, after the maker's photograph: for each channel A and B its 6.35 mm input, its wooden GAIN knob with its aluminium cap, its trigger lamp and its AUDIO, TRIGGER and VELOCITY outputs.
- New Bastl module: the Dup Dup, a dual voltage controlled foot switch in 5 HP (discontinued), from Bastl's first Eurorack line, in its wood finish, after the maker's photograph: for each channel A and B its lamp, its MANUAL button, its SWITCH / BUTTON switch, its INVERTING GATE IN, SIGNAL IN, FX RETURN (normalled to +5 V) and FOOT SWITCH inputs, and its FX SEND and SIGNAL OUT outputs.
- New Bastl module: the Solenoid Expander, the Solenoid's CV velocity expander in 2 HP (discontinued), from Bastl's first Eurorack line, in its wood finish, after the maker's photograph: its four CV inputs A to D.
- New Bastl module: the DC Motor, a dual bipolar DC motor driver in 6 HP (discontinued), from Bastl's first Eurorack line, in its wood finish, after the maker's photograph: its POWER IN socket, for each channel A and B its motor socket, its red and green lamps, its DIRECTION, SPEED OFFSET and ATTENUATOR knobs and its CV IN input.
- New Bastl module: the Servo, a dual CV to servo motor interface in 5 HP (discontinued), from Bastl's first Eurorack line, in its wood finish, after the maker's photograph: its POWER IN socket, for each channel A and B its SERVO OUT pins, its ANGLE and CV ATT / ANGLE 2 knobs and its GATE IN and CV IN inputs.
- New Bastl module: the Solenoid, a quad solenoid driver in 5 HP (discontinued), from Bastl's first Eurorack line, in its wood finish, after the maker's photograph: its POWER IN socket, its four outputs A to D with their lamps, its wooden OUTPUT PULSE WIDTH knob with its aluminium cap and its four TRIGGER IN inputs.
- New Bastl module: the Sense, an analog sensor calibration module in 5 HP (discontinued), from Bastl's first Eurorack line, in its wood finish, after the maker's photograph: its (V) IN and (Ω) IN inputs, its sensor header, its AC/DC, PRE-AMP, (V)/(Ω) and RANGE switches, its wooden GAIN, OFFSET and GATE THRESHOLD knobs with their aluminium caps, its CLIP and threshold lamps, and its CV OUT and GATE OUT outputs, direct and inverted.
- Bastl Clutch module (wood front): its jacks now look like the real ones, read on the maker's photograph: the chromed hex nut turned as photographed, the dark "+" contact in the outputs and the black opening of the stereo inputs.
- New Bastl module: the ABC, a six channel mixer in 5 HP (discontinued), made by Bastl with Postsound, in its black front, after the maker's photograph: its six inputs A to F and their gain knobs, in two groups to the A+B+C and D+E+F outputs, A+B+C mixed into D+E+F while nothing is plugged into it.
- New Bastl module: the Skis II, a dual voltage controlled decay envelope and VCA in 5 HP (discontinued), the Skis' makeover by Bastl with Postsound, in its black front, after the maker's photograph: for each channel A and B, its DECAY and lamp, TRIGGER IN, DECAY CV IN and ENV OUT, its VCA with SIGNAL IN, VCA CV IN and SIGNAL OUT, the envelope normalised to the VCA and TRIGGER IN A to B.
- New Bastl module: the Waver, a wave folding drone mixer in 8 HP (discontinued), made by Bastl with Casper Electronics, in its black front, after the maker's photograph: its three inputs A, B and C and their faders with black caps and white stripes, A's and C's bipolar VCAs with their CV inputs and attenuverters (A CV normalised to C CV), its SHAPE fader from MIX through FOLD to SQUARE and its CV, BREAK and its ! button, B PASS, its red and green BREAK lamp, its MIX and SHAPE outputs, and the zebra printed under the faders, completed where the caps hide it on every photograph.
- Cabling: 41 jacks on 13 modules get their signal type, read in the maker's manual or product page: the outputs of the Cycle 5, Generate 3, Pico VCO, Multifunction Discrete VCO and Pony VCO oscillators as audio, the Sinfonion's gates, the triggers of the Clutch, the Crucible and the Wobbler 2, the ART outputs of the 248t and 264t as pitch; the Plexiphon's SEND becomes a gate input, and the Let's Splosh's six CT/NB, CTN/B and CTNB outputs can all be patched now.
- New synth: the Moog Minimoog Model D (2022 reissue), its 44-key keyboard, its knobs and its RANGE and WAVEFORM selectors, its turquoise, orange and black rockers, its OVERLOAD and POWER lamps, and on its top the patch panel cabled on a table, MIDI included.
- New synth and module: the Moog Mavis, a 44 HP build-it-yourself semi-modular analog synthesizer, placed and printed from the face drawing in Moog's manual: its 22 white-dot knobs, 13 ivory keys, VCA MODE switch and 24-point patchbay (wave folder, mixer, attenuator, sample and hold, mults); on a table as a synth, or in a 3U row as a Eurorack module.
- New synth: the Moog Subsequent 37, placed and printed from the face drawing in Moog's Quickstart: its CUTOFF, its selectors, its rubber buttons and round buttons lit amber, its LEDs showing the state of GLIDE, the MODs, KB CTRL, SLOPE and the arpeggiator's range, its screen keeping the bank and preset, its lit wheels, and on its side its CV inputs, audio and MIDI.
- New synth: the Arturia MiniBrute 2, semi-modular, placed and printed from the top render in its manual: its knobs with orange, blue or white collars, its white-capped sliders, its switches, its 48-point patch bay with its pre-wired connections, its sequencer buttons, its wheels, its 25-key keyboard, and on the back its outputs, MIDI and USB.
- New synth: the Arturia MiniBrute 2S, the sequencer MiniBrute 2: its face and 48-point patch bay, its 16 pads and 16 step encoders, its Tempo / Value encoder, its blue display keeping the tempo, and in its internal settings the pattern length and the arpeggiator.
- New Nonlinearcircuits module: the Cellular Automata, a 16-cell gate and pattern generator on cellular automata rules 90 and 150, in 12 HP: its 4x4 grid of lit squares, four seed inputs, a clock input, sixteen gate outputs and three CV outputs.
- New Nonlinearcircuits module: the Cluster, an 8x4 CV-controlled matrix mixer, 32 VCAs into four mixers, in 42 HP: 32 gain knobs, signal and CV inputs, four outputs, its “signal” labels printed in black as photographed.
- New Nonlinearcircuits module: the Null-A, an all-in-one analogue synth in 42 HP, in a white and a black panel: two VCOs, two VCFs, a delay, three VCAs, LFOs, ADSR, sequencer, S&H and Sloth chaos, 51 jacks, 33 knobs, 4 LEDs, with its normalisations for the patch generator.
- New Nonlinearcircuits module: the Spectrum Shaper, a 36-channel voltage-controlled comb filter after Burhans, in 80 HP, in a white and a black panel: 36 black-capped sliders with their CV input, six sections with their Q knob and output, IN 1, IN 2, ALL 1 and ALL 2.
- New Nonlinearcircuits module: the Fourier, Fourier synthesis after an Elektor idea, 7 sine and 8 cosine steps scanned by two multiplexers, in 24 HP, in a white and a black panel: sixteen knobs with their input and LED, CLK, RST and DIR in for each multiplexer, MIX 1&2, OUT 1, OUT 2 and OUT 1&2 out.
- New Nonlinearcircuits module: the Macrame, a six-channel mixer with voltage-controlled level and panning on two SSI2190, in 21 HP, in a white and a black panel: level and pan SET and CV knobs and an LED per channel, two synth outputs, a stereo line output and two black 1/4 inch line outputs.
- New Nonlinearcircuits module: the Bindubba, a 16-step sequencer in a 4x4 grid, in 28 HP: sixteen knobs and sixteen LEDs, clock, direction and jump inputs for both directions, sixteen gate outputs, two CV outputs, an inverted one and two slewed outputs with their knob and CV.
- New Nonlinearcircuits module: the Clump, a 4x4 CV-controlled matrix mixer, sixteen VCAs into four mixers, in 24 HP, printed in black as photographed: sixteen gain knobs with their CV input, four signal inputs with their normal, off or invert switch, four outputs.
- New Nonlinearcircuits module: the MUN, a 10-channel vocoder after the Syntovox 222, in 22 HP: a 1/4 inch mic input, line and synth voice inputs, a carrier input, noise mixed on channels 9 and 10, six knobs, filter and envelope outputs and envelope inputs for each channel, twelve LEDs, MAIN OUT.
- New Nonlinearcircuits module: How's the Serenity?, four reverse sigmoid chaos circuits influencing each other, in 24 HP, in a white and a black panel, its six 2200 uF capacitors through the panel: a CV input and knob for each section, four SYNC knobs, twelve A, B and C outputs, four difference rectifier outputs, sixteen LEDs.
- New Nonlinearcircuits module: the LDRama, 48 LDRs under a phone's screen laid on the panel, making CVs from a video, in 28 HP, in a white and a black panel: outputs A1 to B6 per set of four, eight outputs from halves, thirds and all of the screen, a LEVEL knob and a CV IN.
- New Nonlinearcircuits module: the 1U Diff-Rect, a difference rectifier splitting the difference of two inputs into its positive and negative parts, in 6 HP in the 1U Intellijel format, in a white and a black panel: IN+ and IN- in, two outputs and two LEDs.
- New Nonlinearcircuits module: the 1U Reverse Sigmoid, a reverse sigmoid chaos circuit whose three outputs track each other, in 6 HP in the 1U Intellijel format, in a white and a black panel: IN in, three outputs and two bipolar LEDs.
- New Nonlinearcircuits module: the 1U Signum, a three-state switch, the signum function, in 6 HP in the 1U Intellijel format, in a white and a black panel: SWITCH in, normalled to the bottom input, two inputs, OUT out and two arrow-shaped windows lit by its LEDs.
- New Nonlinearcircuits module: the 1U PiLLs, two cross-coupled PLLs going in and out of chaos at audio rates, with vactrols, the 1U version of the Mobius PiLL, in 12 HP in the 1U Intellijel format, in a white and a black panel: FM IN, CV RANGE 1 and 2, CV 1 and 2 in, VCO 1, VCO 2, PM 1 and PM 2 out.
- New Nonlinearcircuits module: the 1U XOR, a two-input passive XOR best heard as a pseudo ring modulator, in 6 HP in the 1U Intellijel format, in a white and a black panel: IN and IN in, OUT out.
- New Nonlinearcircuits module: the MulCho, a chopper multiplier after Harald Bode, the 1U version of the ChoMul's, in 6 HP in the 1U Intellijel format, in a white and a black panel: IN and IN in, OUT out with its LED.
- New Nonlinearcircuits module: the 1U Sloth Chaos, a slow chaotic circuit built as Torpor, Apathy or Inertia, in 6 HP in the 1U Intellijel format: IN in, two OUT out and a LED.
- New Random*Source module: the Serge Dual Universal Slope Generator mk2 (DSG), Serge's dual slope generator in 26 HP, its panel rebuilt on the maker's square-on photograph: on each side the OUT and END outputs, PULSE on the left and BP OUT on the right, the 1V/OCT, IN and TRIG IN inputs, the RISE, BOTH and FALL CV inputs, the RISE and FALL knobs with their scale arcs, the CYCLE switch, the current version's unlabelled switch and the two EXPO switches, the red and yellow lamps, and the white, red and black discs round its jacks.
- New Random*Source module: the Haible VC Poly Resonator, Jürgen Haible's three-band resonator after the Polymoog's in 18 HP, its panel placed on the manual's drawing and traced from the maker's square-on photograph: for each LOW, MED and HIGH band its frequency, GAIN and EMPH, its CV input with its attenuverter, the LOW, BAND and HIGH outputs, the MODE switch, the DRY knob and the IN input.
- New Random*Source module: the Haible Dual Wasp Filter, Jürgen Haible's dual Wasp filter in 22 HP, sold as a kit, placed on the build document's layout and traced from the maker's square-on photograph: for each filter CUTOFF, RES, TYPE and its LP - BP / LP - HP switch, DIST, the input level and CV attenuator, the SYNC switch, MODE and its CV input with attenuverter, the OUT A, OUT and OUT B outputs.
- New Nonlinearcircuits module: the CEM3340 VCO, a VCO with phase modulated sync and a pan-pulse output after the Aries PMS-338, in 18 HP: ten knobs, the EDGE switch, nine inputs including two CVs, LOG FM, LIN FM, SYNC and SOFT SYNC, SAW, TRI, SINE, PULSE and PAN PULSE out.
- New Nonlinearcircuits module: the Choral Generator, three BBD chorus channels after the ARP Omni's, in 18 HP: DELAY, CV and REGEN knobs and a black-capped +/- toggle for each channel, in1 to in3 and two columns of cv1 to cv3 in, out1 to out3 and out all.
- New Nonlinearcircuits module: the DelayNoMore3, three PT2399 delays feeding each other in a loop, in 18 HP: DELAY, CV, FEEDBACK and FB-1 knobs for each stage, IN1 to IN3, the loop's three inputs and CV1 to CV3 in, OUT1 to OUT3 out.
- New Nonlinearcircuits module: the Dispersion Delay, three vactrol band-pass filters each into a voltage-controlled delay, in 18 HP: FREQ, CV FREQ, DELAY and F/BACK knobs for each channel, in1 to in3, cvF1 to cvF3 and cvD1 to cvD3 in, out1 to out3 and out all.
- New Nonlinearcircuits module: the Multiband Distortion Processor, four frequency bands each through a fuzz and a vactrol VCA, in 18 HP: distort, blend and gain knobs for each band, a CV input and an output per band, two inputs and two out all outputs.
- New Make Noise module: the Analog Memory, a 20 HP Pressure Points expander (discontinued): twenty knobs store twenty voltages in four columns of five, the column chosen by touching the Pressure Points' plates, five outputs and four column lamps (drawn unlit).
- New Make Noise module: the MATHS Classic, the first MATHS (2009 to 2013), 20 HP (discontinued), on its silver lightning-bolt panel: two function generators (envelopes or LFOs) and two attenuverters, Signal, Trigger, Rise, Both and Fall inputs, each channel's outputs, SUM, OR, End of Rise and End of Cycle, its notched blue and white knobs and its frosted-lens CYCLE buttons.
- New Make Noise module: the René Classic, the first René (released late 2010), a Cartesian sequencer, 34 HP (discontinued): sixteen knobs on a four by four grid travelled by an X axis and a Y axis, clock, modifier and CV inputs for each axis, QCV, CV, G-X and G-Y outputs; its programming is played on the panel as on the module, with PGM1, PGM2 and the gold touch plates, its six pages (ACCESS, X-GATE, Y-GATE, X-FUN, Y-FUN, Q) kept with the patch, the knobs' caps lighting for the page shown.
- New Make Noise module: the modDemod, a passive dual balanced modulator, 4 HP (discontinued), on its silver panel and, as a finish, on the black and gold panel of its limited run of twenty (March 2008), its gold radio tower, its white and dark grey inks: two circuits, each with its Program and Carrier inputs and its output, the first one's output normalled to the second one's Program input.
- New Make Noise module: the Format Jumbler, a passive adaptor between banana sockets, mini jacks and 1/4" jacks that doubles as a multiple, 12 HP (discontinued), on its silver panel: five channels each joining a banana, one or two mini jacks and a 1/4" jack, the GROUND banana, its printed zigzags and the mini jacks in their 2008 hex nut.
- New Make Noise module: the Phonogene, a digital tape recorder for musique concrète and microsound, 20 HP (discontinued), on its silver panel: recording on the fly and sound on sound, VARI-SPEED, splicing (SPLICE, ORGANIZE) and granular playback (GENE-SIZE, GENE SHIFT, SLIDE), control inputs and PLAY, REC and SPLICE pulse inputs, an End Of Splice output, its notched blue and white knobs and its red REC button.
- New Make Noise module: the RxMx, a six-channel macro low pass gate and crossfader, 20 HP (discontinued), on its silver panel: six vactrol low pass gates and their attenuators, CHANNEL, RADIATE and LEVEL with their CV inputs and STRIKE, outputs A, B and C, AUX A and AUX C inputs, its six drive lamps, its notched blue and white knobs.
- New Make Noise module: the Mysteron, a voltage-controlled dual digital waveguide, 14 HP (discontinued), on its silver panel: PITCH and its fine tune, IMPULSE, MUTATION (DEPTH and TYPE) and GENERATION with their CV inputs, the PITCH 1 and PITCH 2 inputs, the two EXCITE inputs normalled to each other with their lamps, the !! input and the OUT output, its notched blue and white knobs.
- New Make Noise module: the Wiard Wogglebug, the first Wogglebug, a 14 HP random voltage generator after Grant Richter (discontinued), on its silver panel: Stepped, Smooth and Woggle CVs, the Smooth and Woggle VCOs and their ring modulation, the Heart IN input, its navy-capped knobs and its two lamps (clear and green) lit by a click.
- New Make Noise module: the tELHARMONIC, Tom Erbe's 14 HP three-algorithm voice (additive, noise, phase modulation, discontinued), with its voltage controlled music theory: its Color Staff lights by a click in the manual's twelve chord colours, its H-LOCK button and its GATE lamp.
- New Make Noise module: the MMG, a 12 HP vactrol filter and low pass gate (discontinued) swept from low pass to high pass: its large slate FREQ knob, its blue MODE and Q knobs, its STRIKE and ACCENT inputs, and its OVER LOAD, MODE and Q clip lamps (cream unlit, pink lit) lit by a click.
- New Nonlinearcircuits module: the Double Penetration (DP) Filter, a transistor ladder and a diode ladder coupled by opto-isolators, in 12 HP: res, freq and cv1 knobs for each ladder, their inputs and CVs, each filter's output, sum and difference, and the Q path switch.
- New Nonlinearcircuits module: the GENiE, three neurons in a ring and a difference rectifier, in 12 HP: SENSE, REACT and input level knobs for each neuron, shared IN1/2 and IN2/3 inputs, OUT1 to OUT3, OUT- and OUT+, and three LEDs.
- New Nonlinearcircuits module: the Giant B0n0, a chaotic PLL with an overdriven delay chip in its loop, in 12 HP: DELAY FB, DELAY, MIX, PLL->DELAY, COURICS and PLL FILTER knobs, IN, SYNC, CV-DLY and CV-PLL in, MIX, VCO, PC1, PC2, SAW and CV out.
- New Nonlinearcircuits module: the Ian Fritz Hypster, Ian Fritz's fourth-order hyperchaos generator, in 12 HP: RATE, GAIN, DAMP and FINE knobs, three CV inputs with their levels, SQUIRRELY / CURLY and WILD / MILD switches, eight outputs X, Y, Z, U and their inverses, and four LEDs.
- New Nonlinearcircuits module: Is Carp Lust Wrong?, a BBD voice loosely after Karplus-Strong, in 12 HP: noise, envelope, delay loop and filter, eleven knobs, EG TRIG, EXT NOISE and three CV inputs, BP OUT and MAIN OUT.
- New Nonlinearcircuits module: the 1050 Mixer Sequencer, after the ARP 1050, in 16 HP: an 8-step sequencer or two 4-step ones, an 8-input mixer or a sequential switch as its two toggles set it, eight inputs with their knobs, CLOCK and RESET, 1-4, 5-8, 1-8 and DIFF-RECT - and + out, and its diamond of eight blue LEDs.
- New Nonlinearcircuits module: the Frolic, an 8-stage sequencer and sequential switch driven by CV, by clock or both, in 16 HP, in a white or a black panel: eight stage knobs, ANALOGUE, OFFSET and SLEW, ANALOGUE, CLOCK, RESET, HOLD, INPUT SELECT, UP/DOWN and eight STAGE INPUTS in, SEQ, SLEW, INVERT and eight GATES out with their LEDs.
- Nonlinearcircuits: a black panel for the Lux, Mults, 4HP Neuron, 7555 VCO, Dactrol, George, GooGooMux and Sandy Freckle, its lettering, logo and rings in gold, as on the maker's black panel files.
- Nonlinearcircuits: a black panel for the Immix, Bulbous, Also Tapered, Demux Phaser, Encephalo Adjuster, Epilogue VCF, Burhans Timbre, Comparators and Coupled Comparators, its lettering, logo and rings in gold, as on the maker's black panel files.
- Nonlinearcircuits: a black panel for the Fast and Bulbous VCF, Freqy, Frisson, Isolate, Let's Get Fenestrated, Logorrhea, Molecular Relaxation Simulator and MORE, its lettering, logo and rings in gold, as on the maker's black panel files.
- Nonlinearcircuits: a black panel for the Path Filter, Phone Charger, Product, Pseudo, Rong Mid, Snake Joke, The Shaver Mystery and Tin Teardrop VCF, its lettering, logo and rings in gold, as on the maker's black panel files.
- Nonlinearcircuits: a black panel for the Winnits, Dichotomy Paradox, I Was Sitting in a Room, Moldy Rapture VCO and Poultry in Motion, its lettering, logo and rings in gold, as on the maker's black panel files.
- Nonlinearcircuits: a black panel for the Splish, Tinkle and Triple Sloth, from their photographs: rings in gold, lettering in light grey as on the Frolic, logo and bars in gold or grey as each photograph shows.
- New Nonlinearcircuits module: the It's 555, five cascaded 555 monostables, a voltage-controlled resonator and glitch maker, in 16 HP: for each of five stages a CV input and CV, WIDTH and LEVEL knobs, CV ALL and two IN in, two OUT.
- New Nonlinearcircuits module: the Beat Freq, a beat frequency indicator in 8 HP: four CV sequence knobs, IN1 and IN2 in, four gate outputs, CV and XNOR out, and its ring of four LEDs behind the panel's X.
- New Nonlinearcircuits module: the Immix, six SSI2190 VCAs mixed to one output, in 6 HP: for each VCA an inverting, a non-inverting and a CV input.
- New Nonlinearcircuits module: the Mixer, a three-input DC mixer in 8 HP, with its 6.35 mm line output and its headphone amplifier (PHONES IN, PHONES OUT), fed the mix when PHONES IN is empty.
- New Nonlinearcircuits module: the Sauce of Unce, a source of uncertainty after the Buchla 265, in 10 HP: three noises (low, flat, high), a fluctuating and a stored random voltage.
- New Nonlinearcircuits module: the Sloth DK, a very slow chaos circuit in 6 HP, its two large capacitors through the panel: OUT1, OUT2 and MIX OUT, a MIX LEVEL knob and a bipolar LED.
- New Make Noise module: the Teleplexer, an 8 HP telegraph-style multiplexer (discontinued): its 14 gold touch plates, three AUX IN inputs and three OUT outputs, and each output's number lit green or red by a click.
- New Random*Source module: the Serge Variable Bandwidth Filter (VCF2), Serge's dual state-variable filter without resonance in 18 HP, its panel rebuilt on the square-on photograph: the HIGH, VAR WIDTH, HIGH BAND, LOW BAND, LOW 1 and LOW 2 outputs, the IN 1 and IN 2 inputs with their knobs, FREQ and BWIDTH each with its 1V/OCT input and its CV input with an attenuator (VC F, VC BWIDTH), the CV ◀ ▶ switch lying on its side that sends the CV to the first filter, the second or both, and the black and white discs round its jacks.
- New Make Noise module: the Rosie, an 8 HP output interface (discontinued) for playing the modular live: CH A and CH B inputs with their A and B level lamps, the crossfader, the FX SEND and the M and ST return with its RETURN LEVEL, the master LEVEL and the OVL lamp, the 6.35 mm LINE OUT, the CUE LEVEL sunk in the panel and its headphone output.
- New Random*Source module: the Serge Equal Power Stereo Mixer, Serge's equal-power panning stereo mixer in 18 HP, its panel rebuilt on its square-on photograph: two channels, IN 1 and IN 2, with their GAIN and L R knobs, each with its CV input and attenuator, the AUX L and AUX R inputs, the OUT L and OUT R outputs on 3.5 mm jacks and balanced 6.35 mm jacks, the pan knobs' arcs, and the black and white discs round its jacks.
- New Random*Source module: the Serge New Timbral Oscillator (NTO), Serge's precision VCO in 18 HP, its panel rebuilt on the maker's square-on photograph: the PULSE, SAW, TRIANGLE and SINE outputs, and VARIABLE with VAR SHAPE and its VC input, the 1V/OCT input and the portamento input (IN, VC and PORT), SYNC, VC F, LIN FM through its VCA (IN, VC and its knob), FREQUENCY and FINE, the scale arcs of VC F and VAR SHAPE VC, and the red, black and white discs round its jacks.
- New Random*Source module: the Serge Sequencer 8 XL (SEQ8XL), Serge's 8-stage sequencer / programmer in 42 HP, its panel rebuilt on its photographs: for each stage its A and B knobs, its GATE output, its SELECT input, its button and its lamp; the A, B, A - B and ALL GATE outputs, the CLOCK, RESET, HOLD, UP/DOWN and PRESET inputs, the ON / OFF switch, and the red and white discs round its jacks; the patch keeps the stage chosen by a click on its button, its lamp lit.
- Random*Source: the Serge Sequencer 8 XL also comes as its Special Edition, a finish to pick in the rack: the same panel, its eight stage buttons C&K 8125 push buttons in their chromed dress nut, in relief, instead of the flush white ones; the patches made on the rack keep it.
- Fix: the black panel of the Michigan Synth Works modules (BLN, Pique CV Expander, MicroGrids, Twiigs, Threshold) is the black measured on their photographs away from the reflections, no longer the grey of the lit top; the Threshold's dark grey buttons stay a little lighter than the panel, as photographed.
- Fix: the chrome nuts of the Michigan Synth Works modules are the mid grey of their photographs, no longer a white halo; the black Microburst has its black nuts.
- Fix: on the black panel of the Threshold and the Pique CV Expander, the jacks' black nut is the black measured on the photographs, brought to the panel, no longer a light grey; its chrome bushing is bright on the inside, as photographed.
- New Nonlinearcircuits module: the 32:1, a 1:32 or 32:1 multiplexer and a 32-stage counter, in 14 HP: CLOCK, RESET and ↔ (direction) in, the common IN/OUT jack and jacks 1 to 32, both ways, and five LEDs counting in binary.
- New Nonlinearcircuits module: the Numberwang, a 4 to 16 decoder making gate patterns, in sync or async mode, in 14 HP: IN 3, IN .09, IN -1, IN 26 and SYNC in, sixteen gate outputs named by the numbers the panel prints, each with its LED.
- New Nonlinearcircuits module: the Wangernumb, a phase-locked loop that tracks a frequency, divides it twelve ways down to 1/4096, plays roulette or divides a clock, in 14 HP: RANGE and FILTER knobs, TRACK, ROULETTE, DIVIDE and VCO RANGE CV in, VCO OUT and twelve outputs named by the numbers the panel prints, each with its LED.
- New Nonlinearcircuits module: the Dual OTA VCO, two triangle-core VCOs on OTAs, in 14 HP: fine, coarse and pulse width knobs for each, cv and pwm in for each, sync on the left one, fm on the right one, tri, sqr and pulse out for each.
- New Nonlinearcircuits module: the Digital Filter Simulator, a digital filter's canonical form built from analogue parts and clocked, in 12 HP: RANGE knob and its PEAK LED, five FEEDBACK and five OUTPUT knobs, RANGE CV, CLOCK, IN1 and IN2 in, two OUT.
- New Nonlinearcircuits module: the Brain Custard, nine audio-rate chaotic oscillators mixed into neuron clusters, in 12 HP: two knobs under each of HIGH, MID and LOW, three BLEND knobs, three LEDs, IN HI, IN MID and IN LOW in, X, Y, Z, BLEND and CUSTARD out.
- New Nonlinearcircuits module: A Plague of Demons, a thru-zero VCO on analogue switches after Electronotes EN#75, in 12 HP: FREQ, SELF CONTROL, DEPTH, FM ENV, PW, EXT MOD, CV and PWM knobs, the two phase reversal LEDs ← and →, 1V/OCT, FM ENV, CV, PWM and EXT MOD in, SINE, SINE+180, TRI, SAW, PULSE and SQUARE out.
- New Nonlinearcircuits module: the 329 Phase Flange, the Aries 329 Phase/Flange on the ARP Quadra's phase shift network, in 12 HP: IN, Q, 1V/OCT and FREQ knobs, the INVERT toggle whose position the patch keeps, IN, 1V/O, CV and LINCV in, PHASE, AUX and MAIN out.
- New Nonlinearcircuits module: the Molecular Relaxation Simulator, a complex slew and envelope generator, in 8 HP: LVL 1, LVL 2, RATE 1, RATE 2, CV1 and CV 2 knobs, two RATE toggles MID / HIGH / LOW whose position the patch keeps, IN, CV 1 and CV 2 in (CV 1 normalled to CV 2), DIFF, SUM and OUT, and its LED.
- New Nonlinearcircuits module: the Beat Freqs, a beat frequency indicator grown into a gate generator, in 8 HP: IN1 and IN2 in, 16 gate outputs and four rings of LEDs behind the panel's X.
- New Nonlinearcircuits module: the Encephalo Adjuster, a 24-stage LDR phaser with positive and negative feedback, in 8 HP: IN1, WET/DRY, PHASE, PHASE CV, REGEN and REGEN CV knobs, IN1, REGEN IN(6), REGEN CV and PHASE CV in, OUT6, OUT12, OUT18 and OUT.
- New Nonlinearcircuits module: The Shaver Mystery, two BBD flangers for thru-zero effects, in 8 HP: FLANGE1, FLANGE2, MIX, FINE2, F/BACK, CV2 and IN1 knobs, the ANTI PHASE toggle whose position the patch keeps, IN1, IN2 and CV2 in, two OUT and the clocks' LED.
- New Nonlinearcircuits module: the Burhans Timbre, a pseudo-noise timbre and CV pattern generator after Ralph W. Burhans, in 8 HP: six stages with their Q / OFF / not-Q toggle, knob, gate output and lit number, CLK, SIGNAL and RST in, OUT.
- New Nonlinearcircuits module: the Fast and Bulbous VCF, an SSI2140 filter and phaser, in 8 HP: four FILTER / PHASER toggles, one per stage, IN 1, DRY MIX, FREQ, FREQ CV, Q and Q CV knobs, IN 1, IN 2, 1V/OCT, FR CV and Q CV in, OUT and POLES out.
- New Nonlinearcircuits module: the Rong Mid, a voltage-controlled Ming Rod, a vactrol-balanced ring modulator, in 8 HP: IN RONG, IN MID, RONG, MID, CV RONG and CV MID knobs, IN R, IN M, CV R and CV M in, OUT and the SWAP toggle.
- New Nonlinearcircuits module: the Serious Filter, a filter after the ARP 4023, in 8 HP: IN 1, FREQ, CV 1 and RES knobs, IN 1, IN 2, CV 1 and CV 2 in, band-pass and low-pass outputs.
- New Nonlinearcircuits module: the Frisson, Mackey-Glass chaos and an eight-stage CV phaser, in 8 HP: IN and CV in, eight outputs 1 to 8, IN, CHAOS, PHASE, PHASE CV and FEEDBACK knobs, the CHAOS / CV PHASER toggle and eight LEDs in a ring.
- New Nonlinearcircuits module: the Pseudo, pseudo-random sequences, noise and tones after Electronotes 76, in 8 HP: CLOCK and RELOAD in, U1, U2, G1 and G2 CV outputs, LOOP and PSEUDO RANDOM gate outputs with their LEDs, and the MODE and LENGTH (8, 16 or 24 steps) toggles.
- New Nonlinearcircuits module: the Snake Joke, a CMOS Euclidean trigger, gate and CV generator designed with Tom Hirst, in 8 HP: CLOCK, RESET and 1 to 4 in, switches 1 to 4 and RESET, HIT GATE, HIT TRIG, C1 to C4 and CV out with their LEDs.
- New Random*Source module: the Serge Precision Oscillator (PCO), Serge's precision VCO in 14 HP, its panel rebuilt on the maker's square-on photograph: the SAW, TRI, SINE and PULSE outputs, SYNC, two 1V/OCT inputs, VC F and LIN FM with their knobs, FINE and COARSE, the LOW switch for the LFO range, VC F's arc, and the red, black and white discs round its jacks.
- New Random*Source module: the Serge Extended ADSR, Serge's envelope with an initial delay in 14 HP, its panel rebuilt on its square-on photograph: DELAY, ATTACK, DECAY, SUSTAIN and RELEASE with their knobs and CV inputs, GATE IN, TRIG IN and VC ALL, the OUT output and its lamp, the SLOPE switch and its pictograms, and the red and white discs round its jacks.
- New Random*Source module: the Serge ÷N Comparator, Serge's comparator, pulse divider and staircase generator in 10 HP, its panel rebuilt on its square-on photograph: the ÷ OUT, CMP OUT and STEP OUT outputs, the 1 ÷31 knob and the VC input with its knob, IN+ with its knob and IN-, the -5 +5 knob with its arc, and the red and white discs round its jacks.
- New Random*Source module: the Serge Resonant Equalizer, Serge's ten-band resonant equalizer in 18 HP, its panel rebuilt on the GTO's template: its ten band knobs from 29 Hz to 11 kHz, the OUT, COMB 1 and COMB 2 outputs, the IN 1 and IN 2 inputs with their knobs, FEEDBACK and its Ø phase switch, and the black discs round its jacks.
- New Random*Source module: the Serge ANC (Active Pro / Noise / CV-Pro), in 18 HP, its panel rebuilt on the GTO's template: the ACPR crossfader with OUT, IN 1, IN 2, its VC input and knob, and the 1 / 2 knob; the WHITE and PINK noises and the S/H SRC output; the CV-PRO processor with OUT, its two 1V/OCT inputs, the OCTAVE switch and IN 1 to IN 3 with their knobs, IN 1 receiving +5 V with no cable; and the black and white discs round its jacks.
- Fix: Random*Source's Serge VCFS and RING, the corners where the outputs' box meets the frame rounded as on the panel (3.04 mm, instead of 1.9).
- New Random*Source module: the Serge RING, the ring modulator Serge redesigned in 2017, in 10 HP, its panel rebuilt on its square-on photograph: its two OUT outputs, the SIGNAL and CARRIER inputs with their knobs, the CV MODE input and its attenuator, the MODE knob with its arc running from 0 through AM to RING, and the black and white discs round its jacks.
- New Random*Source module: the Serge Wave Multipliers (VCM), three Serge wave multipliers in 18 HP, their panel rebuilt on the GTO's template: the top section with GAIN, IN, VC and its HI / LO switch (rounded squaring or a linear VCA), the middle section with IN 1, IN 2, VC and FOLD, the bottom section with OUT 1, OUT 2, IN 1, IN 2, VC and FOLD, and the black and white discs round their jacks.
- New This Is Not Rocket Science module: the Wobbler, the first of the name (discontinued), a 12 HP five-shape advanced LFO, placed on the maker's cut drawing and traced from its square-on photograph: its SHAPE, FREQUENCY, PHASE and MOD knobs with their CV inputs, SYNC, the TRIGGER input and button, its OUTPUT and PHASED outputs with their LEVEL knobs, lamp arrays and trigger outputs.
- New This Is Not Rocket Science module: the Tuesday, the first of the name (discontinued), a 12 HP procedural sequencer, placed on the maker's cut drawing and traced from its square-on photograph: its TEMPO, X, Y and ! knobs with their CV inputs, its ALGO, SCALE, TICKS and BEATS buttons with their lamps, what they choose, the transpose and the clock settings kept in the internal settings, its CLOCK and RESET inputs, its NOTE, VEL, GATE, ACC, CLK OUT, TICK, BEAT and LOOP outputs.
- New This Is Not Rocket Science module: the Geometric Anomaly, an analog synth voice in 36 HP succeeding the RectangularThing, placed on ModularGrid's panel drawing, its colours taken from the photograph of the panel as sold: two Curtis 3340 oscillators (coarse and fine pitch, PULSEWIDTH, a mixer of saw, triangle, pulse and rambler or suboscillator each), glide, tracking, sync and cross modulation, linear or exponential FM, a state variable filter with low-pass and high- or band-pass inputs then a ladder filter, two ADSR envelopes, two insert loops, its ten toggles on a small dark nut, its milky white GATE button, its jacks with a grey knurled nut and its knobs in the photograph's golden yellow.
- New This Is Not Rocket Science module: the RectangularThing, a full synthesizer voice in 36 HP, placed on its manual's panel drawing, its illustration and colours taken from the photograph of the panel as sold: two oscillators (FINE, COARSE, PULSEWIDTH and a four-waveform mixer each), linear or exponential FM, soft or hard sync of oscillator 2, lowpass and highpass filters, MOD and AMP envelopes, the light grey GATE button, its toggles on a knurled nut, its knobs in the photograph's bright yellow, OSCMIX normalled into FILTER IN, and the jumpers on its back kept in the patch.
- New Nonlinearcircuits module: the Dual LFO/VCO, two oscillators in 8 HP, each in three ranges from 20 minutes a cycle to 10 kHz (a MID / VCO / LOW toggle): FREQ and CV knobs, SYNC and CV in, STEP, SINE, TRI and SQR out, and an LED per oscillator.
- New Nonlinearcircuits module: the LPG, a vactrol low pass gate after the Buchla 292, in 8 HP: in, cv and out, FREQ and RES knobs, and a gate, mixed or filter toggle.
- New Nonlinearcircuits module: the Stochaos, gates and CVs from pink noise, chaos or one against the other, in 8 HP: IN and RST in, PINK, CHAOS, CV1 to CV4 out, eight gate outputs with their LEDs and STOCH, and the STOCH / BOTH / CHAOS toggle.
- New Nonlinearcircuits module: the Tracky Dacks, a rise and fall envelope under vactrol control, in 8 HP: UP, DOWN, CV UP and CV DOWN knobs, DO IT, CV UP and CV DOWN in, DONE and DOING out with their LEDs, and the RATE toggle; DONE restarts the envelope when DO IT is unpatched.
- New Nonlinearcircuits module: the Comparators, six comparators and four gate-to-trigger converters in 8 HP: IN 1 to 6, each normalled to the next, GATE 1 to 6 and TR3 to TR6 out, six SET knobs from -5 V to +5 V, and the numbers lit from behind, cream on their green grey discs.
- New Nonlinearcircuits module: the Coupled Comparators, three coupled two-stage comparators and a hyperchaos in 8 HP: IN 1 to 3 with their knobs, 1A to 3A and 1B to 3B out, SET 1 to 3 knobs, and the chaos outputs DOL, KEF and DAG that keep it running with nothing patched; its words EAT, THE and RICH.
- New Analogue Solutions modules: the Concussor drum range, sixteen 10 HP modules drawn from their photographs and their manuals' drawings: BD88, SD78, BD78 (with its manuals' panel as the "manual" finish), HH88 Hihats, HH88 Dual Hihat, TM88, BD99, SD88, SD99, CB88, RS88, CL88, RC88 and its RS / CL switch, CG88, CP88 Hand Clap BPF and CP88 Hand Clap Reverb: their scalloped blue-index or black white-index knobs, their jacks in a large chromed nut, their 6.35 mm output and their TRIG LED.
- New Random*Source module: the Serge Variable Slope VCF (VCFS), Serge's variable slope filter in 14 HP, its panel rebuilt on the maker's photograph: its HIGH, BAND and LOW outputs, IN 1 and IN 2 crossfaded by MIX, SLOPE and its VC S input, the Q knob Random*Source added, FREQ with VC F and 1V/OCT, the arcs printed round MIX, VC S and VC F, and the black and white discs round its jacks.
- New Random*Source module: the Serge Triple+ Waveshaper (TWS+), three Serge waveshapers in 18 HP, its panel rebuilt on the GTO's template: each section with IN, VC 1, VC 2 and OUT, their knobs, the fourth +1 stage, the two LINK switches that chain the sections in their nickel nut, and the white and black discs printed round its jacks.
- Fix: Random*Source's Serge Variable Q VCF has its three white discs round the VC Q, VC F and 1V/OCT inputs, as on the module's photograph; its thumbnail follows.
- New Nonlinearcircuits module: the Divide & Conquer, four CMOS clock dividers in 8 HP: /2 to /256, /1.5 and /3, /2.5 and /5, /3.5 and /7, four IN inputs and eight LEDs; the first section's IN feeds the other three with no cable.
- New Nonlinearcircuits module: the Delay No More, two PT2399 delays in series, one under vactrol control, in 8 HP: in, cv and out, eight knobs (fbA, coarse, ffA>B, fine, fbB>A, delayB, fbB, wet/dry) and the CV's LED.
- New Nonlinearcircuits module: the Envelope Follower, the Buchla Easel envelope follower in 4 HP: IN in 3.5 mm and 6.35 mm, ENV, PRE AMP and GATE with its LED, a GAIN knob; the 6.35 mm input feeds IN with no cable.
- New Nonlinearcircuits module: the Bong0, a twin-T drum with an LED as a nonlinear resistor in 4 HP: IN, TRIG and OUT, the ENV and FREQ knobs and its green LED.
- New Nonlinearcircuits module: the Lux, two photodiodes as light-to-voltage sensors in 2 HP, each with its output.
- New Nonlinearcircuits module: the Phone Charger, USB power and line level in and out for a Bluetooth dongle in 8 HP: a 5 V 1 A USB socket, stereo RX IN to L and R, IN L and IN R to stereo TX OUT, four LVL knobs; IN L feeds IN R with no cable.
- New Nonlinearcircuits module: the Chopper, a delta-modulator chopper and a bi-directional switch in 8 HP: COMP IN, CHOP IN1 and CHOP IN2, the COMP OUT1 and COMP OUT2 gates, CHOP OUT and CHOP SLEWY, the COMP and SLEW knobs, a GATE, A, B and A/B bi-di switch and four LEDs; COMP IN feeds CHOP IN1 with no cable.
- New Nonlinearcircuits module: the Router, four CV switches in 8 HP: CV 1&2, CV 3&4, IN1 to IN4, OUT1 to OUT4 with their LEDs and OUT ALL, four turn-on knobs; IN1 feeds IN2 to IN4, and CV 1&2 feeds CV 3&4, with no cable.
- New Nonlinearcircuits module: the Signum Hyperchaos, Primal Hyperchaos with its signum switch on the panel in 8 HP: IN, IN1, IN2, SW1 and SW2, the X, Y, Z, invZ, SIGNUM/W and GATE outputs, the CLIMAX, BIFURCATE and CV knobs and four LEDs.
- New Nonlinearcircuits module: the Let's Get Fenestrated, three window comparators in 8 HP: Special Comparison Instant (IN, CV HI, CV LO, OUT, HIGH and LOW), Comp for Concurrent Magnitudes (IN1, IN2, LEVEL, OUT, SET/IN2 and LEVEL) and Comp for Restricted Openings (IN1, IN2, WIDTH, OUT, SET and WIDTH), each with its lit window of four squares.
- New Nonlinearcircuits module: the Dual LPG, two Buchla-style black-box vactrol low pass gates in 10 HP: per channel, IN, CV and OUT, the CV, FREQ and RES knobs and a FILTER / GATE toggle.
- New Nonlinearcircuits module: the Feague, a four-pole VCF and quadrature oscillator in 10 HP: COARSE, FINE, NONLIN Q, SIGNAL, CV and Q, its SIGNAL, CV, SYNC and 1V/OCT inputs, two low-pass and two band-pass outputs, a LO / HI toggle and four LEDs.
- New Nonlinearcircuits module: the Poultry in Motion, a PT2399 delay with its clock divided from /2 to /4096 in 10 HP: RATE, RATE CV and F/BACK, its DELAY IN1, DELAY IN2, RATE CV, CLOCK and RESET inputs, DELAY OUT, the divider's twelve outputs with their LEDs and a DELAY SYNC / EGG-TIMER toggle; /8 feeds DELAY IN1 with no cable.
- New Nonlinearcircuits module: the 1/n, a patch-programmable CMOS 4018 divider in 8 HP: CLK, IN, RST, PRE EN and J1 to J5, its nine outputs with their LEDs; /4 feeds IN with no cable.
- New Nonlinearcircuits module: the Bools, chained logic gates in 8 HP: IN1 to IN4 and SAMPLE, the 1:2, 2:3, 3:4 and 4:1 gates with their LEDs, STEP, SLEW and its knob.
- New Nonlinearcircuits module: the Demux Phaser, a gate-controlled phaser in 8 HP: MIX and IN2/FB, its IN 1, IN 2, A, B and C inputs with their LEDs, its six stage outputs and MIX; stage 6 is fed back with no cable.
- New Nonlinearcircuits module: the Flip Flop Chaos, chaos as gates and triggers in 8 HP: CV and RATE, its CV IN and GATE IN inputs, its CV1, CV2, GATE1 to GATE3 and TRIGGER outputs with their LEDs.
- New Nonlinearcircuits module: the Primal Hyperchaos, hyperchaos in 8 HP: CLIMAX, BIFURCATE and CV, its IN input, its X, Y, Z↑, Z↓, W and GATE outputs and four LEDs.
- New Nonlinearcircuits module: the Let's Bronze Up!, four signum circuits in 8 HP: its HEAD, SHOULDERS, KNEES and TOES inputs, three outputs each and sixteen LEDs; HEAD and KNEES also switch SHOULDERS and TOES with no cable.
- New Nonlinearcircuits module: the Triple Sloth, three Sloth chaos circuits in 8 HP: APATHY and TORPOR with their CV inputs, the X, Y and Z outputs of each, the rectifier's + and - outputs and three bipolar LEDs.
- New Nonlinearcircuits module: the Statues, a one-to-eight multiplexer with hold in 8 HP: its x00, 0x0, 00x and IN inputs, its eight outputs with their LEDs.
- New Nonlinearcircuits module: the Bulbous, Also Tapered, 4-pole high-pass and low-pass VCFs on SSI2140 in 8 HP: frequency, Q and their CVs for each; the high-pass feeds the low-pass with no cable, as a band-pass.
- New Nonlinearcircuits module: the CMOSC, six CMOS drone oscillators in 8 HP: a knob, an input and an output each, SYNC/HOLD and ALL OUT; each switches its neighbour with no cable.
- New Nonlinearcircuits module: the De-Escalate, seven attenuators in 8 HP.
- New Nonlinearcircuits module: the Epilogue VCF, a filter after a Korg synth's, with overdrive, in 8 HP: FREQ, Q, their CVs, IN 1 and O/DRIVE, its LP, LO CUT and O/DRV outputs.
- New Nonlinearcircuits module: the Freqy, a single-sideband frequency shifter after the Foster Freqy in 8 HP: IN 1, FREQ, IN 2/FB and CV, its OUT and MIX OUT outputs; with no cable, IN 2 feeds the output back.
- New Nonlinearcircuits module: the Isolate, two DJ-style three-band isolators in 8 HP: HI, MID and LOW per channel, an output per band and OUT.
- New Nonlinearcircuits module: the Logorrhea, the back half of a vocoder in 8 HP: two audio inputs, the CVs of its ten filter channels, noise and thru, its A, B and OUT outputs.
- New Nonlinearcircuits module: the Path Filter, an N-path filter in 8 HP: CLOCK, IN 1, IN 2 / F/BACK and Q CV, the clock divided /4, /8 and /16, OUT; /16 feeds IN 1 with no cable.
- New Nonlinearcircuits module: The Suppository of All Wisdom, a Steiner-Lovetone phase shifter in 8 HP: PHASE, CV and COLOUR for its two halves, DRY/WET, its IN AC and IN DC inputs, its 8 and MIX outputs.
- New Nonlinearcircuits module: the Tin Teardrop VCF, a dual SSI2144 ladder VCF in 8 HP: FREQ, Q, their CVs and spreads, its 1, 2 and BOTH outputs.
- New Nonlinearcircuits module: the Winnits, three coupled reverse-sigmoid chaos circuits in 8 HP: a CV, three outputs and a coupling for each.
- New Nonlinearcircuits module: the Gator, a passive gate combiner in 2 HP: seven inputs and an OUT.
- New Nonlinearcircuits module: the Mults, two four-jack passive mults in 2 HP.
- New Nonlinearcircuits module: the This 2 Shall Pass, a dual three-input passive analogue XOR in 2 HP: three inputs and an output per section.
- New Nonlinearcircuits module: the Chomul, two chopper multipliers and a passive aggressive XOR in 4 HP: SW, MOD and OUT for each with its LED, two IN and OUT for the XOR; the first one's inputs, swapped, and both outputs feed the rest with no cable.
- New Nonlinearcircuits module: the Dactrol, Tom Hirst's vactrol multiplying 4-bit DAC in 4 HP: REF1 and REF2, its REF1, REF2 and BIT1 to BIT4 inputs, its AC OUT and OUT outputs with its LED; REF1 is preset with no cable.
- New Nonlinearcircuits module: the George, six logic functions of two inputs in 4 HP: A and B, the OR, NOR, AND, NAND, XOR and XNOR outputs.
- New Nonlinearcircuits module: the Sloth Chaos, very slow chaos in 4 HP: TORPOR, its BIG and SMALL outputs and its two-colour LED.
- New Nonlinearcircuits module: the Splish, three inputs and eight difference-rectified outputs in 4 HP: IN1 to IN3, the 2/13±, 3/12±, 1/23± and 123± outputs, and three LEDs.
- New Nonlinearcircuits module: the Tinkle, four gamelan-resonator drums and a Razors distortion in 4 HP: IN and OUT for each, IN, OUT and OUCH for the Razors, which the four's sum feeds with no cable.
- New Nonlinearcircuits module: the Vactrol PiLL, a vactrol and PLL noise maker in 4 HP: its IN 1, IN 2 and PM inputs, its OUT and OUT PM outputs.
- New Nonlinearcircuits module: the 4HP Mix, a four-input attenuverting mixer in 4 HP, knob 4 an offset with nothing patched.
- New Nonlinearcircuits module: the 4HP Neuron, an analogue neuron and difference rectifier in 4 HP: SENSE and RESPONSE, IN1, IN2 and OUT, two IN+, two IN−, OUT+ and OUT−.
- New Nonlinearcircuits module: the 7555 VCO, a 4 HP sawtooth and square VCO with a very hard sync: FREQ, FINE, FM and CV, its CV, FM and SYNC inputs, its SAW and SQUARE outputs.
- New Nonlinearcircuits module: the Big Jobs, a ring of three coupled PLLs in 4 HP: on each stage, CV and RANGE in, VCO and PM out; stage 1 feeds the other two with nothing patched.
- New Nonlinearcircuits module: the FM OP, a 4 HP through-zero FM operator: FREQ, FINE, CV and FM, its CV, SYNC, FM, PM and VCA inputs and its sine output.
- New Nonlinearcircuits module: the GooGooMux, a 4 HP one-to-eight mux: its A, B, C and EN logic inputs, its eight jacks and its common jack, as inputs or outputs.
- New Nonlinearcircuits module: the Ming Rod, a 4 HP transistor ring modulator after Tom Oberheim: IN1, IN2, MING and ROD, its two inputs and its output.
- New Nonlinearcircuits module: the Razors, a 4 HP dual voltage-controlled razor waveshaper: 1, CV1, 2 and CV2, its IN and CV inputs and its outputs; OUT1 feeds IN2 with nothing patched.
- New Nonlinearcircuits module: the Sandy Freckle, three loosely coupled multivibrators in 4 HP: a frequency knob for each, its IN input and its output.
- New Nonlinearcircuits module: the Valmorification, a 4 HP slope and envelope generator: FREQ, CV, ↑ and ↓, its GATE, FREQ CV, ↑CV and ↓CV inputs, its OUT and INVERTED OUT outputs.
- New This Is Not Rocket Science module: the CircularThing, a double drum in 24 HP grown from Befaco's KickAll, placed on the maker's panel design, its illustration and colours taken from the photograph of the panel as sold: for each drum TUNE, SHAPE, DECAY, TIME, BEND and CROSS, its trigger, volume and CV inputs and its output, NOISE on the bottom one, MIX BALANCE into MIX OUT, the WHITE output, the grey dome by each VOLUME unlit as photographed, and the jumpers on its back kept in the patch.
- Fix: the jacks of This Is Not Rocket Science's Bopp & Steve have their light washer ringed with a thin grey line, as on the maker's photographs, no longer a dark grey washer; its thumbnail follows.
- New This Is Not Rocket Science module: the Bopp & Steve, a deconstructed reverb in 24 HP, placed on the manual's layout drawing, its printed nebula traced on the maker's photographs: its line of diffuse, delay and tail with their knobs and lamps, its Pingpong, Waveguide and Multitap delay modes with TAP, LENGTH, FEEDBACK and PATTERN, its Dense, Float and Sparse tail modes with LENGTH, CHORALITY and TEMPERATURE, FREEZE, its three pitch shifters with PITCH, PITCH POINT and its seven lamps, TRANSPOSE, CONTROL and MIDI IN, MAIN and SEND/MIX, its stereo inputs and outputs and its envelope output, its yellow-olive lamps unlit as photographed, and its modes kept in the patch.
- Fix: the levers of This Is Not Rocket Science's Switch have their blue anodised tube, as on the maker's photograph, no longer chromed; its thumbnail follows.
- New This Is Not Rocket Science module: the NextTuesday, a procedural sequencer in 12 HP, traced on the maker's panel design: its TEMPO, ROOT, X, Y and ! knobs, the last four with their CV input, its ALGO, SCALE, BEATS and TICKS buttons in grey light pipes, each with its four lamps, its CLOCK IN and RESET inputs, its NOTE, MOD, GATE, ACCENT, CLOCK OUT, TICK, BEAT and LOOP outputs and their lamps, unlit as photographed, and its settings kept in the patch: algorithm, scale, number of beats and ticks, output mode and clock.
- New Nonlinearcircuits module: the 8 Bit Cipher, a 10 HP Buchla-style shift register: its CLOCK, DATA, DATA and STROBE inputs, the eight stage gates, SUPER SERIAL, CV1 to CV4 and its nine lamps; DATA 2 takes the first and last stages with nothing patched.
- New Nonlinearcircuits module: the Dichotomy Paradox, a 10 HP XOR and AND sub-octave divider: its A and B rising and falling edge inputs, each row's /2 to /16 attenuverters, its SUM outputs and gates, and its eight lens windows.
- New Nonlinearcircuits module: the Hyperchaos Deluxe, a 10 HP signum-switch hyperchaos: CLIMAX, BIFURCATE and CV, its CV and RATE inputs, its ten CV outputs, its two gates and its eight lamps.
- New Nonlinearcircuits module: the ARSEq, a 10 HP attack-release sequencer: ATTACK, RELEASE and LEVEL for its four envelopes, its CLOCK and RESET inputs, its OUT and OUT1 to OUT4 outputs, and its five lamps.
- New Nonlinearcircuits module: I Was Sitting in a Room, nine PT2399 delays in series in 10 HP after Alvin Lucier: DELAY, CV and F/BACK, its IN, CV and F/BACK inputs, the outputs of stages 1 to 8 and ALL; output 6 is fed back with nothing patched.
- New Nonlinearcircuits module: the Intimacy, a 10 HP EQ and transformer drive after the Intersound IVP: its BASS, TREBLE, LO, LO-MID, MID-HI and HI bands with their PEAKs, its DRIVE stage with IN, CV and OUT; the EQ feeds it with nothing patched.
- New Nonlinearcircuits module: the Kareishuu VCO, a 10 HP triangle-core VCO with a VCA on its FM: FREQ, SELF MOD and an attenuator for each input, its 1V/OCT, FREQ CV, PWM, FM IN and FM CV inputs, its SQUARE, PULSE, TRI and SINE outputs.
- New Nonlinearcircuits module: the Moldy Rapture VCO, a 10 HP SSI2131 VCO: FREQ, FINE, PW, PWM, LIN FM and its PAN controls, its FREQ CV, 1V/OCT, FM, SYNC, PWM and PAN PWM inputs, its PULSE, TRI, SAW and PAN PULSE outputs.
- New Nonlinearcircuits module: the Stooges, three jerk chaos circuits in 8 HP: WIGGLE and TWITCH on each, its IN input, its QUIVER, FLAP and LILT outputs, and each number's olive window, lit by its LED.
- New Nonlinearcircuits module: the VC ADSR, a 10 HP voltage-controlled 555 ADSR: ATTACK, DECAY, SUSTAIN and RELEASE with their CV attenuators, its GATE and TRIG inputs, its OUT and INV OUT outputs and its round window lit by an LED.
- New Nonlinearcircuits module: the BBX291 VCF, a 10 HP Buchla 291-style vari-bandwidth filter: IN, BW, FM, FREQ and Q, the BW CV and FREQ CV attenuverters, its HI, BP, inverted BP and LP outputs and its two square windows lit by LEDs.
- Module availability: a module's page says whether it is still made or discontinued, with the year it stopped and the date of the maker's inventory when they are known, and « not recorded » otherwise; the library gains an Availability filter (still made, discontinued), a Discontinued chip, and a Used chip when a second-hand price is known. Racks always show both totals, new and used, and say how many modules have no price rather than counting them as zero.
- New Random*Source module: the Serge Smooth & Stepped Generator (SSG), a slew generator and sample-and-hold in 18 HP, its panel rebuilt on the GTO's template from its one photograph: SMOOTH OUT and STEPPED OUT with their lamps, CYCLE, HOLD, SAMPLE, IN, the COUPLER and HOT outputs, RATE and VC RATE with their VC inputs, the CYCLE and EXPO switches in their nickel nut, and the white, red and black discs printed round its jacks.
- New Random*Source module: the Serge VC Resonant Equalizer, a ten-band voltage-controlled filter bank in 42 HP, traced on the panel drawing in its manual: for each band, from 29 Hz to 11 kHz, its knob, its CV input with its VC attenuverter and its OUT, the two OUT and the two COMB outputs, the INPUT 1 and INPUT 2 inputs with their IN knobs, FEEDBACK, and the white and black discs printed round its jacks.
- New This Is Not Rocket Science module: the Ardabil, a utility module in 12 HP, traced on the maker's panel design: its two threads in rotational symmetry, each with its two-input adder, its attenuverter and its offset, its three buffered outputs and its inverted output with their olive lamps, and its VCA whose CV input takes the thread's output with nothing patched; the second thread's knobs, mounted turned, point down at noon.
- Fix: the knobs of This Is Not Rocket Science's modules (Wobbler 2, Edgecutter) have their wide ribbed black skirt and their wide white triangle index, as in the maker's photographs, no longer a thin black ring and a narrow index; their thumbnails follow.
- New This Is Not Rocket Science module: the Edgecutter, a visual ADSR envelope in 12 HP, placed on the maker's cut drawing: its column of thirteen lamps showing the envelope, its A, D, S, R and CURVATURE knobs with their CV inputs, its GATE, RETRIG and VELOCITY inputs, its TRIGGER button, an output per phase, its linear and curved outputs, its olive lamps unlit as photographed, and its MODE and SPEED buttons, whose mode, speed and phase output mode the patch keeps.
- New This Is Not Rocket Science module: the Switch, a passive dual switch in 6 HP, traced on the maker's front design: its two three-way lever switches, each switching two poles, their sixteen jacks that work either way, a row of three and a common jack for each pole, and their flat-ended Alpha levers, thrown left as photographed.
- Fix: the jacks of This Is Not Rocket Science's Wobbler 2 have their matt black nut on a light grey washer, as in the maker's photographs, no longer a grey nut with visible contacts; its thumbnail follows.
- New Instruō module: the harmonàig, a four voice harmonising quantiser in 18 HP, traced on the manual's panel drawing: its R, 3, 5 and 7 outputs and their slews, its CV input and attenuverter, its Chord Quality, Inversion and Voicing controls with their CV inputs and lamps, its Transpose fader, and its keyboard of twelve lit buttons, each unlit, amber or white as its note is disabled, enabled or sounding, as photographed.
- New Instruō module: the tàin, a dual analogue bidirectional switch in 4 HP, traced on the manual's panel drawing: its two channels of three I/O, their switch inputs, their buttons lit white and their momentary or latching toggles, on LATCH as photographed, and their reference voltage trimmers normalled to the bottom I/O.
- New Random*Source module: the Serge MEDUSA, a seven-voice subharmonic oscillator in 42 HP, traced on the panel drawing in its manual: the OUT, ODD, EVEN and OUT 1 to OUT 7 outputs, the 1V/OCT, 1V/O ODD and 1V/O EVEN inputs, SPREAD with its CV input and attenuator, for each voice SUB PW with its CV input and attenuverter and FREQ, FREQ ALL, FINE, LIN FM and VC ALL with their inputs, and the white discs and the black one printed round its jacks.
- New Random*Source module: the Haible TAU Phaser MK2, Jürgen Haible's 18-pole analog phaser, in 18 HP, traced on the panel drawing in its sheet: the IN 1 and IN 2 inputs and their attenuators, the OUT A and OUT B outputs, the LFO with LFO RATE and LFO DEPTH, the yellow and red lamps, PITCH and FEEDBACK, the two CV inputs and their attenuverters, the 1V/OCT input, the COLOR / NORMAL switch, and the white and black discs printed round its jacks.
- New Random*Source module: the Serge NEW GATES / VCFX 2023, a three-mode gate and a filter Serge designed in 2023, in 18 HP, traced on the panel drawing in its sheet: the gate with its IN, LIN, LOG and MOD inputs, its LIN, LOG, MOD and GAIN knobs, its DC / AC / MOD switch and its OUT output, the filter with its IN and GAIN, its BAND and LOW outputs, its Q and FREQ knobs and their VC inputs, and the white and black discs printed round its jacks.
- New Random*Source module: the Serge 2+2 Mixer / Dual VCA, two mixers and two VCAs in 18 HP, traced on the panel drawing in its sheet: the IN 1 to IN 4 inputs and their knobs, the two OUT outputs and the MIX output, the VCAs with their IN and VC inputs, their VC and GAIN knobs and their OUT outputs, and the white and black discs printed round its jacks.
- New Instruō module: the lìon, a 6x6 pin matrix mixer in 16 HP, traced on the manual's panel drawing: its six inputs and six outputs, the cascade of outputs α to ζ in its normalisations, and its 36 Patch Points, each in its nickel hex nut turned as photographed; a click on a point plugs in a black Pin Cable with its loop of cable, or pulls it out.
- New Instruō module: the saïch, a quad oscillator in 12 HP, traced on the manual's panel drawing: its four sawtooth voices with their 1V/Oct inputs normalled from the first, its detunes, its linear or exponential FM, its SUB and MIX PROFILE buttons, its CTRL button lit periwinkle blue and its mix fader with a two-colour LED, white and amber, as photographed, and its hidden settings (fader function, mix profile, sub mode, diatonic mode).
- New Instruō module: the [1]f, a crossfader, attenuverter and manual DC offset in 2 HP, traced on the manual's panel drawing: its inputs 1 and 2, its output, its polarity switch kept in the patch, its LED fader unlit at the bottom of its travel as photographed, and the internal reference normalled to input 1 that makes it a DC offset with nothing patched.
- New Instruō module: the eãs, a logic module in 4 HP, traced on the manual's panel drawing: its AND, NAND, OR, NOR, XOR, XNOR and NOT gates cascaded by their normalling, and their lamp windows lit or dark as photographed with nothing patched.
- New Instruō module: the neóni, an analogue through-zero FM oscillator in 12 HP, traced on the manual's panel drawing: its traditional or through-zero FM, AC or DC coupled, its soft and directional hard sync, its split sawtooth, its wavefolding on an LED fader, its lavender charge direction button, its internal routing and its LFO mode.
- New Instruō module: the cuïr, an output module in 4 HP, traced on the manual's panel drawing: its 1/4" balanced outputs and headphone output with their brass nuts, its left and right inputs, its L and R lamps, and its balanced and headphone levels.
- New Instruō module: the làrachd, a multifunction utility in 8 HP, traced on the manual's panel drawing: its stereo line converter, its microphone and trimmer, its enhancer, its envelope follower and comparator, its 1/4" footswitch socket with its brass nut as photographed, its five unlit lamps, its latching gate button and its source toggle.
- New Instruō module: the cnōc, an analogue two stage function generator in 4 HP, traced on the manual's panel drawing: its AR, ASR and looping modes, its attack and release LED faders with their CVs, unlit and lit as photographed, its response curve, its stage gate, its trigger button, its icy blue lamp, and its bipolar, unipolar, EOC and gate outputs.
- Random*Source: the Serge GTO and the Variable Q VCF take the Serge modules' common colours, the Stereo VCFQ's: the same aluminium, the same ink and the same black and red discs on all three.
- New Instruō module: the φ, the passive 4 HP expander included with the cruïnn, traced on the manual's panel drawing and the photographed panel: an output for each of the six sawtooth waveforms, α to ζ, and a rate CV input for each variant.
- New Random*Source module: the Serge Stereo VCFQ, two Serge variable Q filters under one set of controls, in 18 HP, traced on the panel drawing in its sheet: each side's HIGH, BAND and LOW outputs, the IN inputs with their attenuators, AUX IN, TRIG IN, 1V/OCT, VC Q and VC F, the shared FREQ and Q knobs, and the black, red and white discs printed round its jacks.
- New Nonlinearcircuits module: the Bongo Fury, three twin-T bongo voices in 8 HP: ENV and FREQ on each, its TRIG and CV inputs, its output and its 5 mm LED, part of the circuit.
- New Nonlinearcircuits module: the Möbius PiLL, 10 HP chaotic noise from two coupled PLLs: FREQ, LPG1 and LPG2 with their CV inputs and attenuators, its IN input, its VCO1, VCO2, LPG1 and LPG2 outputs.
- New Nonlinearcircuits module: the Noiro-ze, a 10 HP vactrol Steiner-style VCF and VCA: its IN LP, IN BP and IN HP inputs with their levels, Q, FREQ and CV, its output, and a VCA with IN, CV and OUT.
- New Nonlinearcircuits module: the Shat-noir Phaser, an eight-stage vactrol phaser in 10 HP: IN 1, IN 2, CV, MIX, FEEDBACK and PHASE, its IN 1, IN 2 and CV inputs, its output and the stages' OUT2, OUT4, OUT6 and OUT8.
- New Nonlinearcircuits module: The Big Room, a 10 HP spring reverb driver with voltage-controlled panning and feedback: its input levels, PAN and FEEDBACK with their CVs, its OUT WET, OUT1 and OUT2 outputs and its lamp; the tank plugs in at the back.
- New Nonlinearcircuits module: the baDum TISSS, an 8 HP snare and hi-hat voice built round a ring modulator: ENV FOL, NOISE, FREQ, DECAY and CV DECAY, its TRIG, IN, CV DECAY and CV FREQ inputs and its output; no lamp, as on the NLC panel.
- New Nonlinearcircuits module: the Sly Grogan, an 8 HP transient envelope generator after Electronotes #86: GATE, CV A-R, ATTACK, RELEASE and DAMP, its GATE, TRIG, CV A-R and CV DAMP inputs, its four outputs and its blue lamp in its black holder.
- New Nonlinearcircuits module: the Divine CMOS, an 8 HP CMOS divider and XOR ring modulator: its IN1 and IN2 inputs, the /2, /4, /8 and /16 knobs mixing the divisions into OUT, SLEW and SLEW OUT, the divisions' gates and its lamp.
- New Nonlinearcircuits module: the Bi-Di Choppers, two bidirectional choppers in 8 HP: A with B1 and B2, C with D1 and D2, as inputs or outputs, SLEW, SET and CV on each, with its CV input and its lamp.
- New Nonlinearcircuits module: the Helvetica Scenario, an 8 HP dual chaos sample and hold: on each channel IN, SMOOTH CV and CLOCK, its S&H, SMOOTH OUT and STEPPED OUT outputs, SMOOTH and CV, and a lamp; CLOCK 2 takes CLOCK 1 when nothing is patched.
- New Nonlinearcircuits module: the Balter, an 8 HP dual voltage-controlled gate delay, from 7 ms to a minute: DELAY and CV on each, its IN and CV inputs, its OUT, and a lamp for each input and output.
- New Nonlinearcircuits module: the Product, an 8 HP wavefolder and VCA with fuzz: FOLD and OFFSET with their CV inputs and attenuators, its OUT and PULSE outputs, and its VCA/FUZZ with IN, CV and OUT, which takes the folder when nothing is patched into it.
- New Nonlinearcircuits module: the VCAs, three VCAs in 8 HP, each with IN, CV1, CV2 and OUT, CV1 (OFFSET) and CV2; the third has a diode fuzz.
- New Nonlinearcircuits module: the MORE, three TR-808 cowbells in 8 HP: FREQ1 and FREQ2 on each, its TRIG, ACC and EXT inputs, EXT replacing the second oscillator, and its output.
- New Nonlinearcircuits module: the Neuron / Difference Rectifier in 8 HP: an analogue neuron with three inputs, one output, sense and response, and a difference rectifier with two + inputs, two − inputs and two outputs.
- New Nonlinearcircuits module: the DOOF, an 8 HP drum voice in the style of the early 80s: FREQ, DECAY, ENV, SHAPE and CVF, its IN, CVF and CVD inputs and its output.
- New Nonlinearcircuits module: the Timbre!, an 8 HP Buchla-style timbre waveshaper: fold and its CV knob, its in and in tri2sin inputs, its cv input and its two outputs.
- New Nonlinearcircuits module: the Mogue, an 8 HP mixer and VCA after early Moog designs: its IN1 to IN3 inputs and levels, its VCA with CV and BEEF, the overdrive, and its two outputs; the VCA takes the mixer when nothing is patched into VCA IN.
- New Nonlinearcircuits module: the Resonate, an 8 HP four-band vactrol resonator after the Korg PS-3100: its FREQ1 to FREQ4 knobs and their CV inputs, CV1 (ALL) moving them all, Q, its two summed inputs and its normal and inverted outputs.
- New Nonlinearcircuits module: I Can't Believe It's Not a VCO, an 8 HP filter exciter after Electronotes #132: FREQ, FINE, CV, ATT/VCF, DECAY/Q and RESPONSE, its 1V/O, CV, ENV, GATE and VCF inputs, its BAND, LOW and OUT outputs.
- New Nonlinearcircuits module: the Timbre & Timbre, an 8 HP dual Buchla-style timbre waveshaper: on each side an input with its level, a CV input with its knob, TIMBRE and an output.
- New Nonlinearcircuits module: the Dual LFO (2xLFO), two LFOs and a difference rectifier in 8 HP: freq and fine for each, their square and triangle outputs, the -ve and +ve outputs and a lamp for each LFO.
- New Nonlinearcircuits module: the Segue, an 8 HP vactrol panner and crossfader that also works as a VCA: its IN X and IN Y inputs with their levels, INITIAL and CV, its OUT 1 and OUT 2, on the white panel with its gold print.
- New Nonlinearcircuits module: the ADSR312, an 8 HP discrete ADSR envelope after the Aries 312: its A, D, S and R knobs, its separate GATE and TRIG inputs, its two outputs and its lamp, on the white panel with its gold print.
- New Nonlinearcircuits module: the FK1T VCF, an 8 HP vactrol filter after the Korg FK-1 pedal: its TRAVELER 1 and 2 stages, CV BOTH and BRIGHT, its two inputs with their CV, its output, on the white panel with its gold print.
- New Nonlinearcircuits module: the Spasm, an 8 HP Sprott jerk chaos with a giant vactrol: FREQ and FEEDBACK, its FREQ CV and INJECT CV inputs with their attenuators, its four outputs and its 5 mm lamp, on the white panel with its gold print.
- New Nonlinearcircuits module: the Squid Axon, an 8 HP chaotic analogue shift register simulating a squid nerve cell: its CLOCK input, its IN1 to IN3 inputs, its two feedback paths and its four outputs, on the white panel with its gold print.
- New Instruō module: the cruïnn, an analogue stereo phase modulation oscillator in 14 HP, traced on the manual's panel drawing: its sawtooth core and five phase-displaced variants, its rate and depth controls with their CVs, its five rate indicators as photographed, its large COARSE and DEPTH knobs, its linear or exponential FM, its LFO range, and its stereo and Σ outputs.
- New Instruō module: the càrn, a four channel utility mixer in 8 HP, traced on the manual's panel drawing: its voltage-controlled panner, its two and four-quadrant VCAs (ring modulation), its crossfader, its mono and stereo outputs and level, its unlit LED faders, its polarity switch, and the switches on its back (limiter, normalling, AC/DC coupling) kept in the patch.
- New Instruō module: the tágh, a random and modulation source in 4 HP, traced on the manual's panel drawing: its sample and hold and white noise, its random output with six algorithms shaped by an LED slider, its probability clock, its tap tempo, and its algorithm, attenuation and offset kept in the patch.
- New Instruō module: the àradh, a transistor ladder low pass filter and VCA in 6 HP, successor to tràigh, traced on the manual's panel drawing: its cutoff, resonance and level knobs, its VCA before or after the filter, its STRIKE button firing an impulse envelope, its lit CV Assign button and its envelope follower.
- New Instruō module: the øchd expander, the øchd's 4 HP expansion, traced on the manual's panel drawing: its sixteen outputs drawn from the øchd's eight LFOs, four rectified LFOs, two minimum and maximum pairs, four cascading triggers and four R-2R random voltages.
- New Buchla module: the 156 CBS, the 100 series' Dual Control Voltage Processor (1960s) in its CBS Musical Instruments aluminium panel printed in blue, 7" tall: its two channels of three knobs on their printed ext and int branches, their two control voltage inputs, one inverting, and their doubled outputs.
- New Tiptop Audio module: the µZeus, a 4 HP power supply with flying bus boards (up to 2000 mA at +12 V, 500 mA at -12 V, 170 mA at +5 V): its lit +5V, +12V and -12V lamps, its ON / OFF switch and its power socket; in a silver or a black panel.
- New Make Noise module: the DynaMix, the fast two-channel low pass gate, dynamics manager and mixer from the 0-COAST: per channel DRIVE, DYNMC and LEVEL with their inputs and lamp, then AUX IN and SUM; its knobs have the smoked grey skirt.
- New Make Noise module: the Contour, the four-stage contour generator from the 0-COAST: ONSET, SUSTAIN, DECAY and VARI-RESPONSE, the GATE input, the ONSET and DECAY CV inputs, the EON, EOC, contour and mirrored outputs with their lamps; its knobs have the smoked grey skirt its aluminium shows.
- New Make Noise module: the BRAINS, the 4 HP expander that turns one or two Pressure Points into a 4 or 8-step, 3-channel analog sequencer: its CLK, RST, RUN and DIR inputs, its T-GATE output and its T-CLK input in gold, as on the original black panel.
- New Buchla module: the 111 CBS, the 100 series' Dual Ring Modulator (1960s) in its CBS Musical Instruments aluminium panel printed in blue, 7" tall: its two ring modulators A and B, each with its two inputs and two outputs, on nickel jacks.
- New Buchla module: the 180 CBS, the 100 series' Dual Attack Generator (1960s) in its CBS Musical Instruments aluminium panel printed in blue, 7" tall: its two envelope generators started by a pulse at their red post, their ATTACK TIME, DECAY TIME and NOTE DURATION knobs, their chrome-ball switches and their doubled black outputs.
- Fix: the Make Noise CV Bus's thumbnail is whole; it had lost the lower part of its right side, with the bus lines.
- Fix: Doepfer's zinc screws are silver, as photographed, no longer pale blue; the A-190-3's and A-190-8's thumbnails follow.
- New Audiophile Circuits League module: the Sinfonion, a harmonic quantizer in 42 HP: its 32 jacks, its 52 large lit buttons and 12 small ones, its 12 knobs, with ROOT, MODE, DEGREE, TRANS and PRESET on detents, and its OLED screen following the panel; its buttons follow the preset PRESET chooses, or the song's first step in sequenced mode. A click on the screen opens its settings: the menu, the OCT page, the matrices, the 16 button presets and the sequencer's 16 songs.
- Instruō: the black screw holding the board of the Lúbadh, arbhar and dàil USB expanders is redrawn from the maker's photograph: a domed head catching the light at its lower left and a hex socket, rather than a round socket.
- New Instruō module: the øchd, eight analogue LFOs in 4 HP designed with Ben "DivKid" Wilson, traced on the manual's panel drawing: its shared RATE knob, its CV input with attenuverter, its eight triangle outputs from fastest to slowest with their bipolar LEDs, and its skull logo.
- New Instruō module: the dåpf, a dual analogue all-pass filter in 4 HP, traced on the manual's panel drawing: its two lit phase sliders on their 0 to 360° scale, their CV inputs with attenuverters, channel 1's 6 dB / 12 dB switch, the shared 1V/OCT input, the output indicator and the normalling from one channel to the other.
- Audiophile Circuits League Sinfonion: Audio Parasites' black and gold panel, as a second finish beside its original silver panel.
- New Audiophile Circuits League module: the ENVELOPE x3 v1, the first version of the triple ADSR envelope, 21 HP and without lamps: its 12 ATTACK, DECAY, SUSTAIN and RELEASE knobs, its SHORT / LONG switches, its gate inputs 2 and 3 normalled to gate 1, and its positive and inverted outputs.
- New Random*Source module: the Serge GTS, a dual slope generator in 26 HP, Serge's redesign of his Dual Universal Slope Generator, traced on the panel drawing in its manual: its two generators with their RISE and FALL knobs, their attenuverters, their MAIN, AC, END and PULSE outputs and their CYCLE switch, its four-channel SUM mixer, its MAX and MIN outputs, and the red, black and white discs printed round its jacks.
- Fix: the white discs printed round the Serge GTO's jacks are pure white, as clear on the aluminium as on the module.
- New Random*Source module: the Serge GTO, a dual lag and hold in 18 HP, the Smooth & Stepped Generator's evolution, traced on the panel drawing in its manual: its smooth and stepped sides with their RATE and VC RATE knobs, its CYCLE and SMPL switches, its HOLD, SYNC, SMPL and RUN inputs, its COUPLER on two outputs, its yellow and red tinted lens lamps, and the red, black and white discs printed round its jacks.
- New Random*Source module: the Serge Variable Q VCF, a variable resonance multimode filter in 14 HP: its HIGH, BAND, LOW and NOTCH outputs, its FREQ and GAIN knobs, its VC Q, VC F, 1V/OCT, AGC IN and TRIG IN inputs, and its HI / LO switch that takes it into the sub-audio range.
- Fix: the Dreadbox Nyx Reissue's silkscreen is redrawn clean from a square-on photograph; the DTN and POST faders sit on their marks.
- New Buchla module: the 194 Bandpass Filter of the 100 series (1960s), one unit wide, in its CBS Musical Instruments aluminium panel printed in blue, 7" tall: its input and its four bands (below 200, 200 to 900, 900 to 4 kc, above 4 kc), each on two nickel jacks.
- New Buchla module: the 195 Octave Format Filter of the 100 series (1960s), two units wide, in its CBS Musical Instruments aluminium panel printed in blue, 7" tall: its input and its ten octave bands from 31 Hz to 16 kHz, each on two nickel jacks.
- New Buchla module: the 212 Dodecamodule of the original 200 series (Buchla Associates, early 1970s), four units wide: its twelve small modules on one panel, from the preamplifier and the noise source to the voltage controlled filter, the mixer with its headset output, the three envelopes, the three lopass gates and the three-channel output amplifier.
- New Buchla module: the 112 Touch Controlled Voltage Source of the 100 series (1960s), four units wide, in its San Francisco Tape Music Center panel, 7" tall: its twelve touch plates on their board, two knobs per key for its voltages A and B, the output C following the finger's pressure, each on two black jacks, and the trigger pulse on two red posts.
- New Buchla module: the 196 Phase Shifter of the 100 series (1960s), in its CBS Musical Instruments aluminium panel printed in blue, 7" tall: its input and its two phase-shifted outputs φ1 and φ2, each doubled in nickel.
- New Buchla module: the 123 Sequential Voltage Source of the 100 series (1960s), two units wide, in its San Francisco Tape Music Center panel (170.2 mm): its sequencer of two to eight steps, stepped by a pulse at its red input, three rows of eight knobs for the voltages A, B and C, each on two black outputs, a lamp and a red pulse output for each step, and its NUMBER OF INCREMENTS switch.
- Buchla 296e Spectral Processor: the A and decay values of the 16 bands now answer the hand. The hidden B value lay over them and took the touch; the value DISPLAY shows is the one that moves.
- SOMA Lyra-8: its face redrawn from SOMA's own lettering, the whole face as the instrument has it, the voice frames and the arrows from the FM MOD SOURCE levers drawn clean, the dots round HOLD, PITCH, MOD and SHARP, and the touch plates printed with their numbers.
- SOMA Lyra-8: its knobs are the instrument's, the large black ones with their raised bar, the small knurled ones with their aluminium caps, the TUNE on their silver dials numbered 0 to 9, the touch plates with their metal studs, and its two lamps unlit.
- SOMA Lyra-8: AND / OR has its two positions, as on the instrument, no longer three; the generator knows what AND / OR and SELF / LFO do in each position, and tells the delay's MIX (DELAY MIX) from the distortion's (DIST MIX).
- New Buchla module: the 190 Dual Reverberator of the 100 series (1960s), in its San Francisco Tape Music Center panel (170.2 mm): its two reverberation channels A and B, their inputs, their REVERBERATION knobs from zero to max and their doubled nickel outputs.
- New Buchla module: the 170 Dual Microphone Preamplifier of the 100 series (1960s), in its San Francisco Tape Music Center panel (170.2 mm): its two microphone preamplifiers A and B, their Switchcraft inputs with their PUSH latch and turquoise insert, their three-position IMPEDANCE switches (30-50, 150-250, 50k), their large GAIN knobs and their doubled nickel outputs.
- New Buchla module: the 146 Sequential Voltage Source of the 100 series (1960s), a four-unit desk in its San Francisco Tape Music Center face (170.2 mm): its sequencer of two to sixteen steps, stepped by a pulse at its red input, three rows of sixteen knobs for the voltages A, B and C, each on two black outputs, a lamp and a red pulse output for each step, and its NUMBER OF INCREMENTS switch.
- New Buchla module: the 144 Dual Square Wave Generator of the 100 series (1960s), in its San Francisco Tape Music Center panel (170.2 mm): its two square wave oscillators A and B from 5 cps to 20 kc, their large FREQUENCY CONTROL knobs, their AMPLITUDE and FREQUENCY MODULATION knobs with their inputs, their black voltage inputs and their shared ext / int switch.
- The Verbos skirted knobs (Amplitude & Tone Controller, Voltage Multistage) and the Buchla 100 series' bare shafts now turn wherever they are grabbed, no longer only by their edge or their slot.
- Make Noise René: a patch keeps its programming, as the module stores it in a STATE. On the panel, X, Y and C choose the channel and the 16 knobs follow its values, the arrows change the page and a pad of the grid toggles its location. A click on the page names opens a window with the three channels side by side (values, ACCESS, GATE, GLIDE, the SNAKE pattern drawn, FUN options, scale), the global settings, the bank and the STATE; a René sheet follows the printed patch. The white squares of the X-CV, Y-CV and Z-CV inputs are redrawn clean.
- New Buchla module: the 255 Control Voltage Processor, an original 200 series module from Buchla & Associates: its eight channels, each with its input, its MULTIPLIER from -1 to +1, its rising and falling lag times (+LAG TIME and -LAG TIME, .01 to 4 seconds), its output and its lamp, its cream-capped knobs and its sky blue and lilac sockets.
- New Buchla module: the 232 Frequency Detector, an original 200 series module from Buchla & Associates (1972): its block diagram printed on the panel, an INPUT with its blue SENSITIVITY ADJUST knob, envelope, threshold and frequency detectors, a sample & hold, a phase locked oscillator, a signal leveler and a tracking filter, its crimson pulse and black voltage outputs, its locked osc., fundamental and const. amplitude outputs, and its TRANSFER GATE.
- New Buchla module: the 205 Dual Matrix Mixer, an original 200 series module from Buchla & Associates, three units wide: its ten inputs mixed by a matrix of forty blue knobs onto four buses A to D, each input sent left, to both sides or right by its yellow switch, and its LEFT OUT, ALL OUT and RIGHT OUT, two jacks per bus.
- New Buchla module: the 248 Multiple Arbitrary Function Generator, an original 200 series module from Buchla & Associates (1977, version 248-1602), four units wide, drawn as its reissue: a memory of sixteen stages, each with its voltage and time sliders and its commands set by their switches (pulses, quantize, sloped, range, source, stop, sustain, enable, first and last stage, time range), read by two programmed outputs, each with its own clock, time multiplier and stage address knob, and its four external inputs A to D.
- New Buchla module: the 270 Quad Preamplifier, an original 200 series module from Buchla & Associates: its four preamplifiers A to D, each with its input, its INPUT IMPEDANCE switch (hi / lo) and its LEVEL slider from 0 to 10, two outputs per channel and two all outputs for the four together.
- New Buchla module: the 256 Dual Control Voltage Adder, an original 200 series module from Buchla & Associates: its two identical adders, each with four control voltage inputs scaled from - (inverted) to + by their knobs, its large OFFSET knob from 0 to 15 V and its two joined outputs, with its smaller glossy black knobs.
- New Buchla module: the 206 Dual Mixer, an original 200 series module from Buchla & Associates: its six inputs, each with its LEVEL slider, its PROGRAM switch and its MONITOR switch with its broad matte yellow tip, mixed to two outputs for inputs 1 to 3, two for 4 to 6 and two for all six.
- New Buchla module: the 140 Timing Pulse Generator of the 100 series (1960s), in its Buchla Associates panel (170.2 mm): its PERIOD (.005 to 20 seconds) and PULSE LENGTH knobs with their chrome-ball ext / int switches, its three-position MODE knob (start-stop, single pulse, repetitive), its cream button on a knurled chrome bezel, its start and stop inputs and its alternate and all pulses outputs.
- New Buchla module: the 130 Dual Envelope Detector of the 100 series (1960s), in its Buchla Associates panel (170.2 mm): its two detectors following the signal's amplitude, their SENSITIVITY and DECAY TIME knobs and their voltage outputs.
- New Buchla module: the 114 Touch Controlled Voltage Source of the 100 series (1960s), a four-unit desk in its San Francisco Tape Music Center face (170.2 mm): its ten touch plates on their green board, a decay knob and a voltage knob for each, ten black voltage outputs and ten red-orange pulse outputs.
- Buchla 106 and 107: their colours are the photograph's, uncorrected: a cool white panel, nickel jacks and steel screws, no longer a cream panel, brass jacks and brown screws.
- New Buchla module: the 107 Voltage Controlled Mixer of the 100 series (1960s), two units wide, in its San Francisco Tape Music Center panel (170.2 mm): its two five-channel mixers, each input's level set by the voltage at its black jack, its ten knobs and its 1-5, 6-10 and all outputs.
- New Buchla module: the 106 Six Channel Mixer of the 100 series (1960s), in its San Francisco Tape Music Center panel (170.2 mm): its two three-channel mixers, their 1-3 and 4-6 outputs, its two common all outputs and its six gain knobs.
- New Buchla module: the 191 Sharp Cutoff Filter of the 100 series (1960s), two units wide, in its Buchla Associates panel (170.2 mm): its 24 dB/octave lowpass and highpass filters, its bandpass mode, its frequency and bandwidth controls set by knob or by voltage as their switches choose, its two-position MODE knob and its two red push buttons.
- New Buchla module: the 185 Frequency Shifter of the 100 series (1960s), in its Buchla Associates panel (170.2 mm): it shifts every frequency of the signal by the carrier's, its two sum and two difference outputs at once, its two inputs, its large silver cross-head screws and its two uncaptioned cream jacks.
- New Buchla module: the 180 Dual Attack Generator of the 100 series (1960s), in its San Francisco Tape Music Center panel (170.2 mm): its two envelope generators started by a pulse at their red input, their attack, decay and duration knobs, and the switch that makes the duration follow the pulse's length.
- New Buchla module: the 156 Dual Control Voltage Processor of the 100 series (1960s), in its San Francisco Tape Music Center panel (170.2 mm): its two channels that mix, compress and invert control voltages, their eight black jacks, their knobs and their two bare potentiometer shafts, on the printed ext and int branches.
- New Buchla module: the 165 Dual Random Voltage Source of the 100 series (1960s), in its San Francisco Tape Music Center panel (170.2 mm): its two uncorrelated random voltages, each changed by a pulse at its red input, and their four black outputs.
- New Buchla module: the 160 White Noise Generator of the 100 series (1960s), in its San Francisco Tape Music Center panel (170.2 mm): its flat white noise from 5 cps to 20 kc and its weighted 1/f noise, two brass outputs for each.
- Buchla 158 and 110: their eyelets are drawn as the photographs show them, a light lip ringed by a thin dark edge round the hole, no longer as a plain black dot.
- New Buchla module: the 111 Dual Ring Modulator of the 100 series (1960s), in its Buchla Associates panel (170.2 mm): its two independent ring modulators, each with two brass inputs and two brass outputs.
- New Buchla module: the 110 Dual Voltage Controlled Gate of the 100 series (1960s), in its San Francisco Tape Music Center panel (170.2 mm): its two voltage controlled amplifiers, each with two outputs, a brass signal input with its SIGNAL LEVEL knob and a black control voltage input.
- New Buchla module: the 284 Quad Voltage Controlled Envelope Generator, an original 200 series module: its four envelope generators with their delay, attack, duration and decay, their control voltage input, their sustain switch, their two outputs, their lamp and their pulse output.
- New Buchla module: the 285 Frequency Shifter / Balanced Modulator, an original 200 series module: its frequency shifter with its sum and difference outputs, its internal reference from 0 to 1 kc or its reference input, and its balanced modulator with its ring and variable outputs, its modulation under voltage control.
- New Buchla module: the 291 Dual Voltage Controlled Filter, an original 200 series module: its two filters, each with its signal input, its f.m. input, its two outputs, its center frequency from 30 Hz to 15 kc and its bandwidth under voltage control, and its Q set on a bare knurled shaft.
- New Buchla module: the 294 Four Channel Comb Filter, an original 200 series module: its input split into four bands (below 250 Hz, 250 Hz to 1 kHz, 1 to 4 kHz, above 4 kHz), two outputs per band, and a slider per band for its level in the sum, with two sum outputs.
- New Buchla module: the 265 Source of Uncertainty, an original 200 series module: its low, flat and high white noise outputs, its two random voltages with their voltage-controlled probable rate of change, and its two stored random voltages taken on a pulse with their correlation.
- New Buchla module: the 208 Stored Program Sound Source of 1973, the original 200 series module four panel units wide: its complex and modulation oscillators, its dual lowpass gate, its envelope generator, pulser, sequential voltage source and random voltage, its preamp, inverter, output section and program board; its bead slider caps, teal and red knobs and original coloured banana sockets.
- New Buchla module: the 280 Quad Envelope Generator, an original 200 series module: its four attack-decay envelope generators, their pulse inputs and sustain switches, their two envelope outputs, their pulse output and their jewel lamp; its original red and black banana sockets.
- New Buchla module: the 158 Dual Sine-Sawtooth Generator of the 100 series (1960s), in its San Francisco Tape Music Center panel, shorter than the 7" panels (170.2 mm, measured): its two oscillators from 5 cps to 20 kc, their WAVE SHAPE, FREQUENCY MODULATION and FREQUENCY CONTROL knobs, their brass jacks and black insulated inputs, its ext / int switch.
- New 4ms module: the Eurorack Noise Swash, the 16 HP version of the Noise Swash pedal (discontinued as a built module, still a kit), a chaotic noise and CV generator or audio processor, its 10-turn Swash pot, its Low, Tone, Noise's Gait, Self-Osc and Volume knobs, its Pre, Post and Self-Osc switches with their lamps, its two-way Mood jack and its Swash CV input, with its glossy black skirted knobs and turned aluminium caps; the patch keeps its knobs and its switches.
- New 4ms module: the Eurorack Atoner, the 16 HP version of the Atoner pedal (discontinued), which steps the harmonics of its oscillator or an audio input down under a set cut-off, for quantized melodies, poly-rhythmic clocks and pitch jumps; its two Vary CV inputs with their lamps, its CV Mix and Clock outputs, with its fluted knobs; the patch keeps its knobs, its ON switch and, in the module's settings window, its board's clock jumper.
- New 4ms module: the Passive Mult, a 2 HP passive multiple sold as a kit, two channels of one to three or one to six with the second normalled to the first, and a passive mixer.
- New Endorphin.es module: the original Terminal, the 26 HP voice of the Shuttle system (discontinued), its two Airplanes, AD/AR/looping envelopes with slopes from EXP to LOG that loop as oscillators, its peak detector, its two opto-coupler low-pass gates, its cabin pressure echo and its output with pan, mono and headphones, in its gold finish; the patch keeps its knobs, its trip selectors and, in the module's settings window, the jumpers and trimmers on its back.
- New Endorphin.es module: the original Cockpit, a 6 HP four-channel stereo performance mixer (discontinued), its endless encoders with their lamps, its send and return to an iOS device through two TRRS jacks, its three-mode ducking compressor and its headphone output, with its lobed knobs; the patch keeps MASTER, SIDECHAIN and, in the module's settings window, each channel's level, mute and ducking, the compressor's mode, the stereo/mono jumpers and the trimmers on its back.
- New Endorphin.es module: the original Two of Cups, a 6 HP two-voice sample player without MIDI (discontinued), each voice a parameter knob over six modes, its pitch and sample CV inputs, its triggers and large buttons, eight banks of 24 samples per voice and a clock input for rolls; the patch keeps its knobs and, in the module's settings window, the bank, the mode and each voice's parameters.
- New Endorphin.es module: the original Godspeed, a 6 HP thru-zero VCO (discontinued), its even/odd, folded and sub outputs, its syncs, its FM mood index, its octave switch and its autotuner; the patch keeps its knobs, its switch and, in the module's settings window, the tuner's state, its root and the white noise level.
- New Endorphin.es module: the Gateway T_XP, the 10 HP expander of the Terminal and the Grand Terminal (discontinued), its two CV mixers with offset, its TUNE to A autotuners and their lamps, its end outputs and its switches; the patch keeps its knobs, its switches and, in the module's settings window, the FM x10 jumpers on its back.
- New Endorphin.es module: the original Cockpit 1U, a four-channel stereo performance mixer in 1U (discontinued), its endless encoders with their two-colour lamps, its sidechain compressor and its white strips to write on; the patch keeps SIDECHAIN, the volume and, in the module's settings window, each channel's level, mute and sidechain amount, the compressor's mode and the name written on each strip.
- New Endorphin.es module: the original Airstreamer, a 6 HP envelope generator (discontinued), its cycle, transient (AD) and hold (ASR) modes, its rise and fall shapes, its CV and 1V/oct inputs; the patch keeps its four knobs, its trip select switch and, in the module's settings window, the end of stage switches on its back.
- New maker, Instruō, and new module: the ceithir, a 58 HP quad stereo state-variable filter and resonator, traced from the panel drawing in the maker's manual; its 34 white-capped knobs, its 68 gold-nut jacks, its MODE (Filter, Res, Osc), MORPH, limiter, α→β and δ→γ link and modulation bus (ANIMATE, OFF, FM) switches, its four RATE lamps and its master section.
- New Instruō module: the íre, an 8 HP external input module, its XLR/TS combo socket, its 48V, -20, HPF and INPUT switches, its GAIN with its VU meter, its LEVEL, its envelope follower (ATTACK, RELEASE) and comparator (THRESH) with their outputs and lamps.
- New Instruō module: the dhà, a 4 HP stereo mixer, its two stereo channels (left normalled to right), channel 1's stereo VCA with its CV input, attenuverter and lamp, its two LEVELs, and in its internal settings the normalling switch on its back.
- New Instruō module: the Lúbadh, a 20 HP tape-inspired dual looper, its two decks (SPEED, LENGTH, START, IN, TIME, OUT, REC, ERASE, RETRIG/SHIFT), its AUX I and AUX O crossfaders with lit caps, LINK, and in its internal settings each deck's modes (input monitoring, looping or one-shot record and playback, the TIME knob's mode, quantisation, active preset), its Pre/Post switches on the back and its capacitive reel.
- New Instruō module: the Lúbadh's CV expander, 2 HP, its LENGTH, START and TIME CV inputs and its ERASE input for each deck, in its current version.
- New Instruō module: the Lúbadh's USB expander, 2 HP, its front-panel USB-A socket for the Lúbadh's drive.
- New Instruō module: the arbhar, an 18 HP granular processor, its six layers, its continuous and STRIKE grain engines, its onset detection with its PULSE output, its built-in microphone, its granular stream display, and in its internal settings its modes (capture, mono or stereo input, phase, Scan or Follow, onset, Mod CV) and its preset's settings.
- New Instruō module: the arbhar's CV expander, 2 HP, its eight CV inputs (SPRAY, LAYER, grain direction and window, pitch deviation, DUB, MOD, dry/wet), in its current version.
- New Instruō module: the arbhar's USB expander, 2 HP, its front-panel USB-A socket for the arbhar's drive.
- New Instruō module: the glōc, a 4 HP clock generator and processor, its seven clock outputs, SPREAD, PROBABILITY and PWM, its clock input, its reset, its TAP button, its Lock / Regular / Live mode switch, and in its internal settings each output's lock, the saved tempo and the tempo behaviour.
- New Instruō module: the cèis[2], an 8 HP analogue ADSR envelope, its four ATTACK, DECAY, SUSTAIN and RELEASE faders with lit caps, their CV inputs and a gate output per stage, its combined trigger output, its RETRIG input, its GATE/TRIG button, its SHAPE knob and its HOLD / GATE / TRIG switch, HOLD making it a slew limiter.
- New Instruō module: the dàil, a 4 HP quantiser with a precision adder and a MIDI-to-CV interface, its CV, IN and CLK inputs, its OUT, trigger and GATE outputs, its fader with a lit cap, its two buttons and its Programming / Quantiser / Precision Adder switch, and in its internal settings the scale it holds (each note for the quantiser, the adder or both), the distribution mode, the offsets and the MIDI mode.
- New ALM Busy Circuits modules: the Passive Mult, a 3 HP passive multiple, two groups of wired jacks (one to three, one to two); the HPO, a 2 HP stereo headphone output, its Vol knob and its R input normalled to L; the Stem Ripper Thru, the Stem Ripper's basic expander, a passive mult for its eight channel inputs; the PPEXP2, Pamela's PRO Workout's output expander, its x24 and Run (Din Sync) outputs, its Run lamp and its TRS MIDI clock output; the mmT, the mmMidi's expander, eight gate outputs played by the keys C to G, each with its lamp; the O/A/x2, a dual offset and attenuverter, its polarity lamps and its MIX jumper kept in the internal settings (the top output into the lower section, a mixer); the STEREO SUM, a 4 HP stereo summing mixer, four input pairs (L normalled to R) to two stereo outputs, or all four to one; the Pip Filter, a 4 HP 12 dB/oct low-pass filter, its Freq and Res knobs, its CV attenuverter, its Trig input that pings the filter and its output VCA; the Pip Slope, a 4 HP compact envelope generator, its Attack and Decay knobs with their CV inputs, Shape and Loop, its Trig and Gate inputs, its EOS and Out outputs, and its 5V_ENV jumper (0-5 V or 0-8 V) kept in the internal settings; the PE-1, a 5 HP dual band parametric EQ, each band's Gain and frequency (upper 1 to 8 kHz, lower 62 Hz to 1.5 kHz), and two inputs mixed to its output, the first through Attn; the S.B.G, a 4 HP effects pedal interface, its Send (attenuation out to the pedal) and Return (gain back) knobs with its clip lamp, its DRY | WET crossfade and its EXP input conditioned to the 3V and 5V outputs for expression inputs; the MT-EX1, the MEGA-TANG's 4 HP expander, its line input with Level and Send, its In 5 and In 6 inputs with their Send and its In L / In R stereo input; the MT-EX2, the MEGA-TANG's second 4 HP expander, an extra mono effects send (Send) with its stereo return (Ret L, Ret R) and its Send 1 to 4 knobs, one per MEGA-TANG channel; the PPEXP1, Pamela's PRO Workout's 4 HP output expander, its Clock and Run (Din Sync) outputs with the Run lamp, its TRS MIDI clock output, its five fixed gate outputs x1, x2, x4, /4 and /16 and its Stop output, each with its lamp; the MEGA MILTON, 8 HP of analog utilities: a stereo line input converter, a four input mixer with a breakout attenuator, a gated slew limiter (Enable), a sample and hold with white noise and a buffered mult with its polarity lamps, the sections normalled as the panel shows; the Tangle Quartet, four linear VCAs and a mixer in 8 HP, its Level inputs attenuated by their knobs and normalled to +5 V, a level LED per channel, its individual outputs and its Mix of the unpatched channels; the Beast's Chalkboard, a 6 HP dual octave switcher, its two detented switches from -2 to +2 V whose position the patch keeps, its inputs (the top one normalled to the bottom one), its Thrus and two outputs per section; the AXON-1, a 4 HP CV expander for the SQUID SALMPLE, the MFX, the MCO and Pamela's PRO Workout, its CV 4 to 7 inputs, each with its Assign button and orange lamp; the Pip LFO, a 4 HP compact analogue LFO, its Freq knob, its Freq and Rst inputs, its square, saw, triangle and sine outputs (bipolar and unipolar), and its VCO button whose mode the patch keeps, its yellow lamp lit in VCO; the FMco, an 8 HP compact FM synth voice, its Freq encoder whose base frequency is kept in the internal settings, its Lock button whose state the patch keeps with its yellow lamp, its Ratio, Wave and Index knobs with their attenuators, Chord and Decay, and its inputs and stereo outputs; the AXON-2, an 8 HP CV and control expander for the SQUID SALMPLE, the MFX, Pamela's PRO Workout, the MCO and the QUAID GIGASLOPE, its CV 4 to 7 inputs, each with its Assign button, orange lamp and Offset knob, and its two large performance buttons A and B; the Boss Bow Two, an 8 HP 8 way bidirectional voltage controlled switch, one I/O to or from eight I/Os with their green lamps, its Mode button whose mode the patch keeps (Step, Strobe or Address, each with its lamp lit), its Clock and Reset inputs and its Control input with attenuverter and Offset; the Jumble Henge, an 8 HP stereo spectral mixer designed with Worng Electronics, its 14 inputs in four bands (High, High Mid, Low Mid, Low) whose place sets their filter and pan, the centre right input of the top two rows normalled to the centre left one, its Mix knob for the depth of the filters, its Ext In stereo input (R normalled to L) and its Out L and Out R outputs; the MUM M8, an 8 HP low pass filter after the Akai S950 sampler's, its large Cut off knob and two Freq inputs (one with an attenuverter), its Resonance up to self-oscillation with its Res input and attenuator, its two audio inputs, one through a VCA, and its Clip lamp; the MFD, a 6 HP two channel stereo crossfader, its In A and In B inputs (L normalled to R), its large X Fade knob with its CV input, its stereo output, and its Cue A and Cue B buttons whose state the patch keeps, with their yellow lamps, to the Cue Out output; the CIZZLE, a 16 HP dual digital phase distortion VCO inspired by Casio's CZ, OSC A's encoder whose base frequency is kept in the internal settings, OSC B's frequency knob and Pitch input, Shape, PD Algo and Level with their CV inputs, its Track and Mix buttons whose state the patch keeps with their yellow lamps, its B Mode button (Rez, Ring or Noise) with its lamps, its Chord with the Chord and Inv inputs, and its A and B outputs; the MCFx2, a 14 HP dual analog state variable filter, for each filter Cut Off and Resonance with their V/Oct, Freq and Res inputs, its Low, High and BP/Notch outputs, its Link and Feed buttons whose state the patch keeps with their yellow lamps, and its rear jumpers (BP or Notch for each filter, the output Feed sends) kept in the internal settings; the Tyso Daiko, a 14 HP dual digital wavetable drum voice, its PITCH knob (the sweep's end), Start, Rate, Wave, Release, Surface, Fold and EQ with their CV inputs, its V/Oct, Trig 1, Trig 2 (normalled to Trig 1), Acc and Choke inputs, its EQ's Ext in input, its outputs 1 and 2; the TAZM-O, a 12 HP through-zero FM analog triangle core oscillator, its Freq, fine, Index, Shape and Level knobs, its V/Oct, TZFM, Index, Oct, Sync, Shape and Level inputs, its Sine, Sub-1, Sub-2, Saw and Shape outputs, its LFO button whose state the patch keeps, and its two side switches (sine or triangle wave, Sub-2 width) kept in the internal settings; the Akemie's Taiko, an 18 HP FM drum voice on a Yamaha YMF262 chip, its large Freq Start knob and its fine knob, Freq End, Ratio, Speed, Release 1 and 2, Waves, Algo and Fb with their CV inputs, three attenuverters, its two V/Oct inputs, its Trigger, Acc and Choke inputs, its Out output and its lamp; the Akemie's Castle, a 38 HP dual FM VCO on a Yamaha YMF262 chip, its two large frequency knobs and their fine knobs, for each of its four operators Wave, Multiplier and Level with their inputs, Feedback, Chord and Inv, its A and B outputs, and its Operator Algorithm button whose algorithm the patch keeps, with its six lamps; the Quaid Megaslope, a 19 HP five-stage function generator (envelope, LFO or sequencer), for each stage a Level slider and its Time and Slope knobs with the Level and Time inputs, its Trig and Gate inputs, its ±Out, +Out, EOS and EOC outputs, its Mode button whose mode the patch keeps (Env, Loop or Step, each with its lamp) and its Set button whose sustain or loop stage the patch keeps, shown by its green lamps; the MFX, a 6 HP stereo digital multi-effects processor, its OLED screen showing the noted program and factory preset and opening the window of its 17 programs and their 146 presets, its three CV inputs, its Clk input, its stereo inputs and outputs with its clip lamps; the With Mixer, an 8 HP eight channel stereo mixer for the Stem Ripper, its colour screen showing each channel muted (grey) or soloed (yellow) and opening the window of its settings (output, compressor and, for each channel, Level, Pan, Mute, Solo, Aux 1 and Aux 2 sends, each with its CV assignment), its three CV inputs, its stereo output and two stereo aux sends, its USB-C host port for a MIDI controller; the SQUID SALMPLE, a 21 HP eight channel audio and CV sampler, its OLED screen showing the noted active channel and opening the window of its settings (bank loaded, Chan input, recording mode and, for each channel, the Quality, Env, Loop, Reverse and Cues pages, mute, solo, output, choke, each parameter with its CV assignment), its eight trigger inputs with their lamps, the V/Oct knobs and inputs of channels 6 to 8, its sample input with Level, its red Rec button and Clip lamp, its pair and Mix outputs, and its USB socket for the banks; the Pamela's PRO Workout, an 8 HP programmable modulation source, its colour screen showing the noted tempo and opening the window of its settings (tempo, the Clk, Run, CV 1 and CV 2 inputs' roles and, for each of its eight outputs, its modifier, shape, level, offset, phase, probability, Euclidean patterns, loops, cross and Flex operations, each with its CV assignment), its Start / Stop button, its encoder and its eight outputs with their lamps; the ASQ-1, a 32 HP multi-mode sequencer, its mechanical computer style keys (8 white, 5 black, each with its lamp's window), its MODE button whose mode the patch keeps (sequencer 1 or 2, quantiser, triggers 1 to 4, each with its yellow lamp), Play, Store, Hold/Len, Rest/Div and the octave buttons, its CV, Gate and trigger outputs, its quantiser and its Clock and Reset inputs; the QUAID GIGASLOPE, a 52 HP four-channel multi-mode modulator, its 13 stages each with a Level slider and its Time and Curve knobs, the settings of each of its four slopes (Env, Loop or Step type, start, end and sustain stages, quantiser scale, output range, EOC and EOS triggers) kept in the internal settings, its trigger inputs normalled in a chain, its four CV inputs with their Assign buttons, its four outputs and its EOC and EOS outputs; the mmMidi, a 4 HP MIDI to CV interface (mkII version), two channels of V/Oct, velocity and gate from its TRS MIDI input or its USB-C port, its x24 and Run clock outputs, its Learn button and its Activity lamp; the S.B.G-PRO, a 10 HP external audio interface, stereo send and return on 6.35 mm jacks (Return R normalled to L), its In and Out knobs with its clip lamps, its DRY | WET crossfade and its Mix CV input, and its EXP input conditioned to the 3V and 5V outputs; the Stem Ripper, a 6 HP eight channel audio recorder, its eight inputs each recorded to its own track on a micro SD card, its Record button and its Clip and Active lamps; the Pamela's Disco, a 4 HP PRO DJ LINK sync, its Link network socket, its x24 and Run clock outputs and its bar and beat outputs, its Resync button and its lamps; the Pexp-2 (discontinued), Pamela's NEW Workout's 2 HP expander, its x24 and Run outputs with its lamp and its TRS MIDI clock output; the Boss Bow Tie (discontinued), a 6 HP 8 way bidirectional voltage controlled switch, one I/O to or from eight I/Os with their lamps, its Control input with attenuverter and Offset, and its Gate input; the BXx2 (discontinued), an 8 HP dual preamp, EQ and mixer after Boss's BX mixers, designed with Feedback Modules, each channel's Gain, EQ High, EQ Low and Level, its Aux input and its output; the Dinky's Taiko (discontinued), a 12 HP 12 bit digital drum voice, its noise (Spectrum, Release), its wavetable oscillator (Start Freq, End Freq, Speed, Release, Wave), its Mix and EQ, every setting but the EQ with its CV input, its Trigger, Acc and Choke inputs and its output with its lamp; the SID GUTS (discontinued), a 12 HP Commodore 64 SID chip voice, its Filter and PWM knobs, its CV attenuators and resonance, its three mode buttons for the filter, the wave and the modulation oscillator with their lamps, its external audio input and its output; the SID GUTS DELUXE (discontinued), the improved 19 HP SID GUTS, its Frequency and Fine offsets, its chords and their inversion, its filter type CV input, its CV attenuverters and its three mode buttons with their lamps; the Haswell's Taiko (discontinued), the Dinky's Taiko's black special edition made with Russell Haswell, its 30 hand drawn waveforms; the Pip Slope mk I (discontinued), ALM's first 4 HP compact envelope generator, its Trig and Gate inputs, Attack and Decay with their CV inputs, its Loop button whose state the patch keeps with its yellow lamp, and its output with its lamp; the Pexp-1 (discontinued), Pamela's NEW Workout's 4 HP expander, its Din Sync and MIDI clock outputs on DIN sockets and its four fixed gates x4, x2, x1 and /4 with their lamps; the Pamela's Workout (discontinued), the first Pamela, an 8 HP programmable clock source, its red LED display showing the noted tempo and opening its settings window (tempo, external clock, bank, Free Run, Tempo input, and for each of the eight triggers its modifier, width, delay, skips and rotation), its Clock, Run and Tempo inputs, its Start / Stop button and its eight outputs with their lamps.
- Fix: the large white knobs of the ALM Busy Circuits modules (Tyso Daiko, MCFx2, TAZM-O, Pip, AXON-2, CIZZLE and the others) have their round skirt, its black rim cut by six grey blocks and its translucent grey band, and the corners of the hexagonal nut showing under it, as on the maker's photographs, no longer a thick black decagon.
- Fix: the black knobs of the ALM Busy Circuits Haswell's Taiko have the same round skirt, its black rim cut by six blocks, in the black knobs' own greys, and the silver corners of the hexagonal nut showing under it.
- Fix: the big ALM Busy Circuits knobs (MUM M8 Cut off, MFD X Fade, TAZM-O Freq, S.B.G-PRO Dry/Wet) have their skirt of ten blocks between rounded ribs, its notched edge and its greys, as on the maker's photographs, no longer a thin knurled ring.
- Fix: the ALM Busy Circuits lamps, unlit, in the colours of the maker's photographs: the yellow ones olive, the orange ones browner, the red ones a little darker.
- New Instruō module: the dàil USB expander, the dàil's 2 HP MIDI expander, its USB Type A host port and its TRS MIDI input, and in its internal settings the A|B switch on its back (Type A or Type B).
- New Instruō module: the tròika, three analogue oscillators in 32 HP in its black and gold panel, each with its COARSE and FINE, its 1V/OCT input (linked to the next by its switch), its linear FM, its SYNC, its waveform switch and its cool white lit crossfaders, the third one's PWM, and its MIX OUT with a LEVEL per oscillator.
- New Instruō module: the SCÍON, a 14 HP biofeedback-driven quad random voltage generator: its capacitive Leaf and SENSOR input, SENSITIVITY and DENSITY with their CV inputs, its four CV and four gate outputs, per channel a SLEW, an ATT., a GATE IN and a HOLD button, its printed four-colour Tree, its RAW output, and in its internal settings the mode (quantised, random, harmonic overtone), the clocked mode and the jumper on its back.
- New Instruō module: the [2]f, a 2 HP dual fader, its two channels of manual voltage (0 to 5 V or 0 to 10 V as a header on the back sets it), each with its lit fader and its CV output.
- New Instruō module: the vincâ, a 4 HP dual VCA, a four-quadrant multiplier with input bias and attenuverter and a fader VCA with an adjustable curve, in parallel or in series.
- New Instruō module: the athrú, a 4 HP analogue wavefolder, its folding by fader and CV, its symmetry bias, its STRIKE input (its decay set on the back, in its internal settings) and its drive.
- New Instruō module: the I-ō47, a 14 HP multimode resonator and filter after the ARP 2500's 1047, its simultaneous low pass, band pass, high pass and notch outputs, its self-oscillating resonance, its STRIKE input, its notch offset and its limiter.
- New Instruō module: the tanh[3], a 4 HP triple waveshaper, the hyperbolic tangent of each input as a limiter, overdrive and feedback controller, its three channels normalled in series.
- New Instruō module: the Cš-L, a 26 HP complex oscillator, two contrasting analogue cores (sawtooth and triangle) cross-normalled, a wavefolder with symmetry bias per oscillator, a four-quadrant multiplier, hard and soft sync and an Index bus routing internal modulation without a cable.
- New Instruō module: the Tš-L (Version 2), a 6 HP triangle-core analogue VCO, square with sub-octaves, triangle and sine, a wavefolder with symmetry bias, a pulse waveshaper between a split and a stepped triangle, linear or exponential FM, soft sync and an LFO mode.
- New WMD modules: the 4TTEN, four passive attenuators in 4 HP played on sliders, their clear red-domed caps taken from the Performance Mixer; with nothing patched in, each slider sets a voltage from 0 to 5 V; the AXXENT, the Metron's accent expander, sixteen accent gate outputs, one per track, and its SELECT button; the SL3KT, three ganged bidirectional AB switches, whose LEDs turn green (A) or red (B) following the cascaded switches and the cables patched into the CV inputs; the VOLT, a precision offset from -7 to +7 V in whole volts on three IN / OUT pairs, whose UP and DOWN buttons move the offset as on the module and whose column of five LEDs shows it as the manual's reference does, blinking included; the patch keeps the offset and the reset voltage; the VOLTERA, the Metron's CV expander, four bipolar outputs and their knobs, whose patch keeps, in the module's settings window, each track's knob input range and user scale (notes and octaves).
- New WMD module: the ORION, an analog phaser of 4, 6 or 8 stages with a bypass, a wavefolder before it and a stereo effect, whose two buttons light their LEDs as on the module (BYP / 8 / 6 / 4, FOLD / STEREO); the patch keeps the stages, the bypass, the fold and the stereo, and FREQ's LED follows its knob.
- WMD modules (C4RBN, Javelin, Kraken, Crater, Clutch, Chimera, Crucible, Fracture, Cosmic Debris, VOLTERA): their knobs are now WMD's own, black and knurled with a wide white index, as on their photographs, instead of a grey ring.
- New WMD module: the OSD (OR / SUM / DIF), three blocks combining voltages in 4 HP, the first with an A/B knob, the first two with a three-way A||B / A+B / A-B switch, the third a three-input OR; the patch keeps the knob and both switches.
- New WMD module: the MSCL, a stereo analog compressor in 4 HP with COMP, ATTACK, RELEASE and GAIN, its LIMIT and THLD slide switches and its SC / IN / OUT switch; the patch keeps them all, and the rear RMS or Adaptive detector switch in the module's settings window.
- New WMD module: the Buffered Mult, three buffered multiples in 4 HP, one input to three outputs each, each input normalled to the next for nine outputs from one.
- New WMD module: the Time Warp, a dual gated voltage slew and envelope follower in 4 HP, its RATE knobs, its INVERT LOGIC switches and its SYMMETRY switch; the patch keeps them all.
- New WMD module: the AXYS, a dual stereo crossfader in 6 HP with its CROSSFADE knobs, its XCV to YCV switch and its level meters lit as photographed; the patch keeps the knobs and the switch, and the AI patch generator knows its normallings, XCV to YCV only in the switch's + and - positions.
- New WMD module: the Subway, an 8 input scanning crossfader in 6 HP, its SCAN knob and its eight lit ENABLE buttons that a click puts in or out of the scan; the patch keeps them, and the crossfade curve in the module's settings window.
- New WMD module: the Digital VCA MKIII, two VCAs in 8 HP updated continuously, on a trigger or at zero crossings, unipolar or bipolar, with BIAS and CV; the patch keeps its knobs and six switches, and the AI patch generator knows its normals, those into CV B and IN B by the position of their switch.
- New WMD module: the Modbox MKII, a Three Phase LFO, a Skew LFO, a sample & hold with Turing Machine loops and analog noise in 8 HP; the patch keeps its knobs, and in the module's settings window both modes, the values set with SHIFT, the loop length and the clock and reset modes.
- New WMD module: the Arpitecht, a rhythmic arpeggio generator and quantizer in 12 HP with its scales, note masks, rhythms and slides; the patch keeps its knobs, ROOT and DIRECTION, and its RANGE in the module's settings window.
- New WMD module: the Arpitecht: Triad, the Arpitecht's chord expander in 4 HP, three notes of its scale on three outputs with INVERSION and its keyboard of lamps; the patch keeps TRIAD and INVERSION.
- New WMD module: the Skorpion, a 20 HP waveform reanimator in black or silver, its knobs, its eight-way SHAPE selector, its eight lit sliders and its switches; the patch keeps them all but the sliders' spring toggle, and in the module's settings window its targets, its macro setup and the macro envelope.
- New WMD module: the Metron, a 16-channel trigger and gate performance sequencer in 36 HP, its 93 buttons, its 16 outputs and their lamps, its COUNTER, CURRENT STEP and PAGE displays; its MEMORY button opens the window where the patch keeps the session as noted: clock, assign inputs, the five variations' tracks with the AXXENT's accents and the VOLTERA's voltages, the mute scenes and the compose scenes.
- New WMD module: the Performance Mixer MKII, an eight-channel stereo performance mixer in 52 HP, its gains, AUX1 and AUX2 sends, pans and crossfades, faders, switches and meter, kept by the patch, and in the module's settings window each channel's mute, cue and bus, the Bus Mode and the eight groups.
- WMD's knobs redrawn from WMD's photographs: a matt black cylinder with twelve sides, seen straight from above without depth, its top nearly even with a fine circle, its lit edge, and a finer white index starting off the axis and running down the flank.
- WMD's Crater, C4RBN and Javelin: their knobs now start where WMD's photographs show them, near their minimum, instead of noon.
- New WMD module: the CHNL SRFR (Channel Surfer), a 4 HP stereo channel strip and effects unit (3-band EQ, resonant low- and high-pass filters with drive, nine effects and a ducker); the patch keeps its three knobs and its page switch, and in the module's settings window the EQ, FLTR and FX pages' values and their SHIFT functions, the selected effect and each of the nine effects' settings, the bypass, the CV target and the preset.
- New WMD module: the Bus Rider, a 4 HP stereo multiband master-bus processor (multiband compressor, isolator EQ, saturation and limiter); the patch keeps its three knobs and its page switch, and in the module's settings window the ISO, DYN and LIMIT pages' values and their SHIFT functions, the stereo link, the bypass, the CV target and the preset.
- New WMD expanders for the Performance Mixer MKII: the PM MKII Direct Outs, eight stereo pairs of pre- or post-fader direct outputs in 4 HP, passive; the PM MKII Returns, three more stereo returns in 4 HP, passive, their levels and their AUX RET / MIX IN switches kept by the patch; the PM DB25 MKII, sixteen balanced outputs on two DB25 sockets in 4 HP; the PM Channels MKII, four more channels in 24 HP or a standalone four-channel mixer, its knobs, faders and switches kept by the patch, and in the module's settings window the mutes, cues, buses and routing to the PM MKII.
- New WMD module (discontinued): the PM DB25, the first Performance Mixer's balanced direct outputs expander in 4 HP, every channel and the master pre-fader on two DB25 sockets.
- New WMD module (discontinued): the PM Mutes, the first Performance Mixer's mute expander in 6 HP, a button per channel and aux send lit red while muted, the mutes kept by the patch, its COMBO button and AUX SEND CV inputs for channels 1 to 4.
- New WMD module (discontinued): the Quad Anti-Aliasing Filter, four matched 4-pole low pass filters in 4 HP, first made for the Phase Displacement Oscillator: its FREQUENCY knob kept by the patch, its CV and CLOCK inputs, four inputs and outputs and a SUM.
- New WMD module (discontinued): the PM Channels, two more stereo channels for the first Performance Mixer in 10 HP: inputs A and B chosen or summed, GAIN, aux send, PAN, fader and CUE kept by the patch, its lamp lit while the channel is cued, and CV inputs over GAIN, LVL, PAN and AUX.
- New WMD module (discontinued): the Performance Mixer, WMD's first stereo mixer in 40 HP, eight channels, six of them mono with two inputs: GAIN, aux sends, PAN, faders and CUE kept by the patch, each CUE lamp lit while its channel is cued, level and pan CV per channel, SEND and RETURN, MONO, CUE and PHONES in 3.5 and 6.35 mm.
- New WMD module (discontinued): the Pro Output, WMD's high fidelity output in 6 HP: stereo inputs, a STEREO -10 dBV output, +4 dBu balanced outputs and a headphone amplifier on 6.35 mm set by LVL, its headphone limit jumpers kept as internal settings.
- New WMD module (discontinued): the Legion, an analog oscillator with digital control in 8 HP, its windowed saw, its SWARM output an analog supersaw and its sub-oscillator: mode, octave, tuning, windows, swarm animators, sub and sync kept as internal settings, its SINE, TRI, SAW and PULSE outputs.
- New WMD module (discontinued): the SCLPL, a stereo or dual-mono 5-band parametric EQ in 4 HP, morphing through nine presets per side: the five bands, the preset, the mode, the bypass and each side's input level kept as internal settings, its MORPH A and B inputs normalled to each other in stereo.
- WMD's Performance Mixer MKII and PM Channels MKII: each C lamp lights while its channel is cued in the module's settings window.
- New WMD module (discontinued): the DVCA (Digital VCA MKII), a digitally controlled analog attenuator in 4 HP on a silver panel, its channel A unipolar or bipolar with BIAS and its zero crossing, triggered or instant modes, its UPD A input normalled from IN A.
- New WMD module (discontinued): the Phase Displacement Oscillator MKII, a hybrid VCO in 16 HP, an analog sawtooth core and a digital waveshaper on four outputs, the phase of outputs 2 to 4 modulated; each output's waveform and the rear jumpers in its hidden settings.
- New WMD module (discontinued): the Overseer, a stereo DJ-style filter in 8 HP, low-pass and high-pass on one big knob, with resonance and a stereo Tilt; its BYPASS lamp lights red while the filter is engaged in its hidden settings.
- New WMD module (discontinued): the Micro Hadron Collider, two state-variable filters in 16 HP with a voltage controlled mixer between them, the second filter in series or in parallel with the first, Filter 1's CV inputs normalled to Filter 2; its Mix knobs with a blue index.
- New Strymon module: the Magneto, a stereo four-head dTape echo, looper and phrase sampler with a spring reverb, in 28 HP: its turned aluminium knobs, its lit MODES (ECHO, LOOP, SAMPLE), FEEDBACK and TRANSPORT buttons kept in the patch, Pitch Quantize, its scale and the transport buttons' modes in hidden settings, its DIP switches in internal settings.
- New maker KOMA Elektronik and its SVF-201, an analogue state variable filter on vactrols in 12 HP: its large backlit CUTOFF knob, its LP, BP and HP outputs at once, MIX OUT crossfading them under SELECT, its SELECT knob a 0 to 5 V source while nothing is in SELECT CV.
- New maker Noise Engineering and its Basimilus Iteritas Alter, a digital drum voice in 10 HP: additive or FM, its Skin / Liquid / Metal and Bass / Alto / Treble switches kept in the patch, its HIT button.
- New WMD module (discontinued): the Compressor, a sidechainable analog compressor on the THAT 4301 in 12 HP, its input and output saturation, its RMS, adaptive or peak detection, its parallel compression, its Side Chain input normalled from Signal In; its rear jumpers in internal settings.
- New WMD module (discontinued): the Digital VCA, its first version, two digitally controlled analog attenuators in 6 HP, their CV read at 256 levels, a 5 V or 8 V range, instant, gate or zero crossing updates, each Update G/ZCD input normalled from its channel's input.
- New WMD module (discontinued): the Geiger Counter Eurorack, the digital destruction pedal in 10 HP on a black panel, its Gain and Tone preamp, its direct input, its sample rate and bit depth under CV; its 252 wave tables chosen on the display, kept in the patch.
- New WMD modules (discontinued): the Multimode Envelope, a hybrid envelope in 8 HP, its attack, decay and release rates and shapes, its nine modes on the Mode knob kept in the patch, its Gate/Trig input normalled from the bus, its jumpers in internal settings; and its MME Expander in 6 HP, CV and attenuators for the four segments, end of segment triggers, Retrig, Hold, ADR TimeScale and Reset on Gate.
- New WMD module (discontinued): the Multimode VCA, a dual OTA VCA in 10 HP, its Bias and Saturation knobs, its bipolar CV attenuators, its A, B and A+B outputs with their inverses, its seven switches (Linear / Expo, AC / DC, Xfade / FTZ, Sat / Clean, B CV source, In B normal) kept in the patch, CV B and In B normalled from A.
- New WMD module (discontinued): the Synchrodyne, an experimental voice in 14 HP, its sawtooth core VCO (1V/Oct, sync, exponential and linear FM), its phase locked loop with the Multiply and Divide switches kept in the patch, Track Speed, Damping and Influence, its 2 and 4 pole switched capacitor filter (HP / BP / LP, 100:1 or 50:1 ratio) behind a VCA and a wavefolder, its Clk In normalled from the VCO's pulse, its three board switches in internal settings.
- New WMD module (discontinued): the Synchrodyne Expand, the Synchrodyne's 22 HP expander, its second VCO and PLL2 with the VCO2 Multiply switch kept in the patch, its second switched capacitor filter, its pre filter compressor, the filter's clock select (PLL1, VCO2 or both, OR or XOR), the Synchrodyne's VCA, wavefolder, 2P - 4P and notch outputs, its five switches kept in the patch and its eight normals.
- New WMD module (discontinued): the Mantic Conceptual Flex, Mantic Effects' FLEX phase locked loop pedal in 8 HP, its input VCA, its VCO Offset, Focus, Pump and Mix controls, its CV inputs, its $ and & switches kept in the patch.
- New Erica Synths module: the Black Stereo Delay, the first version of the Black series' stereo delay, its tape, digital and ping-pong modes, its HOLD, ADD, REVERSE and TAP keys and their trigger jacks patchable.
- New Erica Synths modules, EDU DIY series (mki x es.EDU, with Moritz Klein): the VCO, the VCF, the dual VCA, the EG envelope, the Mixer, the Noise/S&H, the Output, the Sequencer, the Wavefolder, the Compressor, the BBD, the Kick Drum, the Snare Drum, the Hi-Hat, the FM Drum, the Drum Sequencer and the Output Mixer 2.
- New XAOC Devices modules: the Batumi, four digital LFOs on their lit faders, its mode button (FREE, QUAD, PHASE, DIVIDE) kept in the patch with its four coloured LEDs, its SINE, SAW/ASGN and SQUARE outputs; the Batumi II, four wide-range LFOs with their lit faders, their FREE, PHASE, DIVIDE and MULT modes and the ASGN wave choice kept in the patch, their LEDs in the colour of the mode and the wave; the Hel, Odessa's polyphony expander, five V/oct inputs; the Erfurt, an 8-bit binary counter with eight outputs and eight LEDs, its + and − buttons and its Leibniz clock switches; the Zlin, a crossfader and VCA, its lit fader cap and its three-function AUX jack; the Tallin, a dual discrete core VCA, its volume knobs, DRIVE switches and EXPO and LINEAR inputs; the Lipsk II, a Leibniz bit inverter, its eight lit buttons kept in the patch and its eight gate inputs; the Zadar, four envelope generators, its screen showing the shape and values of the channel shown, each channel (a shape among the 260 of XAOC's chart, TIME, WARP, RESP, SUSTAIN, LEVEL, retrigger) set with a click and kept in the patch; the Samara, a four-channel utility waveform processor, its +5 V buttons on channels 1 and 3 kept in the patch, its summers, its ALL mix and its MIN and MAX outputs; the Samara II, a four-channel mixer and waveform processor, its OFFSET buttons (+5 V red, -5 V green) and its MODE, with its four LEDs, kept in the patch; the Sewastopol, an audio port and voltage extractor, its 6.35 mm send and return jacks, its envelope follower and comparator, its LOW END CUT switch (33 Hz, 3 kHz, off) kept in the patch; the Sewastopol II, an audio port and voltage extractor, its 6.35 mm send and return jacks, its envelope follower and comparator, its RELEASE RANGE and LOW END CUT switches kept in the patch; the Rostock, a Leibniz binary data pipeline, its display set with a click (length from 1 to 64 stages or ATT %) and its SCRAMBLE and LOOP buttons kept in the patch; the Kamieniec, an analog resonant phaser, its large FREQ knob, its red RESO knob, its RESONANCE MODE switch (WASTED, STONED) kept in the patch, its four and six stage outputs and its LFO; the Kamieniec II, an analog resonant phaser, its large TUNING FREQ knob, its red RESO knob, its RESONANCE MODE switch (WASTED, K-HOLED, STONED) kept in the patch and its LFO; the Moskwa, an 8-step bipolar rotosequencer, its step buttons on or off kept in the patch, its red RATE, RESET and SLEW knobs, its POLARITY and PLAY MODE switches kept in the patch and its 5 mm clock lamp; the Moskwa II, an 8-step rotosequencer, its steps turned on and off with a click, and behind its STEP button the quantizer's scale, each step's settings and pattern and its global settings, kept in the patch; the Ostrawa, a four-channel stereo mixing console, its ACTIVE buttons muting the channel and setting the aux send pre or post-VCA (green or yellow), kept in the patch, and its R inputs normalled to L; the Odessa, an additive oscillator, its large PARTIALS knob, its four lit sliders and its VOICES button (1, 3 or 5 voices, Leibniz control) kept in the patch; the Arad, the Oradea's expander, its four ACTIVE buttons muting each channel, kept in the patch with their lamps, its EXCITE buttons and individual inputs; the Belgrad, a dual peak multimode filter, its ten-response MODE switch and its TITO switch kept in the patch, its large FREQ knob and lit sliders; the Berlin, a numeric oscillator, its large PITCH knob, its octave (LO as an LFO, 64' to 4') kept in the patch with its six LEDs and its LBZ LINK button (saw or Leibniz wave) kept in the patch; the Konin, a two-section amplifier and attenuator, its attenuverter with x2, x1 or x10 gain and its precision attenuator at 1:10, 1:1 or 1:100, switches kept in the patch, its inputs normalled to +5 V and +10 V as voltage sources, its red and green LEDs; the Bohumin, Ostrawa's expander, its second stereo aux bus AUX B with a knob and a CV input per channel, its AUX RET A and B return attenuators and its ACTIVE gate inputs muting Ostrawa's channels; the Lublin, a dual pingable exponential VCA, its volume knobs on their scales, its RESP switches (SHORTENED, NATURAL, PROLONGED) kept in the patch, its IN, EXP and PING inputs and its level LEDs; the Mińsk, a mid/side stereo image processor, its IMAGE and POSITION knobs, its DIMENSION (A, B, OFF) and SIDE HPF (300, 50, OFF) slide switches kept in the patch, its MID and SIDE sends normalled to their returns and its six-LED goniometer; the Samarkanda, a four-channel stacked delay station, its REVERSE, HOLD and TAP TEMPO buttons (continuous, tapped or divided time), its three LINK buttons and its BEHAVIOUR and RANGE switches kept in the patch; the Sarajewo, an analog delay line of three BBD chips, its large T3 TIME knob, its lit FBCK and TONE sliders and its TAP TEMPO button (free or tapped tempo) kept in the patch; the Bytom, a triple gate combiner (four-input OR gates), its lamps and its A → B and C → B switches kept in the patch; the Nin, Zadar's expander, its four manual gate buttons and its four ASGN2 inputs; the Oradea, a quadruple voltage controlled resonator, its CENTER FREQ, PEAKING and LEVEL knobs per channel, its PHASE FLIP switches kept in the patch, its EXCITE, ALL FREQ and ALL PEAKING inputs, its four outputs and its SUM OUT; the Ostankino, the expander linking two first-generation Moskwas, its MODE A, MODE B and LINK buttons kept in the patch, its CV and gate sums, its clocks and its sixteen TRIGS outputs; the Ostankino II, Moskwa II's expander, its nine CV inputs, its STEP REPEAT button, its clock output and eight outputs, its STEP TRIG / BIT OUT switch kept in the patch; the Deva, Timiszoara's expander, its stereo feedback loop (LEVEL, TREB / BASS filters, returns normalled to the sends), its CLOCK RATE fader, its PHASE and FIXED / VARIABLE switches kept in the patch; the Drezno, the Leibniz Binary Subsystem's 8-bit analog to digital and digital to analog converters, its lit sliders, its activity map, its sixteen bit jacks and its LINK button kept in the patch; the Drezno II, the Leibniz Binary Subsystem's 8-bit analog to digital and digital to analog converters, its sixteen bit jacks, its lit sliders, its activity map, its LINK button and DAC RANGE switch kept in the patch; the Skopje, a dual quantizer, its screen showing both channels' scales, each channel (bank, scale and its name, glide, ASGN function) and the selected channel set with a click and kept in the patch; the Poczdam, the Leibniz device komutator, its lit SOURCE and LINK buttons and its clock range kept in the patch, its RATE knob, its SOURCE SELECT input and its sixteen data jacks; the Sofia, a formant oscillator, its large PITCH knob, its OCTAVE switch (LO, 64' to 1'), its lit red RATIO knobs, its DAMP and RATIO sliders and its SHAPE, RATIO TRACK and DAMP TRACK switches; the Gera, a Leibniz bit mask (eight AND gates), its eight lit buttons inverting each gate input, kept in the patch; the Hrad, Praga's expander, its master section (MAIN LEVEL, stereo meter, headphone output), its CUE SOLO button kept in the patch, its ACTIVE, AUX CV and AUX INS inputs and its AUX RET attenuators; the Karl Marx Stadt, a 42 HP panel for Doepfer's DIY Synth board, a whole synth voice (VCO, LFO, VCF, VCA, ADSR, slew limiter, inverter) normalled MS-20 style, its large COARSE and CUTOFF knobs, its red FINE TUNE and RESONANCE knobs, its five lit sliders and its LO / HI / STD paddle switches kept in the patch; the Katowice, a stereo band isolator, its lit LOW, MID and HIGH sliders, its MID FREQ and MID WIDTH knobs and its four stereo output pairs; the Poti, the first Batumi's expander, its three paddle switches (RESET or SYNC, and the ASGN wave: saw up or down, triangle or trapezoid) kept in the patch; the Poti II, Batumi II's expander, its CHANNEL SELECT button opening, for each channel, the three attenuations and the ASGN wave kept in the patch, its three miniature pots and its four SHAPE inputs with their SINE, ASGN, RECT switches kept in the patch; the Sopot, a triple signal summator, three sections of four inputs with their level lamp and its two switches feeding MIX M into MIX L and MIX R (50 %, off, 100 %), kept in the patch; the Koszalin, a stereo frequency shifter, its large SHIFT knob, its RANGE and REGEN switches kept in the patch, its exponential and linear FM and its up and down shifted outputs; the Praga, a four-channel voltage controlled stereo mixing console, its red VOL knobs on their graduated dials, its ACTIVE | MODE buttons muting the channel and choosing a unipolar (green) or bipolar (red) volume CV, kept in the patch, its PAN and AUX knobs (send A or B), its level meters, its VCA OUT outputs, its aux sends and returns and its stereo sum; the Jena, a Leibniz binary transfunctioner, its display set with a click (bank of shapes, shape from 000 to 255, clock and regime) kept in the patch with the SYNCHRONOUS REGIME lamp following the regime, its LINK button kept in the patch, its red encoder, its PHASE knob and its eight bit outputs; the Tirana, a 4-step micro sequencer, its four step knobs and its buttons muting each step's gate (lit red or unlit), kept in the patch; the Tirana II, a 4-step micro sequencer, its four step knobs and its buttons muting each step's gate (lit or unlit), kept in the patch; the Ustka, Ostrawa's passive expander, its four channels' direct outputs after their VCAs, left and right; the Warna, a voltage distributor, its two 1:4 multiples and their polarity switches (+ or -) kept in the patch, its 4:1 mixer normalled to the multiples and its three two-colour LEDs; the Warna II, a voltage distributor, its two 1:4 multiples and their polarity switches (+ or -) kept in the patch, its 4:1 mixer normalled to the multiples; the Zagrzeb, a stereo 4-pole state variable filter, its high pass, band pass and low pass outputs, its large CUTOFF FREQ knob, its lit RESONANCE slider and its BP CONFIG switch (three band passes) kept in the patch.
- XAOC Devices modules: the knobs standing on a black zone (Bohumin, Kamieniec II, Sewastopol II, Berlin, Odessa, Ostrawa, Samara II, Tallin) show their edge lit from above, as photographed, where they melted into the zone.
- XAOC Devices modules: the knobs' positions read again along their index (Belgrad, Bohumin, Kamieniec II, Moskwa II, Odessa, Ostrawa, Samara II, Sewastopol II), as photographed; the cap photographed at an angle had them a few degrees off.
- New Sequentix modules: the Eurorack Drum Mux, the Cirklon's drum trigger interface, in black: its 16 trigger outputs and 16 accent outputs, a pair and a lamp per voice; its Drum Mux I/O panel, its d-mux in (with its lamp) and sync out DIN sockets.
- XAOC Devices modules: the Coal Mine black panel, as a second finish, for the Batumi, the Batumi II, the Drezno and the Tallin, in the colours measured on a real black panel.
- New Shakmat module: the Triple Steeple, an 8 HP triple envelope generator: its TIME and SYMMETRY knobs, its GATE, TIME and ACV inputs, its OUT outputs; the patch keeps what the module keeps at power-up: each channel's mode (triggered, gated, looped, gated loop, clocked loop, the MODE button and the LOOP and T/G lamps), its linear or exponential response (the EXP lamp, a click changes it), and in its internal settings the ACV input's assignment and each channel's level.
- New Shakmat module: the Mod Medusa, a 12 HP four-channel euclidean LFO: its LENGTH, DENSITY, SHAPE and SYMMETRY knobs and their CV inputs, its CLK, RST, VCA and A GATE inputs, its four outputs; the patch keeps what the module keeps at power-up: the sequence table (the TABLE/DIV button, its green and amber lamps), the correlation mode (MN, CP, RD, PH, the MODE button and its lamps), UNI, P SYNC and LENGTH+, and in its internal settings the A GATE input's function, the VCA input's channels, the clock division, TAP's role and the pattern shift.
- Shakmat modules: the lamps lit as photographed, their colour bright at the core inside a dark lens (Triple Steeple, Mod Medusa; the Banshee Reach keeps its light lens round it); on the Mod Medusa, the mode lamps' yellow lenses and the tables' bicolour lamps, their two dies showing, unlit as photographed.
- New Shakmat module: the Bishop's Miscellany MK2, a 14 HP dual stepped CV/Gate engine: its (RE)GEN X, (RE)GEN Y and PROCESS knobs, its encoder, its (RE)GEN, PROCESS, NAV, ERASE, HOLD, REC INT and REC EXT buttons, its CLOCK, RESET, each channel's CV and GATE inputs and ACV A to D, its CV and GATE outputs; its screen shows the MAIN page of the channel shown (length, division, note, octave, scale, (Re)Gen algorithm and Process) in the screen's own font, and a click opens the window of what the patch keeps: the channel shown and the link, each channel's MAIN and PROCESS pages, the ACV assignments, the options and the sequence, playlist and project numbers; the CHANNEL 1 and CHANNEL 2 buttons light on the channel shown and choose it.
- New Shakmat module: the Centaur's Gates, a 12 HP dual multitype gate: each channel's FRQ/LVL, CV and RES/FDBCK knobs, its FR/LV, RS/FB, IN, CV and TYPE inputs, its OUT outputs; the patch keeps what a preset of the module keeps: each channel's type and style, chosen on its column of LPF, BPF, HPF and LPG/VCA buttons (a click on the lit one switches the style), the opto emulation, the attenuverter mode, the input gain (-5, 0, DRV), the channels' link and the serial or parallel configuration (a click on SERIAL or PARALLEL); its options menu is in its internal settings.
- New Shakmat module: the Griffin's Claws, a 12 HP quad attenuator recorder: its four faders with lit caps, its FNCT, DIRECT/LOAD, ERASE/SAVE and 01 to 04 buttons, its CLOCK, RESET and IN 1 to 4 inputs, its GATE 1, GATE 4 and OUT 1 to 4 outputs; the patch keeps the faders' positions, each channel's state (empty, playing a recording, Direct: a click on its lamp) and, in its internal settings, its OFFSET, SYNC, RATE and AMPLITUDE menus and its options (Sample & Hold, the GATE outputs' modes, time signature, Select Bus).
- New Shakmat module: the Harlequin's Context, a 12 HP modulation preset programmer: its A to D knobs and their lock and activity lamps, its STORE, CLEAR/ROLE, ACT/RANGE, FNCT and 01 to 04 scene buttons, its display, its CV IN and GATE IN inputs, its A to D outputs; a click on a scene button chooses it and lights its lamp, and a click on the display opens the window of what the patch keeps: the act and the scene, the set, the range and the 16 scenes, each channel's role and value; Select Bus is in its internal settings.
- New Shakmat module: the Clock O'Pawn MK2, a 6 HP clock and grooves generator: its MIDI input, its RESET, CLOCK, ACC and 16th outputs and their lamps, its display and menu lamps, its previous, next, function, stop and play buttons; a click on the display opens the window of what the patch keeps: the BPM, the groove, its amount, the accent, humanize and the reset, delay, 16th output and tap tempo options; Select Bus and the transport section are in its internal settings.
- New Shakmat module: the Dual Dagger, a 6 HP dual stereo filter: its LPF, RES and HPF knobs, its LINK and low-pass and high-pass resonance switches, its CV, pan and audio inputs and its outputs; IN 1 is normalised to IN 2, and the resonance jumper at its back is in its internal settings.
- New Shakmat module: the Jeweler Cast, a 6 HP crossfader, ring modulator and waveshaper: its MIX and SHAPE knobs and their CV attenuators, its distortion / wavefold and AC switches, its IN 1 to 3, SHAPE IN and CV inputs, its MIX and SHAPE outputs; IN 3 receives IN 2, and SHAPE IN the MIX output.
- New Shakmat module: the Aeolus Mixer, a 6 HP quadraphonic mixer: three quadraphonic and two stereo inputs, its OUT 1 to 4, CNTR and SUM outputs, its X cross and 5.1 switches; its inputs normalised, and the gain jumpers at its back in its internal settings.
- New Shakmat module: the SumDif, a 2 HP dual adder / subtractor: its A, B, C and D inputs, its A+B, A-B, C+D and C-D outputs; the -6 dB jumpers at its back in its internal settings.
- New Shakmat module: the HiPass, four fixed 2 HP high pass filters, two at 30 Hz and two at 100 Hz (-18 dB/oct): an input and an output for each filter.
- New Shakmat module: the Bard Quartet Expand, the Bard Quartet's 2 HP MIDI and gate expander: its TRS MIDI input, its MIDI button, the T OUT2 to 4 outputs and GT IN2 to 4 inputs of channels 2 to 4; the Type A jumper at its back and each channel's MIDI mode in its internal settings.
- Fix: the hatching of Shakmat's Bard Quartet is grey, as photographed, no longer black.
- Fix: the hatching of Shakmat's Ballista Blast is grey, as photographed, no longer black.
- Fix: on Shakmat's Ballista Blast, the screen's arrows are light, the gear and SD CARD grey, as its photograph and its manual's drawing show them.
- Fix: Shakmat's Dual Dagger prints IN 1, IN 2, OUT 1 and OUT 2 with a space before the digit, as photographed, no longer IN1 and OUT1 run together.
- Fix: Shakmat's Centaur's Gates carries its hatching across the whole panel, between the type buttons and round -5, 0 and DRV, as photographed, and no longer has dotted frames round OUT 1 and OUT 2.
- Fix: on Shakmat's Harlequin's Context, the ROLE, RANGE, SLCT BUS, SAVE, LOAD and SET captions are a darker brown, as photographed, no longer a light orange.
- Fix: Shakmat's Archer's Rig carries its hatching whole round HOLD FOR RNDM, the menu's lamps and under EFFECT, as photographed: dashes were missing there.
- Fix: Shakmat's Triple Steeple carries its hatching whole between each SYMMETRY and its LOOP lamp, as photographed: dashes were missing there.
- Fix: the jacks of Shakmat's modules have their nut in a neutral chrome, as photographed, no longer the warm chrome of Mutable Instruments' modules.
- Fix: the two small knobs of Shakmat's Time Apprentice are black, a little wider, with a thin white index, as photographed, no longer brown-grey with a wide bluish index.
- Fix: on Shakmat's Ballista Blast Expander, SHAPE/ATTACK is the small black knurled knob with a thin white index and DESTINATION has its chrome collar, as the maker's image shows them.
- New Shakmat module: the Ballista Blast Expander, the Ballista Blast's 4 HP modulation expander: its SHAPE/ATTACK, TIME/DECAY and DEPTH knobs and their CV inputs, its CLK/TG input, its destination button and lamps (HRMN, EMPHS, PARAM, PITCH, AMP, ASGN); its envelope and LFO modes live in the Ballista Blast's presets.
- New Shakmat module: the Lancer's Lash, an 8 HP snare drum synthesizer: its DECAY, TIMBRE, COLOR and PITCH knobs and their CV inputs, its TRIG, VELOCITY and PRESET inputs, its OUT output, its TRIG, MAIN, RNDM, LOCK, SAVE and LOAD buttons; its screen shows the MODEL page of the model chosen (ANLG, SLAP, MODAL, PHYS, FM, GRAINS, BLEND) and a click opens the window of what the patch keeps: the model, LOCK and the randomizer's share of chance on each destination; the PITCH input (V/Oct or full range) and the Select Bus are in its internal settings.
- New Shakmat module: the Bishop's Miscellany in its first version, a 12 HP dual stepped CV/Gate recorder: its LENGTH and SHIFT knobs, its REC, A/B, CUT and RNDM switches, its CLOCK, RESET, LENGTH, SHIFT, REC, A/B, CUT, RNDM, CV and GATE inputs, its CV and GATE outputs and the GATE outputs' lamps; its jacks as photographed, the opening dark behind a light lip.
- New Shakmat module: the Clock O'Pawn in its first version, a 6 HP clock source with transport and swing: its BPM and SWING knobs, its CLK2/EXT and STOP buttons and the large PLAY/PAUSE, its CLK IN and MIDI IN (TRS) inputs, its CLK 1, RST and CLK 2 outputs and their lamps; the patch keeps CLK 2's mode (no swing, no stop, both) and the clock's source, internal or external, by a click on their lamps, and the TRS MIDI A or B jumpers in its internal settings.
- New Shakmat module: the Aeolus Seeds, a 10 HP quadraphonic processor: its TIME and DEPTH knobs, its TIME+, SYNC, MODE and CNFG buttons and their lamps, its four activity lamps, its IN 1 to IN 4 inputs, its OUT 1 to OUT 4 and SUM outputs, its TIME, DPTH, MODE, CNFG and SYNC CV inputs and its CV OUT output; the patch keeps the mode, the six main ones then the six additional ones, the configuration, TIME+ and SYNC by a click on their buttons, and the CV OUT assignment in its internal settings.
- New Shakmat module: the Four Bricks Rook, a 16 HP four-track trigger sequencer: its TABLE, LENGTH and SHIFT knobs, its menu knob and display, its REC, ERASE, A/B, QUANTIZE and FNCT buttons, its four pads and their lamps, its CLOCK, RESET, FILL ALL and TABLE, LENGTH and SHIFT CV inputs and its OUT 1 to OUT 4 outputs; the patch keeps LENGTH on its ten lengths, the pads' mode, the buffer A or B and each track's state by a click on their lamps, and in its internal settings the pattern and fill slots, the random amount and each track's own settings.
- New Shakmat module: the Gemini's Path, a 6 HP stereo and dynamics processor: its TIME, DEPTH and THRSD knobs, its TIME+, MODE and ASSIGN buttons and their lamps, the threshold lamp and its two activity lamps, its IN 1, IN 2 and EXT inputs, its OUT 1 and OUT 2 outputs and its TIME and DPTH CV inputs; the patch keeps the mode, the four main ones, the four alternative ones and the VCA mode, the controls' assignment and TIME+ by a click on their buttons, and in its internal settings whether it reacts to triggers or gates and the other channel's mode.
- New Shakmat module: the White Gallop, an 8 HP algo-rhythmic generator, the Knight's Gallop's companion in a limited white edition: its LENGTH and PULSES knobs, its MODE, TABLE, - and + buttons, its CLOCK, RESET and LENGTH and PULSES CV inputs, its OUT 1 and OUT 2 outputs and their lamps; by a click on its lamps the patch keeps its table among its own five, the mode and sub-mode, LENGTH+ and the auto-reset, the shift, the DL mode's two outputs and the RC mode's sequences, its lamps lit as on the module.
- New Shakmat module: the Tessitura Tailor, a 10 HP 1U octave switch: its IN and OUT jacks, and its five-position OCTAVE switch, -2 to +2 octaves, whose position the patch keeps; with nothing at IN it sends the octave alone. It comes with an Intellijel panel, the one drawn, and a Pulp Logic panel.
- New Shakmat module: the Time Apprentice, a 14 HP 1U dual clock divider: its CLK and RST inputs, its O1 and O2 outputs and their activity lamps, its two eight-position switches (/1 to /8 and /1 to /128), whose positions the patch keeps; its four jumpers at the back (divider 2's clock, auto reset, triggers or gates on each output) in its internal settings.
- New Michigan Synth Works modules: the BLN, a 2 HP audio level converter (line to modular and modular to line, two channels each), in a silver or a black panel, its four +4 / -10 DIP switches kept in the patch; the Pique CV Expander, four CV inputs and their attenuverters for the Pique's four knobs; the MicroGrids, Mutable Instruments' Grids in 8 HP, a three-channel topographic drum sequencer, in a silver or a black panel, whose patch keeps, in the module's settings window, Grids' six options (clock resolution, TAP as reset or tap tempo, swing, drums or Euclidean mode, triggers or gates, ACC outputs or ACC / CLK / RST); the Twiigs, four Bernoulli gates (two of Mutable Instruments' Branches), their lit faders and their mode buttons (toggle, latch) kept in the patch; the Threshold, Mutable Instruments' Edges in 10 HP with a MIDI input, four chiptune voices, in a silver or a black panel, whose patch keeps each voice's waveform, its three latching XMOD buttons, the MIDI mode (four channels or polyphony) and, in the module's settings window, each voice's quantizer and sequencer and the MIDI base channel; the Pique 1.1, Mutable Instruments' Peaks in 4 HP (envelopes, LFOs and drums, Dead Man's Catch firmware), in a silver or a black panel, whose patch keeps the mode and each channel's function on its LEDs, as the Peaks' does; the Twist, Mutable Instruments' Warps in 6 HP (a meta modulator, Parasites firmware), in a silver or a black panel, with its large ivory Algorithm knob, whose patch keeps the internal oscillator's waveform on its LED, as the Warps' does; the Beehive, Mutable Instruments' Plaits in 8 HP (a macro-oscillator, firmware 1.2), in a silver or a black panel, whose patch keeps the model, the range and the LPG on its LEDs, as the Plaits' does; the MicroStreams, Mutable Instruments' Streams in 8 HP (a dual dynamics gate), in a silver or a black panel, each with its own engraving; the MicroTides, Mutable Instruments' Tides in 8 HP (a tidal modulator), in a silver or a black panel, each with its own engraving, whose patch keeps the output mode, the ramp mode and the range on its LEDs, as the Tides' does; the NanoRings, Mutable Instruments' Rings in 8 HP (a resonator), in a silver or a black panel, whose patch keeps the polyphony and the resonator model on its LEDs, as the Rings' does; the Plancks II, Mutable Instruments' Frames in 8 HP (a keyframer and mixer), its level knobs turned into green-lit faders, with its large ivory FRAME knob and its VREF switch, in a silver or a black panel; the Microburst, Mutable Instruments' Clouds in 8 HP (a granular texture synthesizer), in a silver or a black panel, with its translucent white FREEZE button; the Monsoon, Mutable Instruments' Clouds in 12 HP with a control for each parameter (Parasites firmware), its four POSITION, DENSITY, SIZE and TEXTURE faders and its WET, BAL, FBK and RVB knobs, in a silver or a black panel; the Typhoon, Mutable Instruments' Clouds in 16 HP with a control and a CV input for each parameter, stereo VCAs and mutes (Superparasites firmware), in a silver or a black panel, whose patch keeps, in the module's settings window, the mode, the bank and the sampling time; the Pachinko, Mutable Instruments' Marbles in 12 HP (a random sampler), in a silver panel, whose patch keeps its mode lamps and the DEJA VU of its white T and X buttons, as the Marbles' does; the Quarks, Mutable Instruments' Elements in 22 HP (a modal synthesizer), in a silver or a black panel, with its ten translucent knurled attenuverter shafts; the F8R, a 16 HP bank of eight 60 mm faders, a CV output and a range switch per channel, in a silver or a black panel, with banded or line fader caps; the XVI, its 44 HP big brother, sixteen 60 mm faders, a CV output and a range switch per channel, in a silver or a black panel; the EXP F8R/XVI, their 2 HP expander (USB-C, a TRS MIDI out and four I2C ports), with its flat status lamp, in a silver or a black panel; the mBrane, Mutable Instruments' Yarns in 6 HP, a four-voice MIDI to CV and gate interface with an arpeggiator and sequencers, its screen drawn switched off, its four flat green voice lamps, in a silver or a black panel; the MicroBraids II, Mutable Instruments' Braids in 8 HP (a macro oscillator), its TIMBRE and COLOR on lit faders, in a silver or a black panel, whose patch keeps the model on its four-letter display, as the Braids' does; the Micro Temps_Utile, mxmxmx's Temps_Utile in 8 HP, a six-channel clock generator (seven modes per channel, output 4 a DAC), its orange window drawn switched off, in a silver or a black panel; the Chronovore, the TB-303's CV / gate sequencer in 24 HP (OS-303), with its grey, black and cream TB-303 keys and its TEMPO knob with its slanted cut, in a silver or a black panel, whose patch keeps the bank on its display (TRACK 1 to 6, PATTERN A to D); the SY0.5, one channel of the Pearl Syncussion SY-1 in 10 HP, its five faders with their wide caps, in a silver or a black panel, whose patch keeps the oscillator mode on its display (A to E) and its sweep, sample and hold and LFO switches; the 2HP2CV, Mutable Instruments' CVpal in 2 HP, a USB MIDI to two CV and two gates interface powered by its mini USB socket, in a silver or a black panel; the MicroTest, Mutable Instruments' Module Tester in 12 HP, clock, gate, CV and audio test signals and frequency and gate measurements, in a black or a silver panel, its LCD set in the patch (the page shown and the test signals' settings), the page's button lit.
- My patches and a member's page: 24 patches at a time, numbered above and below; a member's racks show as cards, as on the rack listing, which now has three racks to a line on a desktop, two on a tablet, one on a phone.
- Brands: twelve more makers show their logo (AJH Synth, Analogue Solutions, ACL, Bastl, Befaco, Buchla, Cavisynth, Erica Synths, Intellijel, Joranalogue, Make Noise, Tiptop Audio).
- Patch generator: it now goes by its name on the buttons, the pages and the messages.
- Buchla Easel Command: the USB port on its back takes a MIDI lead, as its DIN MIDI In does. Tiptop Buchla 264t: listed as a quantizer rather than a MIDI interface, which it is not.
- Signing in by code: checking a code no longer counts against the five code sends of the hour, and signing in by code no longer gets blocked after two or three tries.
- Racks, tables and patches: their page and their card say how many times other members copied them.
- The patch generator's help page redrawn: a real generated patch and its request right at the top, three steps, a short and a precise request compared, versions and limits side by side, and credits counted in generations.
- MIDI sockets: those of the Treadstone, the Erica Drum Sequencer, the Mutant Brain, the Octopus and the Polygene now take a MIDI lead and refuse a CV one; the Tiptop Octo I/O's 8 jacks work as inputs as well as outputs.
- New 4ms Company module: the Pingable Envelope Generator, two envelopes in 20 HP whose length follows a clock or a tapped tempo, with its Cycle buttons lit green and its EOR, EOF and Half-R lamps.
- New module: the Befaco and Molten Modular 1U Motion MTR, four attenuators on a 34 HP 1U tile, each knob ringed by twenty LEDs that follow the knob and the AUDIO, CV ATT or CV INV mode, its inputs and its outputs on their silver plate.
- New module: the Befaco Hexmix, a six-channel stereo mixer in 28 HP, its three-band EQs, pans and volumes, its MUTE levers with a momentary position, its level lamps and its master with an H / M / L EQ.
- Befaco DivKid Mutes mk2: its levers' positions are now kept in a patch.
- New Doepfer module: the A-147-2 VCDLFO, a voltage controlled LFO with a VCA that switches to a polarizer and a delay that fades the LFO in after each reset, for delayed vibrato; in aluminium, as the black Vintage Edition or the red Special Edition.
- New Doepfer module: the A-160-1 Clock Divider, a 4 HP clock divider, six outputs from half the clock down to 1/64 with their red lamps, and a reset input.
- New Doepfer module: the A-160-5 VC Clock Multiplier, a 4 HP voltage controlled clock multiplier for ratcheting sequences, with its three-table factor switch, its Manual knob and ten lamps, in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-161 Clock Sequencer, an eight-step clock sequencer in 4 HP, its eight outputs and their red lamps, joined to the A-160-1 by a ribbon cable.
- Touch screens: the buttons at the top of the page, the editors' Undo and Redo, the Comments thread and the credit packs' choice answer a finger more easily, drawn the same.
- Tables, racks and patches: turning a tablet frames the view again for the new screen, unless you had zoomed by hand.
- Erica Synths Mutant Machine: its panel print closes cleanly, without the small notches seen up close.
- New Doepfer module: the A-147-4 Dual VCLFO, two voltage controlled LFOs with five waveforms, PW/PWM and reset, in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-168-1 PWM Generator, a 4 HP PWM generator and comparator, with its PW and PWM knobs, its Out and /Out outputs and their red lamps.
- Syntax CVGT1: its three lamps, gate, pulse out and -cv, take their dull red instead of a bright one.
- New 4ms Company module: the Shaped Dual EnvVCA, two analog envelopes whose shape fades from exponential to logarithmic without changing their timing, and a stereo VCA, in 20 HP.
- New Doepfer module: the A-171-4 Quad VC Slew Limiter, four voltage controlled slew limiters in 4 HP for polyphonic portamento, with its Man. and CV knobs and its lamp.
- New Doepfer modules: the A-173-1/2 Micro Keyboard pair, an upright keyboard of 18 white and black keys in 6 HP and its receiver with 15 gate outputs, a 1 V/oct CV and red lamps.
- New Doepfer module: the A-177-2 External Foot Controller II, the 4 HP pedal interface, its 6.35 mm sockets for a foot controller and a double foot switch, its two CV outputs and two gates.
- New Doepfer module: the A-179-2 Light Controlled CV / Gate, a light controlled voltage and gate in 4 HP, its light sensor in the face, its CV + and CV - outputs and its lamps.
- New Doepfer module: the A-180-3 Dual Buffered Multiple, two 1-in-3 buffered multiples in 4 HP, the upper unit's last output normalled to the lower input.
- New Doepfer module: the A-180-4 Quad Buffer, four CV buffers in 4 HP, each lower input normalled to the output above.
- New Doepfer module: the A-180-6 Triple Adjustable Buffer, three buffers with level controls in 4 HP, inputs 2 and 3 normalled to the stage before.
- New Doepfer module: the A-180-9 Multicore, 14 signals between cases over two RJ45 sockets in 4 HP, passive, sold as a pair.
- New Doepfer module: the A-182-1 Switched Multiples, eight sockets in 6 HP, each switched to bus 1, bus 2 or off.
- New Doepfer module: the A-182-2 Quad Switches, four passive changeover switches in 4 HP, each with its socket triplet.
- New Doepfer module: the A-182-4 Rotary Switches, two passive 4-position rotary switches in 4 HP, their detents set with a click.
- New Doepfer module: the A-138a Linear Mixer, a four channel mixer with linear potentiometers for control voltages, a level control per input and an output level, In1 giving a DC voltage with nothing plugged in; in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-183-5 Quad Attenuator, four passive attenuators in 4 HP, each a potentiometer between its input and its output, no power needed.
- New Doepfer module: the A-138b Exponential Mixer, the same four channel mixer with logarithmic potentiometers, for audio; in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-130-4 Quad VCA, four linear VCAs in 4 HP set together by Man. and by the voltage at the CV socket; in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-184-1, a ring modulator and a sample & hold / track & hold followed by a slew limiter in 4 HP, its SH / TH switch, its Slew Time knob and its blue lamp; in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-121-3, a 12 dB multimode filter in 4 HP with low-pass, high-pass, band-pass and notch outputs at once and voltage-controlled resonance.
- New Doepfer module: the A-105-2, a 24 dB low pass filter on the SSI2144 in 4 HP, its two audio inputs and its small black QCV and Level knobs; in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-110-2 Basic VCO, saw, pulse and triangle, exponential and linear FM, soft and hard sync, its octave switch; in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-199 Spring Reverb, three springs, feedback up to self-oscillation, an external feedback loop and an emphasis on the middle frequencies; in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-190-7, the A-190-9's MIDI-to-CV/Gate interface on a 1U tile, MIDI on 3.5 mm sockets, two CVs, two gates and its lamp.
- New Doepfer module: the A-112, an 8 bit sampler and wavetable oscillator in 10 HP, its three mode switches, its MIDI In and Out sockets and its Man. Trig. button; in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-127, three resonant band-pass filters in 28 HP, each with its LFO and lamp, an ext. CV input that replaces the LFO, an output per filter and a mix with the original signal.
- New Doepfer module: the A-190-4, a USB and MIDI to CV/Gate/Sync interface in 10 HP; a click on its display sets the MIDI channel, note assignment, CV2 source, portamento, pitch bend, clock divider and LFO, kept with the patch.
- New Doepfer module: the A-128, a bank of fifteen fixed band-pass filters from 50 Hz to 11 kHz in 20 HP, a level knob per band, one audio input and one output.
- New Doepfer module: the A-130-3, the A-130-2's dual VCA on a 1U tile of 22 HP, each VCA with Gain, CV and its lin. / off / exp. switch.
- New Doepfer module: the A-135-1, four linear VCAs in 18 HP, each with an input attenuator, gain and CV attenuator, its own output and a sum output.
- New Doepfer module: the A-135-4A, the voltage controlled performance mixer's main module, four channels with Gain, Level, Pan, Aux, On/Off and their VCAs' lamps.
- New Doepfer module: the A-135-4B, the A-135-4A's CV inputs in 10 HP, sixteen inputs (Aux, Pan, Level and Mute for each channel) with their sixteen polarizers.
- New Doepfer module: the A-135-4C, the performance mixer's four envelope followers in 8 HP, each with Attack, Release, an input, an output and a lamp, for ducking or compressing through the A-135-4B.
- New Doepfer module: the A-138-6(1U), a six channel mixer on a 28 HP 1U tile, each input with its linear Level and its Assign switch to Out 1, Out 2 or both.
- New Doepfer module: the A-138j, the Janus mixer in 6 HP, four channels with their linear Lev. and their inv. / off / on switch, single outputs that take the channel out of the mix or not and a doubled Mix Out.
- New Doepfer module: the A-138m, a 4 x 4 matrix mixer in 20 HP, sixteen knobs between four inputs and four outputs, each output with its unipolar / bipolar switch.
- New Doepfer module: the A-138o, the performance mixer's output module in 4 HP, Main Level to Left and Right, an aux send and return, also as a black Vintage Edition.
- New Doepfer module: the A-138p, the performance mixer's input module in 16 HP, four channels with Gain, Level, Pan, Aux, a Signal lamp and On / Off, its Aux pre / post Level jumpers in its internal settings, also as a black Vintage Edition.
- New Doepfer module: the A-142-5(1U) Dual Decay/LFO, two decay envelopes on a 1U tile of 14 HP, each also an A/D LFO by its Loop switch or its VCL input, Trig. 1 normalled to Trig. 2, and each unit's attack time (an internal trimmer) in its internal settings.
- Internal settings: a module's jumpers and solder bridges are set in a window opened by a round on its panel; the patch keeps them (factory position by default), the printed sheet gives them and the AI patch generator reads and sets them. Doepfer modules: A-138m, A-138a, A-138b, A-138-6(1U), A-138j and A-180-6 (its gains and its inputs' links). XAOC Devices modules: Odessa (the FUNDAMENTAL output's wave), Erfurt (its clock source), Samara (soft clipping, -6 dB on each summer), Samara II (soft clipping, the summers' level), Moskwa (gate length, from a 5 ms trigger to the full gate), Batumi (RESET or SYNC inputs, the ASGN outputs' wave), Ostankino (TRIGS outputs as gates or triggers, per sequencer), Kamieniec (feedback polarity, positive, negative or none), Sewastopol (release range, the comparator's hysteresis, soft clipping), Sewastopol II (+20 dB on the IMPORT preamp), Konin (section A's knob response), Lublin (maximum gain, rear trimmer), Samarkanda (each channel's feedback polarity, TIME CV response and tapped time base), Sarajewo (tapped time base, T3 TIME CV quantized or not), Hrad (Eurorack or line output level), Katowice (its gain range shift, a trimmer), Sopot (each section's output level, unity gain or -12 dB), Tirana (each step's number of note events, the voltage range unipolar or bipolar), Tirana II (each step's repeats or ratchets, the clock's division, gate or trigger, the reset latency, the voltage range unipolar or bipolar, full or half) and Ustka (each output's level, modular +20 dBu or line +4 dBu).
- New 4ms Company module: the Stereo Triggered Sampler, a two-channel stereo sample player and recorder in 20 HP, with its lit PLAY, Bank and Reverse buttons and its microSD slot.
- New Doepfer module: the A-143-1 Complex Envelope Generator / LFO, four attack / decay units in 28 HP chained by their comparators into an eight-segment envelope or an eight-stage LFO, each with its AD / LFO switch, its EOA, Cp and Env outputs, and a Mix Out through polarizers; its jumpers (AD or AR mode, Env before or after the polarizer) in its internal settings.
- New Erica Synths module: the Graphic VCO, the wave designer oscillator of the Graphic series, its screen choosing the playback mode (A/B morphing, wavetable, matrix, drum).
- New 4ms Company module: the Catalyst Sequencer, an eight-channel sequencer in 20 HP played by a clock, a phase CV or its Phase Scrub crossfader, with its eight lit encoders.
- New Doepfer module: the A-154 Sequencer Controller, the A-155's controller in 22 HP: running modes (forward, backward, pendulum, random, CV addressed, each also as a one shot) shown by six lamps, first and last steps, an internal clock and its pulse width, each by hand and by voltage, Start, Stop, Reset and Clock buttons and inputs, 8 or 16 steps.
- New Buchla module: the 230 Triple Envelope Follower from the 200 Classic Reissue series, on its 7" aluminium panel, its blue and red banana sockets, its pulse lamps, its quarter-inch inputs, its sustained / transient toggles and its six blue knobs.
- New module: the Befaco Hexpander, the Hexmix's expander in 28 HP, its three aux sends per channel with pre and post outputs, its PFLs, its six direct outputs and its 6.35 mm stereo and headphone outputs, its three stereo returns and its VU meter.
- Doepfer's A-155-2: Sta/Stp and Reset no longer light up on a click, they are push buttons without an LED as its manual says; and what the sequencer keeps in its memory (first and last steps, running direction, each step's ratcheting) and its reset jumpers are set in its internal settings and kept in the patch.
- New Doepfer module: the A-155-3(1U) Ratcheting Sequencer, the A-155-2 on a 1U tile of 32 HP: eight steps with a CV knob and a lit gate button, ratcheting x2, x3 or x4 per step, first and last steps, eight running directions, CV range 1, 2 or 4 V; its memory (steps, direction, ratcheting) and reset jumpers in its internal settings.
- New Doepfer module: the A-157-1 8x16 Trigger Matrix, the core of the A-157 trigger sequencer in 44 HP: eight tracks of up to 16 steps, each step a key under a red lamp, a Mute and a Select key per track, the function keys and SHIFT; the steps and mutes kept by the patch, each track's first and last steps and playback mode in its internal settings.
- New Doepfer module: the A-157-2 Trigger Out, the A-157 sequencer's eight +12 V trigger outputs in 4 HP, one per track of the A-157-1, each with its lamp.
- New Doepfer module: the A-157-3 Control Inputs, the A-157 sequencer's run controls in 4 HP: Start, Stop, Reset and Clock, each a push button and an input, and four function buttons and inputs.
- Doepfer A-157-1: the lamps set in the black bands show their hole's lit edge, as on the module.
- New Doepfer module: the A-174-2 Wheels, two modulation wheels in 14 HP, Wheel 1 sprung with a bipolar output, Wheel 2 free with a positive one, each at two sockets; the free wheel's position kept by the patch, the range and plateau jumpers in its internal settings.
- New Doepfer module: the A-174-4 3D Joystick, a spring-loaded joystick in 12 HP: X, Y and Z (the knob's turn), each straight and inverted with its offset OX, OY and OZ, four quadrant voltages Q1 to Q4 and their overlap, a gate from the knob's button, and their lamps.
- New Doepfer module: the A-190-5 Polyphonic USB/Midi to CV/Gate Interface, four voices in 16 HP (Gate, CV Note, CV2, CV3 per voice), USB, MIDI In and Thru; its LCD shows the chosen mode's page, and a click sets the mode and, per voice, retrigger, MIDI channel, reference note and CV3's controller.
- New Doepfer module: the A-192-2 CV/Gate to Midi/USB Interface, two sub-units in 10 HP turning Gate, CVN, CVV and CVC into MIDI and USB, with a common CV Transpose input; their channels, reference notes, CVV modes, CVC controllers and the JP7 jumper in its internal settings.
- New Buchla module: the 258 Dual Oscillator from the 200 Classic Reissue series, its two oscillators with their large FREQ knob, their black FM and WAVE SHAPE knobs, their banana and quarter-inch inputs and their three outputs.
- New Buchla module: the 281 Quad Function Generator from the 200 Classic Reissue series, its four generators with their ATTACK and DECAY knobs, their red mode buttons, their orange, black, red and blue banana sockets and their lamps, the QUADRATURE triggers and the OR outputs.
- New Buchla module: the 207 Mixer/Preamplifier from the 200 Classic Reissue series, its six level faders, its PROG and MON levers, its CHANNEL ASSIGNMENT knobs, its inputs and outputs, and its preamplifier with its large input and GAIN knob.
- New Buchla module: the 257 Dual Voltage Processor from the 200 Classic Reissue series, its two sections with their black K, M and V offset knobs, their banana inputs and outputs, their +.5 switch and their lamp.
- New Buchla module: the 296 Programmable Spectral Processor from the 200 Classic Reissue series, two units wide: its sixteen bands with their faders, their outputs and their envelope outputs on blue and purple banana sockets, its LOCAL PROGRAM inputs, its FREQUENCY and WIDTH knobs, its DECAY TIME and spectrum transfer levers.
- New module: the Befaco FX Boy, a game-cartridge multi-effect, its cartridge slot, its large X and Y knobs, its DRY/WET, its four-band EQ with its CV inputs and its A/B and FX/EQ switches.
- New Erica Synths module: the LXR Drum Module, the six-voice digital drum synthesizer of Sonic Potions, its seven trigger, six accent and five CV inputs and four outputs patchable.
- Light theme: the footer's torn edge no longer covers the bottom of the page, the comments read in full.
- Light theme: the torn edge under a page's title no longer runs under the search and filter bar.
- Home: without an account, « Patch a synth » and « Patch a rack » open a patch to look at instead of asking to sign in.
- Library: « Request a module » lets members report a missing module, and a search that finds nothing offers to request what was typed.
- Rack editor: a reserved slot keeps the place of a module missing from the library, with its name and its width in HP, both changeable from the slot.
- Rack editor: the rack shows at its full height, its last rows seen by scrolling the page.
- Light theme: the administration pages no longer scroll sideways under their title.
- Bastl Basil, Pizza and Crust: every button keeps its mode in a patch and its lights come on as on the module; a lettered round opens the settings the module keeps without showing them (the big knob's value in each mode, CTRL's destination…), printed on a sheet with the patch; the Crust's TONE and NOISE buttons are back in their place.
- Bastl Aikido: its four MUTE keep their state in a patch, their light on while the channel plays; its attenuverters are named after their channel and its switches' positions are named.
- Bastl Buddy, Ciao!!, Ikarie, Timber, Déjà Vu, Cinnamon and Dark Matter: controls and switch positions named as in their manuals, and the inputs wired by default (a mono input copied to the right, FOLLOW into MOD…) described as on the module.
- Bastl Déjà Vu: FADER MODE has its three positions back (X-FADE, attenuator, attenuverter); Kompas: its lights are off at rest; Ikarie, Timber, Dark Matter and Cinnamon start from the settings their manuals advise.
- Bastl 1983: a lettered round opens its settings (clock divider, allocation, Transpose, Window, Portamento, pitch bend, preset, µTune, quantizer scale, octave, Learn zones), noted in the patch and printed; its LISTEN A and C jacks are inputs as they should be. Bastl Softpop SP2: its lights and the orb's switch carry their manual names.
- Bastl Citadel Alchemist, FX Wizard and Wave Bard: the synthesis mode, FX mode or bank is kept in the patch, the stars take the mode's colour; a lettered round opens the settings held with SHIFT and MODE, the advanced settings and LFO MOD's assignment; the CV and GATE switches have their three positions back (RND, unchanged, INV).
- Bastl Neo Trinity: a lettered round opens its six channels' settings (LFO, ENV or CV mode, shape, smoothing, polarity, sync, scale, range, mute, META IN, IN E and IN F modes), the external clock factor and the bank, noted in the patch and printed.
- Bastl Softpop SP2: a lettered round opens what the machine keeps without showing it (sequencer running, bank, pattern, scale and play mode chains, temporary FX, clock divider and source, slide, the 8 steps' gates and slides, MIDI settings), noted in the patch and printed.
- New Doepfer module: the A-149-3 Fluctuating Random Voltages, after Buchla's: three noises, a noisy triangle, a sample and hold with correlation and a vactrol slew limiter, every stage on its own sockets.
- New Doepfer module: the A-162 Dual Trigger Delay, two trigger delays that set a trigger's onset and length, from 2 ms to more than 10 seconds, with their Control lamps.
- New Doepfer module: the A-166 Dual Logic Module, two three-input logic units giving AND, OR and XOR at once, and two inverters, each output with its lamp.
- New Doepfer module: the A-171-2 VCS, the voltage controlled slew after the Serge VCS, a slew limiter, an envelope or with Cycle an oscillator, in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-178 Theremin Control Voltage Source, a control voltage and a gate drawn from a hand approaching its antenna, with its BNC antenna socket, in aluminium or as the black Vintage Edition.
- New module: the Befaco Oneiroi, a multi-functional synth voice in 30 HP, its looper, oscillator, filter, resonator, echo and ambience, their eight dry/wet faders and CV inputs, its slide switches and its lit MOD AMT button.
- New Buchla module: the 266 Source of Uncertainty from the 200 Classic Reissue series, its noise in three colours, its fluctuating, quantized and stored random voltages, its integrator and sample and hold, its bananas in five colours.
- New Buchla module: the 292 Quad Lopass Gate (292C) from the 200 Classic Reissue series, its four low pass gates and their level knobs, their lopass, combo or gate mode levers and lamps, and its control source switch.
- New Erica Synths module: the Black Sequencer, four channels of CV, gate and modulation on sixteen push encoders, its clock, reset, CV, gate, modulation and MIDI sockets patchable.
- New 4ms Company module: the Catalyst Controller, eight CV outputs and a crossfader morphing between scenes in 20 HP, with its eight lit encoders.
- New 4ms Company module: Mesa, a stereo plate reverb by 4ms and Valley Audio in 20 HP, with its large Size knob and its Freeze and Rev/Clear buttons.
- New 4ms Company module: the Dual Looping Delay, two clock-synced delays and loopers by 4ms and Gary Hall in 20 HP, in a white or black faceplate.
- New Doepfer module: the A-189-1 VBM, a voltage controlled bit modifier, its 16-position Mode switch turning detent by detent, its BC and SR knobs.
- New Doepfer module: the A-196 PLL, a phase locked loop (linear VCO, three-type phase comparator and low pass) wired by its normalled sockets, with its Locked lamp.
- New Doepfer module: the A-149-1 RCV, quantized (n+1 and 2^n) and stored (even or adjustable distribution) random voltages, after Buchla's Source of Uncertainty, in 12 HP.
- New Doepfer module: the A-150-8 Octal VC Switch, eight bi-directional switches set by hand or by voltage, with their two lamps and their buttons, in 12 HP.
- New Doepfer module: the A-188-1 BBD Module, an analog bucket brigade delay clocked by a high speed VCO, with its four polarity switches, in aluminium or as the black Vintage Edition, in 14 HP.
- New Erica Synths module: the Fusion Delay / Flanger / Vintage Ensemble, BBD delay and flanger with a vacuum tube overdrive, its tube drawn behind its window, its LONG / SHORT lever and stereo outputs patchable.
- New Doepfer module: the A-152 Addressed T&H/Switch, an eight-way switch, eight track & holds and eight digital outputs stepped by a voltage or a clock, in 16 HP.
- New Doepfer module: the A-198 Trautonium / Ribbon Controller, the module of the Trautonium ribbon with its position and pressure sensors, with its CV and Gate outputs and the ribbon's socket.
- New Doepfer module: the A-184-2 Sine Converter / Crossfader, a triangle-to-sine converter and a voltage controlled crossfader in 4 HP, with its two lamps.
- New Doepfer module: the A-185-2 Precision Adder, a precision CV adder with four inputs and their plus, off, minus switches, in 6 HP, aluminium or black Vintage panel.
- New Doepfer module: the A-188-9 HVCO, a 4 HP high speed VCO to clock the BBD modules, with its Range and Slew switches.
- New Doepfer module: the A-190-3 USB/Midi CV/G Int., a USB or DIN MIDI to four CVs and a gate interface, with its Learn button and Glide control.
- New Doepfer module: the A-190-8 USB/Midi Sync Int., turning MIDI clock from USB or a DIN socket into 96, 32, 16, 8 and 1 clocks and start, stop and reset triggers, with its Wait button.
- New Doepfer module: the A-197-3 RGB LED Ctr., driving an RGB LED strip to light the case, with a control and a CV input per colour, in 4 HP.
- New Doepfer module: the A-183-2 Offset/Atten., a DC offset generator with a switchable attenuator or polarizer, in 4 HP.
- New Doepfer module: the A-183-3 Amplifier, a DC coupled amplifier with a maximum gain of 1, 2 or 4 and its Overload lamps, in 4 HP.
- New 4ms module: the VCA Matrix, a 4x4 matrix of sixteen VCAs with its Control jacks, Level knobs and Mute buttons, in 26 HP.
- Befaco Oneiroi: the panel's captions redrawn in Miso Bold, Befaco's own lettering face, so RECORD, RANDOM, MOD AMT, BP and the I to IV marks read as printed.
- New 4ms module: the Spherical Wavetable Navigator, a six-channel spherical wavetable synthesizer with its lit sliders, its ring of lamps and six LFOs, in 26 HP.
- New Buchla module: the 259 Programmable Complex Waveform Generator from the 200 Classic Reissue series, two units wide, its modulation and principal oscillators, its FREQUENCY, PITCH, TIMBRE and HARMONICS knobs, its phase lock and autotune.
- Erica encoders: those of the Black Sequencer, the LXR, the Pico SEQ and Pico Trigger and the two 4ms Catalysts now turn under the hand, and the patch keeps their position.
- Befaco Oneiroi: the SYNC and LEVEL lamps and the RANDOM arrows glow red-orange with their light on the panel, the MOD lamp takes its red, the MOD LEVEL and SPEED knobs are glossy black, and RESO points to 10 o'clock, as photographed.
- Buchla 259: the arrowed arcs over the four trims redrawn as fine lines, with their heads and their tick.
- New 4ms Company module: the Spectral Multiband Resonator, six resonant filters quantised to scales in 26 HP, with its ring of twenty full-colour lights.
- 4ms modules: the Dual EnvVCA's and the Shaped Dual EnvVCA's fader slots now show on the black faceplate; the Dual Looping Delay's settings (white faceplate) and the Shaped Dual EnvVCA's Level A taken from the photographs.
- New 4ms Company module: the MetaModule, a virtual modular patch player in 26 HP, in a black or silver faceplate; its screen shows the factory patch chosen.
- Ensemble Oscillator: the Learn button pale pink on the white faceplate, as on its photograph; Pingable Envelope Generator: its lamps unlit, as on its photograph.
- 4ms modules: the switches' nuts nickel and the dark faceplates' mounting slots light, with their bevel, as on the photographs; the MetaModule's u to z knobs black on its black faceplate; the Spectral Multiband Resonator's ring brighter and its Fast | Slow switch clear of its caption.
- Doepfer sockets: the round nut of the 3.5 mm sockets is chromed as on the photographs, lit from above, its two slots light, on the 53 modules that carry it.
- Signal types: the jacks of Erica's Black Sequencer and Fusion Delay, 4ms's Catalyst Controller, Mesa and Dual Looping Delay, and Doepfer's A-171-4 carry their type, read in their manuals; a cable's label shows it.
- Signal types: the jacks of 27 more 4ms modules (clocks, Listen, EnvVCAs, PEGs, samplers, SMR, Ensemble Oscillator…) carry their type, read in their manuals; the multiples, the SISM and the MetaModule's assignable jacks stay "any signal".
- Cabling: the AJH Synth modules' jacks and more Cavisynth and Erica Synths jacks now show what they carry too (coloured edge, signal on hovering a cable).
- New Elektron machine: the Digitakt, drum computer and sampler, its MIDI, USB and audio sockets cabled on a table, its screen setting the pattern, its name and the tempo.
- Doepfer buttons: the small black push buttons (the A-155's Start, Stop, Clock and Reset, and those on the Mutable Instruments and WMD modules), the A-113's rectangular buttons, the A-173-1 micro keyboard's keys and the A-155-2's and A-149-4's lit buttons (their lamp kept lit or unlit) sink under a click and spring back on release, as the other momentary buttons do.
- Stereo Triggered Sampler: Edit Sample is a button again, its black cap in its gilt nut, as on the photograph and in the manual; it was never a jack.
- New Elektron machine: the Digitakt II, drum computer and sampler, its MIDI, USB and audio sockets cabled on a table, its screen setting the pattern, its name and the tempo.
- New Elektron machine: the Digitone, FM synthesizer and sequencer, its MIDI, USB and audio sockets cabled on a table, its screen setting the pattern, its name and the tempo.
- New Elektron machine: the Digitone II, synthesizer and sequencer, its MIDI, USB and audio sockets cabled on a table, its screen setting the pattern, its name and the tempo.
- Cabling: the jacks of the Tiptop Audio modules, Buchla reissues included, and of the Syntax CVGT1 now show what they carry too, as do more Joranalogue Audio Design, ALM Busy Circuits, Intellijel, Audiophile Circuits League and Make Noise jacks (coloured edge, signal on hovering a cable).
- New Elektron machine: the Digitone Keys, FM synthesizer with a 37-key keyboard and sequencer, its MIDI, USB and audio sockets and its two CV inputs cabled on a table, its screen setting the pattern, its name and the tempo.
- New Elektron machine: the Analog Four, four-voice analog synthesizer and sequencer, its MIDI, USB and audio sockets and its two dual CV/gate outputs cabled on a table, its screen setting the tempo, the kit and the pattern.
- New Elektron machine: the Analog Keys, four-voice analog synthesizer, 37-key keyboard and sequencer, its MIDI, USB and audio sockets, its four track outputs and its two dual CV/gate outputs cabled on a table, its screen setting the tempo, the kit and the pattern.
- New Elektron machine: the Analog Rytm, eight-voice analog drum machine and sequencer, its MIDI, USB and audio sockets and its four dual individual outputs cabled on a table, its screen setting the tempo, the kit and the pattern.
- New synth: the Dreadbox Murmux V2, a desktop semi-modular made in an edition of 50, its four oscillators, its 26 faders, its 50 sockets on the face and, on its back, its main output and MIDI sockets, patchable on a table.
- New synth: the Dreadbox Hades Reissue, a 42 HP analogue bass synth, its oscillator and two sub-oscillators, its 18 dB filter, its drive, its two envelopes and its 11 sockets on the face, its MIDI input a jack among them.
- New synth: the Dreadbox Erebus Reissue, a 42 HP paraphonic synth, its two oscillators, its filter, its lo-fi echo, its ADSR envelope, its MIDI settings and its 18 sockets on the face, its MIDI input a jack among them.
- New synth: the Dreadbox Dysmetria, a 42 HP analogue groove synth, its 32-step sequencer and its four modes, its FM, its two oscillators, its LP/BP filter, its 14 faders and its 15 sockets on the face, its MIDI input a jack among them.
- New maker, Vermona, and new drum machine: the drumDING, its analog voice and its 21 knobs, its LO/HI, 0/5TH and PINK/BLUE toggles, its sequencer's 47 keys, and on its back its outputs, TRIG OUT, INPUT EXT and MIDI, patchable.
- New Vermona drum machine: the 1976 ER-9, its nine instrument volumes, SUMME VOLUME, TEMPO and its sixteen rhythm keys, which a patch keeps down or up.
- New Dreadbox module: the Utopia, a 10 HP CV/audio manipulator, black faceplate: four attenuverters, a mixer, an offset, an LFO and the Pulserizer, their internal connections described.
- New Dreadbox module: the Hysteria 1.1, a 10 HP performance VCO, black faceplate: its four sliders (octave, semitone, waveform, pulse width) and their CV inputs, its sync and its QUANTIZE button.
- New Dreadbox module: the Nostalgia 1.1, a 10 HP three-stage delay, black faceplate: its MIX, FEEDBACK and TIME sliders, its LFO and an output for each of its stages.
- New Dreadbox module: the Psychosis, a 10 HP six-input stereo mixer with an effect: its modulated SPREAD, its four effects (reverb, delay, chorus, flanger) chosen by TYPE and its stereo outputs.
- New Dreadbox module: the Antidote, a 10 HP Karplus-Strong string voice: its PLUCK, TUNE, FEED and FILTER sliders with their CV inputs, its EXT IN replacing the internal noise, its TRIGGER, GATE and PITCH inputs.
- New Dreadbox module: the Antiphon, a 42 HP drone voice: eight sine VCOs, each with its output, level, frequency slider and pitch input, a VCA, low-pass and high-pass filters and a spring reverb.
- New Dreadbox module: the Dystopia, a 10 HP noise source, bit crusher and filters, in its black version: its lit ODDS, BITS, PINK and BLUE sliders, its CV inputs with their attenuators, its SCATTER, GATE, CRUSH, PINK and BLUE outputs.
- New Dreadbox module: the Eudemonia, a 10 HP filter, mixer and VCA, in its black version: its three-input mixer and their levels, its resonant low pass and high pass, its VCA, its lit LP, HP, RESON and VCA sliders.
- New Dreadbox module: the Euphoria, a 10 HP 8-stage phaser, in its black version: its FEED, MANUAL, RATE and LEVEL sliders, its CV inputs with their attenuators, its LFO output, its 10Vpp and 500mVpp inputs, its 8-STAGE and MIXED outputs.
- Looping Delay: the module now also comes in a white faceplate, from 4ms's photograph, its print traced on the bare faceplate.
- New Vermona synth: the PERfourMER MKII, four analog channels side by side, their 75 cream and brown star knobs, their TRACK, WAVE, MODE and SYNC levers, PLAYMODE to play them together, and patchable: each channel's EXT IN / VCO OUT and OUT / INSERT, the headphones, and at the rear the outputs, the GATE and 1V/OCTAVE inputs and MIDI.
- Patch editors: new cables can take the colour of what they carry, audio, CV, pitch, gate, clock or MIDI, as in the cabling, chosen in the cable menu and kept on your account; a jack with no type gives the colour chosen by hand, and each cable can still be recoloured by hand.
- New maker, Winter Modular, and its Eloquencer: a 38 HP controlled chance sequencer, eight tracks with their CV and gate outputs, its LED matrix, its thirty buttons, its CV, reset and clock inputs and its AUX and clock outputs.
- New maker, Shakmat Modular, from Brussels, and its first module: the Bard Quartet, a 10 HP programmable quad quantizer, its HARMONY knob, its twelve-key keyboard and its channel buttons, its four inputs and outputs, TRIG OUT, GT IN, TRSP and HRMN; a click on EDIT opens its settings, which the patch keeps for each channel and each of the eight harmonies: scale, root note, octave, T OUT, GT IN and TRSP assignments, arpeggio and microtuning, with each channel's arpeggiator, output norm and interaction, and the channel groups.
- New Shakmat module: the Ballista Blast, a 12 HP hybrid synthesizer voice: its HARMONICS, EMPHASIS, PARAMETER and PITCH knobs, the envelope and its ATTACK, DECAY and DEPTH with its four destination lamps, its TRIG, RNDM, VLCT, OSC, ANLG, MOD, LOCK, ALT, SAVE and LOAD buttons, its eleven inputs and its output; its screen shows the ENGINE page, and a click opens its settings, which the patch keeps: the engine and its mode, table or algorithm, ALT, octave, FM/AM input, LOCK, filter, VCF tracking, VCA, distortion, the envelope's mode and shape, its depth to each destination, and the randomizer's and velocity's amounts. Shakmat's knobs, the Bard Quartet's too, are redrawn: a black top ringed by a festoon of fourteen bumps.
- New Shakmat module: the Banshee Reach, an 8 HP thru-zero varishape analog VCO: its SHAPE, SUB and COARSE/OCT knobs, CV, PM and FINE/COLOR, its V/OCT, FM, PM, SHAPE, PWM, SYNC, AMNT and SUB inputs, its PULSE, SAW, SINE and VARI outputs; the patch keeps what the module keeps at power-up: the LFO mode (its button lit green), hard or soft sync (the HARD SYNC lamp, set by a click), the sub-octave -1, -2 or -2 with a quarter pulse width (the SUB button and its -2 lamp), OCTAVER (its button lit pale blue) and DISORDER, and in its internal settings the rear jumper ending the VARI output on a square or a pulse.
- New Shakmat module: the Battering Ram, an 8 HP bass drum synthesizer designed with Marc Nostromo: its DRIVE, DECAY, DEPTH, CLICK and PITCH knobs, its TRIG, LEVEL and STORE/RECALL buttons, its three level lamps, its TRIG, DRIVE, DECAY, VELOCITY, CLICK and PITCH inputs, its ENVLP and OUT outputs; the patch keeps the drive type (green or red), GATE mode, the high-pass, the PITCH lock and the envelope's inversion, and in its internal settings the output level and its advanced parameters (Select Bus, PITCH's range, the envelope's amplitude and polarity).
- New Shakmat module: the Archer's Rig, an 8 HP hybrid hi-hat synthesizer: its DECAY, FILTER, EFFECT and TUNE knobs, its CLOSED, TRIG, SELECT, +/-, SAVE and LOAD buttons, its PRESET, CH TRIG, FILTER, EFFECT, TUNE, OH TRIG, VELOCITY and DECAY inputs, its OUT output; its display and six menu lamps show the page noted, and a click opens its settings, which the patch keeps: the noise source, the effect, the filter and its range, the gain, the velocity's minimum level, the randomizer on six parameters, the closed hat's decay and the drone mode; Select Bus and the limiter in its internal settings.
- New Shakmat module from the first series: the Knight's Gallop, an 8 HP dual trigger generator, with that series' parts (knobs, buttons, jacks): its LENGTH and PULSES knobs, its MODE, TABLE, + and - buttons, its CLOCK, LENGTH, RESET and PULSES inputs, its OUT 1 and OUT 2 outputs; its mode, sub-mode and LENGTH+ lamps light for what is noted, and a click opens its settings, which the patch keeps: the table, the mode and sub-mode, the range, the shift, the DL mode's two outputs and the RC mode's sequences.
- New Shakmat module from the first series: the Time Wizard, an 8 HP sextuple clock divider, with a small knob of that series: its six division knobs A1 to B6 and their lamps, its MULTI A, CLOCK B, LOGIC A2 and RESET B6 switches, which the patch keeps, its CLK and RST / IN B inputs, its six outputs; the jumper on the back (triggers or half period gates on B5 and B6) is kept in its internal settings.
- New Dreadbox module: the Omikron, a 22 HP dual analog oscillator: its oscillators A and B with their tuning, four waves, CV inputs and sync, and its audio interface with its gate and sync converters.
- New Dreadbox module: the Alpha, a 22 HP MIDI paraphony and dual envelope: its two ADSR envelopes with their bipolar level, rate and gate inputs, its MIDI DIN input, its CV 1 and CV 2 outputs with their glide, gate and mod wheel.
- New Dreadbox module: the Dysphonia, a 42 HP semi-modular DIY voice: its oscillator, three VCAs, multiple, mixer, MIDI input, modulator, envelope, LFO, two filters and echo, on 46 jacks.
- New Dreadbox module: the Ataxia, a 10 HP dual modulator: two channels set on its RISE, FALL, HOLD and CURVE sliders, as a modulator, an LFO or an ADSR envelope, its TRIG, TIME and CV inputs, its OUT 1 and OUT 2 outputs with their LEVEL knobs.
- New Dreadbox module: the Telepathy, a 10 HP complete analog synth voice, black panel: its VOICE and MENU buttons open the window where the patch keeps its LFO, VCO, VCF and ENV pages with their shifted layer, the amounts of its CV IN input and the preset's bank and slot; its AUDIO OUT knob, its four page lamps, its EXT IN input, its PITCH and GATE inputs and its MIDI over TRS.
- New Dreadbox synth: the Typhon, an analog monosynth with two VCOs, a 24 dB filter and Sinevibes effects in its desktop case: its eight knobs WAVE, TUNE 2, CUTOFF, RESON, EG LEVEL, FILTER TIME, AMP TIME and VOLUME, its screen, encoder, keys and five sliders, and patchable at its rear: IN, L MONO OUT, R, the headphones, MIDI IN, MIDI OUT and USB.
- The Typhon's screen keeps what you would note to find the sound again on the machine: a click opens a window to note the preset, the modulators M1 to M3, the effects FX1 to FX3 and their parameters, the SET page, the ADSRs, the sequencer and the MIDI modulations, and the screen shows the page chosen.
- New Dreadbox synth: the Artemis, a six-voice analog polysynth with Sinevibes effects in its desktop case: its LFOs, VCOs, VCF, envelopes and MASTER, its 22 sliders and lit keys, its screen keeping the preset, the arpeggiator, the sequencer, the four effects, the MENU page and the mod matrix, and patchable at its rear: MIDI IN, MIDI OUT, USB, LEFT, RIGHT and the headphones.
- New Dreadbox synth: the Abyss, a four-voice analog polysynth in its desktop case: its MODE, chord and MOD WHEEL selectors, two LFOs, VCO, VCF, VCA, REFLECTOR, DELAY, PHASER and MASTER, its 26 sliders, and patchable at its rear: MAIN OUT, DRY OUT, SIGNAL IN, the four CV inputs, MIDI IN and MIDI THROUGH.
- New Dreadbox synth: the Nymphes, a six-voice analog polysynth with reverb in its small USB-powered desktop case: its fourteen OSCILLATOR, FILTER, ENVELOPE and LFO 1 sliders, VOLUME, the preset switch, SHIFT, SAVE and MENU, and patchable at its rear: MIDI IN, OUTPUT, the headphones and USB.
- The Nymphes's MENU button opens a window to note what the sound keeps beyond the sliders: the bank, the play mode and its chords, the sliders' SHIFT layer, the LFOs, the reverb and the destinations of LFO2, the mod wheel, velocity and aftertouch.
- New Dreadbox synth: the Medusa, a hybrid synthesizer with three analog and three digital oscillators, with Polyend's 8 × 8 grid and sequencer: its oscillators and their waves, filter, envelopes, mixer, LFOs and volume, and patchable at its rear: OUTPUT, INPUT, PHONES, USB, MIDI OUT, THRU and IN.
- Dreadbox Medusa: a click on the sequencer screen or on a layer button (DIGITAL, FINETUNE, FM FILTER, ENV 1 to AMP, LOOP, LFO 1 to 5, SYNC) opens the window where the Preset menu, the sequence, the digital oscillators, the fine tuning, envelopes 2 to AMP and LFOs 2 to 5 are noted, kept in the patch; the envelope and LFO buttons light when noted ON, and PLAY MODE gains firmware 4.0's DFM mode, its three LEDs pulsing.
- New Dreadbox synth: the Lil' Erebus, a 42 HP paraphonic DIY kit synth, a workalike of the Erebus V2: TUNE, CUTOFF, RESONANCE and ECHO TIME, the sliders of its VCOs, envelope, echo and LFO, and its sixteen patchable sockets, MIDI IN included.
- Dreadbox Medusa: its two screens light up, the sequencer's with « Notes mode » and the preset's place as noted, the synth's with its envelopes and LFOs, lit as the window notes them.
- New Dreadbox synth: the Nyx Reissue, a 42 HP paraphonic dual filter synth: its four-way VCO, VCF and MOD ROOT routings, two oscillators, three modulators with HOLD and LFO, reverb, and eighteen patchable sockets, MIDI included.
- New Dreadbox synth: the Murmux Adept Edition, an eight-voice analog polysynth in its wood and fabric case, limited to 300: its two variable-wave VCOs, mixer, filter and BASS, two slider envelopes, polyphonic LFO and LFO B, BBD and delay; SYNC, TRACK and both WAVE buttons keep their state, and a click on the display, MENU / ENTER or TARGET opens the window where the preset's slot, the MENU page and what LFO B, the mod wheel, the aftertouch and the velocity reach are noted; patchable at the rear: LEFT, RIGHT, the headphones, MIDI IN and OUT and USB.
- New Vermona drum machine: the DRM1 MKIII, its eight analog channels KICK, DRUM 1 and 2, MULTI, SNARE, HI HAT 1 and 2 and CLAP, their 73 knobs, and patchable: each channel's OUT, the headphones, and at the rear OUT LEFT and RIGHT, the ten trigger inputs and MIDI.
- New Vermona bass drum: the Kick Lancet, the eleven cream star knobs of its SOURCE and MIXER, and patchable at its rear: GATE, SWITCH, AUDIO, OUTPUT and MIDI.
- New Vermona synth: the Mono Lancet '15, its two VCOs, filter, VCA, LFO and envelope, seventeen cream star knobs including the LFO's wave selector, six OCT, WAVE, TRACK and MODE levers, and patchable at its rear: OUTPUT and MIDI.
- New Vermona synth: the Synthesizer (about 1983), its 44-key keyboard from F to C, its two VCOs with their OCTAVE and WAVE FORM keys, its filter and VCA with five presets or MANUAL, its LFO, sixteen knobs with coloured caps, its VIBRATO and PITCH wheels, and patchable at its rear: the output and the pedal input.
- New Vermona drum machine: the DRM (1987), its twelve analog instruments and their faders, ACCENT and the headphones, its sixteen PRESET rhythms, TEMPO and its display that follows the knob, VOLUME, and patchable at its rear: the MONO/R and STEREO L outputs, the headphones, TRIGGER OUT, the four foot-switch inputs and MIDI.
- New Vermona synth: the M.A.R.S., a monophonic analog 1U rack synthesizer (2004), its display keeping the program chosen (001 to 128), its eight section lamps, BRILLIANCE and VOLUME, and patchable at its rear: OUTPUT, FOOTSWITCH / ENV1 OUT and MIDI.
- New Vermona synth: the '14 (2014, 222 made), its 44-key keyboard, two VCOs, mixer, filter and VCA, two envelopes and LFO, forty-five white and black knobs, seventeen levers, its wheels and arpeggiator, and patchable: its two headphone outputs and, at the rear, the balanced and unbalanced outputs, the input, MIDI, the pedals and the CV and GATE outputs.
- New Vermona module: the meloDICER, a stochastic pattern generator and quantizer in 34 HP, with its fourteen faders lit red, its ring of sixteen lamps and its eight-step NOTE VALUE selector.
- New synth: the Analogue Solutions Fusebox X, its three VCOs, its multimode filter, its Patternator with lit knobs and its Interval Generator, its 49 sockets on the face, and on its back its SIGNAL output and MIDI IN, OUT and THRU, patchable on a table.
- New Vermona module: the MEX3, the meloDICER's MIDI expander in 4 HP, its MIDI IN, THRU and OUT on type A TRS jacks, which take a MIDI lead.
- New Elektron machine: the Analog Four MKII, four-voice analog synthesizer and sequencer, its MIDI, USB and audio sockets, its four track outputs, its two control inputs and its four CV/gate outputs cabled on a table, its screen setting the kit, the tempo and the pattern.
- New Elektron machine: the Analog Rytm MKII, eight-voice analog drum machine, sampler and sequencer, its MIDI, USB and audio sockets, its eight track outputs and its two control inputs cabled on a table, its screen setting the kit, the tempo and the pattern.
- New Vermona module: the Bass|Drum, an analog bass drum and bass voice in 14 HP drawn from the DRM1, its nine grey and orange knobs, its HI/LO switch, its MANUAL and GATE/ON buttons and its seven jacks.
- New Elektron machine: the Syntakt, twelve-track drum computer and synthesizer, its MIDI, USB and audio sockets cabled on a table, its screen setting the pattern, its name and the tempo.
- New Vermona module: the randomRHYTHM, a randomized trigger sequencer and clock divider in 24 HP, its two sections with their SWING knob, their four red-lit faders and their 1/4, 1/8, 1/16, 1/3 and SEQ OUT outputs.
- New Elektron machine: the Tonverk, sixteen-track sampler and sequencer, its MIDI sockets, its two USB-C ports and its audio sockets (OUT C/D and the headphones among them) cabled on a table, its screen setting the pattern, its name and the tempo.
- New Elektron machine: the Model:Samples, six-track sample groovebox, its 3.5 mm MIDI, USB and audio sockets cabled on a table, its screen setting the pattern, its name and the active track.
- New Vermona module: the twinVCFilter, two state-variable filters in 24 HP, their large CUTOFF knobs, their MODE, ROUTING and LINK switches with a chrome ball in their slot, their clip lamps and eleven jacks.
- New Vermona module: the tVCF-Extension, the twinVCFilter's expander in 10 HP, its lowpass, bandpass, notch and highpass outputs for each filter, its two CV sections with their LEVEL knob and its CUTOFF button, which stays down.
- New Elektron machine: the Model:Cycles, six-track FM groovebox, its 3.5 mm MIDI, USB and audio sockets cabled on a table, its screen setting the pattern, its name and the active track.
- New Vermona module: the twinVCAmp, two VCAs in 10 HP, their LEVEL knobs, their GAIN x 4 and LOG buttons, which stay down, their lamps and seven jacks including the MIX output.
- Vermona modules: the jacks as photographed, a nearly black bushing and a broad light chrome ring.
- New Vermona module: the twinCussion, two analog percussion voices in 24 HP on an anthracite panel, their ten knobs, their four waveform and range switches, their envelope lamps and eighteen jacks.
- New Elektron machine: the Machinedrum SPS-1UW+ MKII, sixteen-track drum machine and sampler, its MIDI sockets, its inputs and its six audio outputs cabled on a table, its screen setting the tempo, the kit and the pattern.
- New Elektron machine: the Monomachine SFX60+ MKII, six-track synthesizer and sequencer, its MIDI sockets, its inputs and its six audio outputs cabled on a table, its screen setting the tempo, the kit and the pattern.
- New Vermona module: the twinOUT, the two-channel output module in 8 HP, its LEVEL knobs, its STEREO/DUAL switch, its clip lamps, its two Neutrik XLR outputs and its headphone output.
- New Vermona module: the TRANSfourMER, four transformer-isolated balanced outputs in 12 HP on a grey panel, its four inputs, its four Neutrik XLRs and its power lamp.
- New Vermona module: the fourMulator, four LFOs in 34 HP, their six-step waveform selectors, their SPEED and SPEED / PHASE knobs, their SYNC switches, the clock's TAP button, their lamps and twenty jacks.
- New Buchla module: the 281e Quad Function Generator from the 200e series, its four generators with their large blue ATTACK and DECAY knobs, their mode buttons and three lamps, their orange, black, burgundy and blue banana sockets, the QUADRATURE buttons and the OR'S outputs with their knobs.
- New Vermona module: the fourMative CONTOURS, four envelope generators in 24 HP, their TIME knobs, their MODE and SHAPE switches, their TRIG, SUM and SLOW buttons, their lamps and twenty-one jacks.
- New Buchla module: the 266e Source of Uncertainty from the 200e series, its three noises on 3.5 mm sockets, its fluctuating, quantized and stored random voltages with their large blue knobs, its distribution button and six lamps, its skew, number, degree and chaos inputs.
- New Vermona module: the quadroPOL, four voltage-controlled polarizers in 10 HP, their bipolar LEVEL knobs and twelve jacks.
- New Vermona module: the uniCYCLE, an analog oscillator in 10 HP, its TUNE, FINE and PW knobs, its RANGE switch (HI, OCT, LO), its six waveform outputs and its six inputs.
- New Buchla module: the 267e Uncertainty Source / Dual Filter from the 200e series, its three noises on 3.5 mm sockets, its two random sources with their mix and s&h outputs, its two bandpass filters with their freq, b.w. and modulation index knobs, their mod type button and three lamps, their inputs normalled to the flat noise.
- New Vermona module: the VCDrive, a voltage-controlled overdrive in 6 HP, its GAIN, DRIVE and CV INT knobs, its lamp and four jacks.
- New Vermona module: the AMPLINUATOR 3, three channels that attenuate or amplify up to twice in 10 HP, their LEVEL knobs, their normal and inverted outputs and their sum.
- New Vermona module: the ∑42, a compact mixer in 6 HP, two times four inputs or eight to one, its normal and inverted outputs and its ON lamp.
- Buchla 281e, 266e and 267e: their buttons keep their state in the patch and light their lamps as on the module, the 281e's transient, sustained, cyclic or no mode and its quadrature, the 266e's five distribution / time correlation combinations, the 267e's mod type and each one's remote enable.
- Buchla 281h, 292h and 226h: their buttons now keep their state in the patch too, the 281h's modes and quadrature, the 292h's low-pass, combo or gate mode and each one's remote enable, their lamps lit to match.
- New Buchla module: the 292e Quad Dynamics Manager from the 200e series, its four low pass gates with their large level knobs, their control voltage and velocity inputs, their 3.5 mm input and output sockets, and their low-pass, combo or gate mode button kept in the patch with its two lamps.
- New Buchla module: the 285e Frequency Shifter / Balanced Modulator from the 200e series, its frequency shifter and balanced modulator with their large frequency and f.m. knobs, their small -/+ knobs, their 3.5 mm sockets and their int or ext ref source buttons kept in the patch.
- New Buchla module: the 261e Complex Waveform Generator from the 200e series, its principal oscillator and three timbre elements (timbre, symmetry, high order), its modulation oscillator with a waveshape from sine to pulse, their large scaled dials and a sine output each; its sync, mod type, range and remote buttons kept in the patch.
- New Vermona module: the TAI-4, a transformer-isolated audio interface in 14 HP, two female XLR inputs and two male XLR outputs, their LEVEL switches, their CLIP lamps and their jacks.
- A synth's patch editor zooms as the patch's page does: −, +, the whole synth and a pinch, in place of the Fit and 1:1 views.
- New synth: the Analogue Solutions TC5000, the large modular case inspired by the ARP 2500, its thirteen modules and its two pin matrices of 2,912 holes, patched by setting pins of six colours; the AI generator can patch it too.
- New synth: the Analogue Solutions Impulse Command, first edition, a stereo synth with two VCOs and two filters, its red and yellow caps, its 16-step sequencer with translucent grey knobs, its stepped selectors, its 15 sockets on the face, and on its back its L, R and L+R outputs, its audio input and its MIDI IN and THRU; the AI generator can patch it too.
- New synth: the Analogue Solutions Vostok2020, three VCOs, two LFOs, two repeating envelopes, a multimode filter, an 8-step CV/gate sequencer, a spring reverb, its signal meter and its joystick, and its 22 x 22 matrix, patched by setting short (0 Ω) or long (10 kΩ) pins, besides its 72 sockets; the AI generator can patch it with cables.
- New synth: the Analogue Solutions AS500-Vocoder, a 12-band analogue vocoder in its desktop version, its two oscillators on vernier dials graduated 0 to 10, its pink or white noise, its envelope and VCA, its 10 bands to re-order by their LINK / MUTE / SWAP toggles and their jacks, its 12 synthesis levels and their lamps, and its 36 jacks, three of them 6.35 mm; the AI generator can patch it.
- New synth: the Analogue Solutions Leipzig-S, an analogue synth in a 5U rack, its two VCOs with their sub-oscillators, its 24 dB ladder filter, its two envelopes, its modulation selectors, its 8-step sequencer with black knobs and its rack ears; on its rear, the EXT1 and EXT2 inputs, the audio output and MIDI IN and THRU; the AI generator can patch it.
- New synth: the Analogue Solutions Leipzig V3, an analogue desktop synth, its two VCOs and VCO1's sub-oscillator, its 24 dB ladder filter with flanged knobs, its two envelopes, its modulation selectors, its 8-step sequencer with smoky knobs and its rhythm on VCO2, its patch bay of eleven 3.5 mm jacks and its headphone output; on its rear, the audio output and MIDI THRU and IN; the AI generator can patch it.
- Fix: the Impulse Command's switches with detents (sequencer sync, VCO1 waveform, effect, the filters' modulation sources) keep their detents and names in the patch, as other makers' do, instead of being taken for plain pots.
- Module and synth panels: every caption is shown at its exact place, to a tenth of a millimetre; some landed up to half a millimetre too high or too low, and two tight lines could run into each other (End of A / End of R on Doepfer's A-143-2).
- A patch exported as a plan: on synths with a pin matrix (TC5000, Vostok2020, Ample), every pin set is marked with a pink dot on its hole (a pink ring for the Vostok2020's long 10 kΩ pins), and the matrix is drawn with all its holes to find it.
- Fix: in an exported image, in colour or as a plan, a short caption set in a wider box (the Vostok2020's matrix numbers) printed too large and ran into its neighbours; it now prints at its size, as on screen.
- Fix: in a synth's editor, reloading a new patch's page reopens the draft in progress, settings, cables and pins included, instead of an empty patch, and what follows is saved into that same draft, as in a rack or on a table.
- Credits: their count stays at the top of the page after saving, instead of going until the page is reloaded.
- New Buchla module: the 259e Twisted Waveform Generator from the 200e series, its principal and modulation oscillators with their large scaled dials, morph, warp and the modulation index; its sync, mod type, range, shape and remote buttons kept in the patch, and its two wave tables, green on TIMBRE and red on its small red lamp, shown by bicolour lamps that blend both hues when the tables agree.
- New Buchla module: the 210e Control and Signal Router from the 200e series, its two matrices of eight inputs to five outputs, one for audio and one for control voltages; each of the eighty crosspoints kept in the patch by a click on its lamp (off, below unity, unity and above or maximum for audio; off, partial or full scale for control voltages), with input solo and remote enable.
- New Buchla module: the 227e System Interface from the 200e series, two units wide: four inputs placed in quadraphonic space with their swirl, a sub-mixer, a microphone preamp, front and rear equalization and levels with their meters, headphones; its swirl, in the mix, headphones, preamp gain and remote buttons kept in the patch.
- Fix: the buttons of the Buchla 267e, 261e and 210e take their charcoal grey, as measured on their photographs, instead of a grey too light.
- New Buchla module: the 207e Mixer / Preamplifier from the 200e series, its six-input stereo mixer with pans, VU meters and headphones, and its microphone preamplifier on an XLR input with its envelope detector; preamp gain, phantom power and remote enable kept in the patch.
- Buchla 252e: its ring display lights as the patch notes it. A click on the disc opens the window of its eleven rings: each cell's red, green and blue pulses, its six CVs, its subdivisions and three knobs; the clocks, the master BPM and the guide's default preset. The colours mix as on the module, in the layer the DISPLAY button selects, and the cell edited is ringed in white.
- New Buchla module: the 218e v3 Touch Activated Voltage Source, the 200e system's capacitive keyboard, four units wide: its 29 keys and their pulse, pressure and pitch outputs, portamento, the arpeggiator (ascending, random, none), the strip, the preset voltage source and its four pads, ADD TO PITCH; the knobs, switches, the pad chosen, the strip's mode, remote enable, MIDI polyphony and knob 4's transposition kept in the patch.
- New Buchla module: the 222e Multi-Dimensional Kinesthetic Input Port, the control module of the 222e Tactile Surface, its square spatial sensor window tracking two hands, their → ↑, proximity and pulse outputs, its display and its page, cursor and data keys, its radio outputs 1 to 9 and CV outs 10 to 14, the hexagonal keys R and S; remote enable kept in the patch.
- New Buchla modules: the 222e and 223e tactile surface (222e Tactile Surface, 223e Tactile Surface), three units wide, its 27 printed keys and their lamps, in two versions (titled 222e or 223e) to sit by their module; on the 222e its two small corner keys engage the rings, kept in the patch.
- New Buchla module: the 297 Infinite Phase Shifter, the 200e system's « barber pole » phaser: its envelope follower (fast, med, slow), phase shift center, notch, resonance, the sweep oscillator and its depth, the rate of change in semitones per second, its φ1 and φ2 outputs, the barber pole window and the « Dave's Barber Shoppe » lettering; its knobs, switches and the number of stages (bypass, 4 to 10, shown by its lamps) kept in the patch.
- New Buchla module: the 257e Control Voltage Processor from the 200e series, its two transfer function sections as the 256e's (output at 0 and at 10 volts in, breakpoint, a 7 x 5 LED display that lights on a patch) and its six slew processors, rise and fall from .01 to 10 seconds shared in pairs and voltage controlled by its grey inputs, with their pulse and voltage outputs; remote enable, the breakpoints, each pair's rate or time and auto-pulse kept in the patch.
- New Buchla module: the 256e Quad Control Voltage Processor from the 200e series, its four identical sections: the choice between two inputs by the knob or by a voltage at In Select, the transfer function set by the output at 0 volts and at 10 volts in, the breakpoint (in value, out value), the output; each section's 7 x 5 LED display lights on a patch once one of its controls is noted there and shows its two ends and its breakpoint; remote enable and the four breakpoints kept in the patch.
- New Buchla module: the 252e Polyphonic Rhythm Generator from the 200e series, its display of eleven rings of cells, its three clocks (master, clock 2, clock 3) with their ring lamps, knobs, voltage and pulse inputs, its cell edit section (red, green, blue, pulse duration, phase, behind / ahead, subdivide, copy, paste), rhythm select, CV edit, master BPM, sync and reset, its pulse and voltage outputs; remote enable, the display view, the rhythm select, sync and play / stop kept in the patch.
- New Buchla module: the 223e Tactile Input Port from the 200e series, its edit facility (display, page, cursor, data), its arpeggiator (pulse in, run, clock ext / int / MIDI, transpositions 1 to 4, tempo 42 to 480 BPM with its ring of lamps, voltage input and its level, add and delete note, level, tuned and pulse out), its nine radio outputs, its hex keys R and S and its CV outputs 10 to 14; remote enable, run, the clock and the transposition kept in the patch.
- Buchla 272e: its stations are noted with a click on any of its displays: the 20 slots shared by the four tuners with their frequency, each tuner's slot and its slot 0's frequency; the displays show each tuner's slot or frequency as its slot / frequency button is set, dark until then, as photographed.
- New Buchla module: the 272e Polyphonic Tuner from the 200e series, its four F.M. tuners with their pulse and voltage inputs, their displays, their encoders and their outputs L and R, the twenty station slots assigned on tuner A (delete, auto assign), its polyphonic facility (attack, sustain, decay); remote enable, each tuner's mode (continuous, S&H, adv) and display (slot, frequency) and sustain kept in the patch.
- Buchla 251e: its programme is noted with a click on any of its displays: the sequence chosen (tempo or scheme, init delay, reverse, cycle) and its 99 stages in rows (interval, x 1.5 or triplet, skip, voltage and cents, duration, sync next, loop begin, end and loops); the displays show the sequence and stage noted, dark until then, as photographed.
- New Buchla module: the 251e Quad Sequential Voltage Source from the 200e series, its four sequencers of up to 99 stages with their stop and start inputs, their start / stop and display / edit buttons, their stage displays and their pulse and voltage outputs, its SEQ. EDIT and STAGE EDIT sections with their displays, its master clock from x .5 to x 1.5, voltage controlled; remote enable kept in the patch.
- Buchla 250e: its programme is noted with a click on either of its displays, in a grid of its sixteen stages (each voltage's and the time's range, quantize, interpolation and external input, MIDI clock and its division, mode, pulses 1 and 2, jump and loop count); everything starts « not noted » and the displays stay plain, as photographed.
- New Buchla module: the 250e Dual Arbitrary Function Generator from the 200e series, its sixteen stages each with its voltage knob and its time knob, quantize, interpolation and the time and voltage ranges, the stage modes, the external inputs A to D, the voltage and pulse outputs, jump and loop, stage addressing by a voltage; remote enable, addressing (strobed or continuous) and fix kept in the patch.
- New Buchla module: the 291e Triple Morphing Filter from the 200e series, three voltage controlled band-pass filters, their amplitude, bandwidth and frequency encoders with their rings of lamps, their voltage, modulation and signal inputs, the eight stages and three nodes, whose programme is noted with a click on the display in a grid (each node's amplitude, bandwidth and frequency, morph or jump, each stage's index, modulation type, advance and time), which the display shows as the module does; all kept in the patch with remote enable.
- New Buchla module: the 225e MIDI / USB Decoder from the 200e series, its four note busses (pitch, velocity, note on), six controller busses, internal busses, its edit facility, whose display shows the bus chosen and opens each bus's settings with a click (channel, poly / mono, transposition, fine tuning, velocity, controllers, clock), and its preset manager, whose screen shows the preset chosen (1 to 30); all kept in the patch with remote enable.
- New Buchla module: the 206e Mixer / Preset Manager from the 200e series, its six-input stereo mixer with pans, VU meters and headphones, and its preset manager with its store, recall, last and next buttons, its pulse inputs and its DATA knob; its screen shows the preset chosen with a click (1 to 30), kept in the patch with remote enable.
- New Buchla module: the 296e Spectral Processor from the 200e series, two units wide, its sixteen filters drawn with a finger on their touch strips and LEDs: each band keeps its A level, its B level and its decay in the patch, which the DISPLAY button shows in turn; the morph from A to B with its two lamps following the knob, the cross-connected odd and even inputs, sixteen envelope outputs and sixteen VCA inputs, spectrum transfer and remote enable kept in the patch.
- New Buchla module: the 230e Triple Envelope Tracker / Preamplifier from the 200e series, three microphone preamplifiers on combo XLR / 1/4 inch inputs with their gain in three ranges, their level, their outputs, a mix of the three and an expansion input, and three envelope trackers fed by their preamp until a cable is plugged in, with their sensitivity, decay time, c.v. output and pulse output; transient modes, gain sets, phantom power and remote enable kept in the patch.
- Fix: the black banana sockets of the Buchla 200e modules (281e, 266e, 267e, 292e, 285e, 259e, 261e, 210e, 227e and 207e) are black, as on their photographs, no longer grey in a black collar.
- Fix: the XAOC Ostrawa's ACTIVE buttons, muted, take the grey-lilac measured on the Praga's photograph, instead of a milky lens.
- Vermona internal settings: the fourMative CONTOURS' jumpers (EOP trigger length, 5 or 10 V output level and NEG's mirror axis, unit by unit), the quadroPOL's (previous channel summed in, channels 2 to 4) and the fourMulator's tempo tapped on TAP, lost when the module is switched off, are set in their window and kept in the patch.
- New Vermona module: the qMI 2, a 24 HP MIDI-to-CV interface, four channels of GATE, 1V/OCT, CV 1 and CV 2, its cable-ready MIDI IN, its sixteen-position switch, its PLAYMODE lever (POLY, M1, M2), its clock outputs A, B and C, and in its internal settings what it keeps in memory: each channel's MIDI channel, CV 1 and CV 2 sources, legato and push button, the clock divisions, the lowest note and the bus jumpers.
- New Vermona module: the qMI (2011), the first edition of the quad MIDI interface, drawn from its manual, its green-insert jacks, its PLAYMODE lever (M1, M2, POLY), its clock outputs 1/4, 1/8, 1/16 and 1/8 T, and in its internal settings what it keeps in memory: each channel's MIDI channel, CV 1 and CV 2 sources and legato, CLOCK x 2, the lowest note and the bus jumpers.
- New Vermona module: the Dual buffered Attenuator / Mixer, the Modular Case 104's 26 HP Pulp Logic 1U tile, its two LEVEL attenuators to OUT and OUT INV, its OUT A+B and OUT A-B, and with nothing in an input the voltage LEVEL sets, from -5 to +5 V; its page gives its real height, 43.18 mm, drawn as an Intellijel 1U.
- New Vermona module: the Dual buffered Multiple / Inverter, the Modular Case 104's 26 HP Pulp Logic 1U tile, two buffered 1-to-3 multiples that also give their input inverted three times, and the left section's OFFSET input.
- New Tiptop Audio module: the VCA, a 4 HP variable shape VCA: its LEVEL, SHAPE (logarithmic to exponential), OFFSET and CV IN knobs, its CV, IN and OUT jacks, its two clip lamps; its three calibration trimmers on the back are kept in its internal settings.
- New Vermona module: the Modular Dock, the Mono Lancet '15's Eurorack expander in 22 HP, joined to the synth by its 25-pin cable: its 1V/OCT and GATE inputs, its VCO1, VCO2, 1V/OCT and GATE outputs, the filter input, its six cream star INTENSITY knobs for the VCOs', VCF's and VCA's CV and the pulse width, its VCOS OFF lever.
- New Verbos Electronics module: the Mini Horse, a 42 HP touch controller, its twelve gold keys with their position, pressure and gate outputs, its twelve red knobs, its master section (position, pressure, gate, variable, fixed); in its internal settings, the position each key holds and the active key, which lights up.
- New Verbos Electronics module: the original Amplitude & Tone Controller, a 16 HP Vactrol VCF and discrete VCA, its large red skirted AMPLITUDE knob, its six red knobs (input gain, cutoff, resonance and the three CV amounts) and its five jacks, exp. c.v. normalled to freq. c.v.
- New Verbos Electronics module: the original Voltage Multistage (2014), a 30 HP eight stage CV source, its a and b faders, its slide / off / on switches, its gate outputs on red cells, its large red skirted TIME knob, time c.v., analog, and its start, stop, advance, enable, sustain and strobe inputs.
- New Verbos Electronics module: the Touchplate Keyboard, an 84 HP gold plated touch controller, its 32 key piano keyboard (1 V/oct c.v., pressure, gate, trigger) with its three octave keys, its two plate bender, its 8 square key tunable keyboard under eight red knobs, and its external 9-15 V power socket; in its internal settings, the tunable key and octave selected.
- New Cavisynth module: the CLKDV, a clock divider in an 8 HP 1U tile, its CLK IN input and its /2, /4, /8 and /16 outputs, each with its green LED.
- New Cavisynth module: the A4D, four attack-decay envelopes in a 24 HP 1U tile, its eight grey ATTACK and DECAY knobs, its TR 1 to 4 inputs (TR 1 normalled to TR 2, TR 3 to TR 4) and its OUT 1 to 4 outputs with their yellow LEDs.
- New Tiptop Audio module: the QuantiZer, a 10 HP quantizer and sequencer, its twelve-key keyboard, its SLIDER, its NOTE CV, SCALE CV, 1V/Oct OUT, RESET IN and CLOCK IN jacks; a click on a lamp opens its settings, kept in the patch and shown by its lamps: the scale (Major, Minor, S1, S2) and its key, the 24 user scales, KEYBOARD's and SLIDER's modes, the transposition, the Input Range settings and the recorder's state with its sequence.
- New Tiptop Audio module: the Z4000 VC-EG in its first edition, a brushed aluminium panel printed in black, an 8 HP voltage-controlled ADSR envelope generator: its large A, D, S and R knobs, their A VC, D VC, S VC and R VC inputs, ATTENUVERTER and DEVIATER with its VC input, the ATK SLOPE switch, the SHOOT button, its GATE, RETRIG and OUT jacks, its lamp.
- New Tiptop Audio module: the Z2040 LP-VCF in its first version, a brushed aluminium panel with black cartouches, an 8 HP 24 dB four-pole low-pass filter: its GAIN, RESONANCE, FREQUENCY, FM and VC-FM knobs, its VC-GAIN, VC-RES, IN, OUT, FM and VC-FM jacks; where its audio VCA sits, set by jumpers (input, output or disabled), is kept in its internal settings.
- New Tiptop Audio module: the Z3000 Smart VCO MKI, the first version of the VCO with a display, a brushed aluminium panel with black cartouches, in 14 HP: its FREQUENCY, FINE TUNE, PULSE WIDTH, PWM and FM knobs, its 13 jacks, among them 1V/Oct CV IN and CV OUT, EXT IN and its four waves, its four-digit green display and its FREQUENCY/NOTE/OCTAVE button; a click on the display notes what it reads, and the CV bus jumper HD2 is kept in its internal settings.
- New Tiptop Audio module: the Z5000 VC-Stereo Multi-Effect Processor, the first version of the multi effect, in 14 HP, a brushed aluminium panel: its 16 programs on the PROGRAM selector (reverbs, chorus, flanger, delay, rotary speaker), its CV, CTRL, OUT, MIX and IN knobs, its stereo inputs and outputs, mono through the left jacks, and its level meter of eight tinted lamps.
- New Tiptop Audio module: the Z8000 MK1, the first version of the matrix sequencer, a brushed aluminium panel with black cartouches, in 28 HP: its sixteen knobs read by ten sequencers, its 40 jacks, the clocks of each group normalled one to the next, and its sixteen lamps.
- New Tiptop Audio module: the Z-DSP, the first version, a brushed aluminium panel, in 28 HP: its blue 24 x 2 LCD, showing the program chosen from the original Dragonfly Delay card (a click on the screen chooses it), its two channels with their feedback loops, its VC-DSP1 to 3, FEEDBACK and MIX knobs, its 18 jacks, and its guitar preamp's two jumpers in its internal settings.
- New Audiophile Circuits League module: the KAZU II, the second switching power supply in 4 HP, with no +5 V rail: its DC 15V socket, its ON switch and its +12V and -12V lamps.
- New synth: the original Analogue Solutions Fusebox, an orange monophonic semi-modular traced on the manual's patch sheet: its three VCOs, its mixer with red rockers, its 12 dB multimode filter and its four outputs, its two envelopes, its LFO with FADE IN, its arpeggiator, its Patternator, its Interval Generator with six small black knobs, its row of MIDI CV outputs and its 45 jacks; the AI generator can patch it.
- New synth: the Analogue Solutions Red Square, a patchable analogue monosynth in a 5U rack, in its black version with the red title: its two VCOs, its mixer and its noise or sub-oscillator, its 24 dB ladder filter, its ring modulator, its AR and ADSR envelopes, its LFO, its sample and hold, its MIDI-CV, its three MULTIPLEs and its 50 jacks of 6.35 mm; on its rear, the audio output, the direct input and MIDI THRU and IN; the AI generator can patch it.
- New “Your data, plainly” page: what Pulsers keeps about you, who else sees it pass, how paying works and how to erase it all; it is reachable from the account menu, the footer, the About page, signing in and the credit packs. Your photos sent can be deleted from My account, and the site's fonts are now served by Pulsers, without going through Google. The cookie policy and the privacy policy now list the two preference cookies and the embedded videos and sounds.
- The “Your data, plainly” page now says what Google does with the photos sent: on the Gemini API's paid tier, it does not use them to improve its products.
- New synth: the Analogue Solutions Leipzig-R, an analogue synth in a 5U rack with wooden strips, its two VCOs and their sub-oscillators, its mixer of bipolar knobs, its 24 dB low pass filter, its two envelopes, its modulation section and its selector switches; on its rear, the EXT1 and EXT2 inputs, the VCA output and MIDI IN and THRU; the AI generator can patch it.
- Fix: the Make Noise Contour's EXP (VARI-RESPONSE) knob is the size of its SUSTAIN knob, as photographed, no longer that of DECAY; its thumbnail follows.
- Fix: the white words in the Buchla 232's blue boxes (envelope detector, threshold detector…) have the weight of an original's photograph, no longer letters too thin; its thumbnail follows.
- Fix: the ACL ENVELOPE x3 v1 no longer has rules between its columns of sockets, as on the photograph of a real v1 (its manual's rendering drew them); its thumbnail follows.
- Fix: the Instruō Tš-L no longer prints “LFO” above its LFO Button, as on the photographs of its Version 2 (its manual's drawing wrote it); its thumbnail follows.
- Fix: the Tiptop Audio µZeus's ON / OFF toggle has its round chrome nut and its three lit lamps are larger, as on the photographs; its thumbnails follow.
- New Make Noise module: the FXDf, a 4 HP six-band fixed filter bank (discontinued), its 6 dB and 12 dB inputs and its LOW, 198, 373, 692, 1411 and HIGH outputs.
- Fix: the jacks of the silver-panel Make Noise modules (STO, LxD, DPO, Echophon, Optomix, Contour, Dynamix) have their silver chrome nut, as on the photographs, no longer beige; their thumbnails follow.
- New synth: the Analogue Solutions Semblance, an analogue desktop synth in the spirit of the SEM, in its white V2 with grey zones: its two VCOs and their sync, its mixer of bipolar knobs, its 12 dB multimode filter with a variable notch, its two envelopes, its LFO with sample and hold and its source selectors; on its rear, the EXT1 and EXT2 inputs, the VCA output and MIDI IN and THRU; the AI generator can patch it.
- Fix: Make Noise's MATHS, modDemix and Erbe-Verb, in their silver panel, now have the silver panels' chrome nut too, as photographed; their black version is unchanged, their silver thumbnails follow.
- New Make Noise module: the modDemix Classic, the first modDemix, a 6 HP dual balanced modulator (discontinued), on its silver panel: for each channel SIGNAL IN, CARRIER/CV IN with its STRENGTH knob, SIGNAL OUT and its four unlit lamps, the AUX input and the SUM output, with its normals for mod-demod patches.
- Fix: the silver panel of Make Noise's modDemix has its logo, its D=M!X, both STRENGTH and its MAKE NOISE whole, as photographed, no longer broken up; its silver thumbnail follows.
- Fix: the lamps of Make Noise's silver panels (Contour, DPO, Dynamix, Echophon, modDemix Classic, and the silver MATHS, modDemix and Erbe-Verb) no longer have a black ring: their rim takes the lens's colour, darker to the lower left, as photographed; their thumbnails follow.
- New: a rack's patch read off a photo. Point six landmarks a row, then Pulsers finds the plugged jacks, with no AI and for free; you link each cable with a touch at each end, even for a plug it did not see, and the draft opens in the rack's editor, what is left to check ringed.
- New: a rack's settings read off its photo, an option paid in credits, for now on Tiptop Buchla modules, Doepfer's grey, Vintage Edition and small black knobs, Intellijel's white- and black-capped knobs, small black knobs, faders and slide switches, Befaco's knobs, tiny knobs, slide switches and faders, Instruō's knobs, faders and slide switches, XAOC's large knobs, medium black knobs and faders, ALM's small and large knobs, Random*Source's and Nonlinearcircuits' Serge knobs, Nonlinearcircuits' dome knobs, Erica Synths' Black, Pico, Drum, Hexinverter and EDU DIY series knobs, Analogue Solutions' blue Concussor knobs, Mutable Instruments' knobs, AJH Synth's knobs, Endorphin.es' knobs, ACL's knobs and faders, Make Noise's small, medium, large and wide knobs, Verbos' knobs and faders, Bastl's, Vermona's, Joranalogue's, WMD's and TiNRS's knobs, 4ms' small black knobs and large knobs, Tiptop Audio's Z knobs, its 808 and 909 drums' knobs and its first-edition knobs, and metal bat toggles (Doepfer, Instruō, Endorphin.es, Joranalogue, WMD, 4ms, XAOC, Nonlinearcircuits…), Verbos' white-lever toggles, Vermona's slot toggles and Make Noise's lamps: the Tiptop ones are checked a second time on the photo, and what Pulsers is not sure it read right, every Doepfer, Intellijel, Befaco, Instruō, XAOC, ALM, Serge, Nonlinearcircuits, Erica, Analogue Solutions, Mutable, AJH, Endorphin.es, ACL, Make Noise, Verbos, Joranalogue, WMD, TiNRS, Bastl, Vermona, 4ms or Tiptop (Z and first edition) knob and Instruō, XAOC, Verbos, ACL, Intellijel or Befaco fader among it, is ringed to check in the editor.
- Fix: on Make Noise's MultiWAVE, the four knobs of the bottom row from GLIDE to DETUNE bear their own names, under their silkscreen.
- Fix: the cables you point on a photo of a synth are kept as you point them: a reload of the page, or leaving it before sending them, no longer loses them.
- New Make Noise module: the FUNCTION, an 8 HP function generator of the MATHS family (discontinued), in its Black & Gold or silver panel: its signal, trigger, RISE, BOTH and FALL CV and HANG inputs, its RISE, FALL and VARI-RESPONSE knobs, its CYCLE button and lamp, its EOR, EOC, non-inverted and inverted outputs and their lamps.
- Fix: on the silver panel of Make Noise's modDemix, the lamp frames and the zigzag frames are clean, without drips, with their light zigzag, the lamps without a light crescent beside them, and the knobs' shadows are no longer printed; its silver thumbnail follows.
- Fix: Make Noise silver panels' lamps, as photographed: the Dynamix's have their dark rim all round in a light halo, the silver Erbe-Verb's lamp 1 is green, the silver modDemix's unlit lamps are dark red; their thumbnails follow.
- Fix: every part of a panel (jacks, knobs, lamps, faders) is drawn exactly in its place: the browser rounded it to the millimetre, up to half a millimetre off, on every module; fader caps now sit exactly on their travel too.
- Fix: the Behringer System 100 modules keep their knobs, faders and switches in a rack patch: they were lost as soon as the rack changed.
- Fix: the knobs of the Moog modules (Mother-32, DFAM, Subharmonicon, Spectravox, Labyrinth), SOMA's Lyra8-FX and Behringer's System 900, the Labyrinth's sequence lamps and the 921's and 921B's switches keep their setting in a rack patch: they were lost as soon as the rack changed.
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Improvements
1.0.7- Light theme: the sun and the moon, at the top of every page, switch the site from dark to light, and it stays as you left it.
- A warmer light theme: the page on an ivory ground, and what is selected (the menu's section, the current page, the view) as a slate button with lime text.
- Faders laid sideways (the Softpop SP2's FINE-TUNE, RESONANCE and POP, Basil, Crust, Pizza, Dark Matter, Ikarie): they now follow the hand along their own direction instead of jumping from one end to the other.
- Tiptop Buchla 248t: its programming can now be set, its 16 stages in a window, its lamps lit for the stage shown, its 12 memories, its key and scale; printed, a badge on the module leads to its filled-in Functions Score sheet, one per memory.
- Home page: a one-minute video shows all of Pulsers, from a patched rack to a cabled table.
- A patch on a table or rack not published is marked “Private”, as other private patches are.
- New Sequencers category on the synths page: 0-CTRL, Metropolix Solo and Cirklon 2.
- New sequencer: the Sequentix Cirklon 2, in black or silver, its MIDI ports cabled on a table.
- New module: Sequentix's Eurorack Breakout Module, the Cirklon's 16 CVs and 8 gates, in black or silver.
- Rack import from a photo: an analysis not yet turned into a rack waits for you on the Racks page, and an email tells you when it is ready.
- Cables: on hover, the output and the input with their machine and the signal type; the lock pins the label on the cable, in the Cabling window and in print too.
- The privacy page says all that Pulsers counts: pages seen, searches and country, still without cookies.
- Tables: a table is published from its editor, beside its patch, in the “⋯” menu.
- Tables: a rack on a table is edited from the table, and the table takes it up to date on coming back, cables kept.
- Tables: modules added to a table's rack after its patch now load in Cable mode.
- Buchla Easel Command: its rear panel, with its MIDI input, its 1V/oct and gate inputs and its outputs, cabled on a table.
- New Drum machines category on the synths page.
- New drum machine: the Roland TR-1000, its outputs, trigger and CV inputs and MIDI ports cabled on a table, its screen set by a click.
- New maker, Elektron, and a new machine: the Octatrack MKII, sampler and sequencer, its MIDI and audio sockets cabled on a table, the project's name and tempo set on its screen.
- Cirklon 2: its analogue bus socket takes its CVIO bus cable, one a socket, to the Eurorack Breakout Module or to a desktop breakout box, whose sockets then bear the Cirklon's output names (“Cirklon 2 · CV 3”).
- Tables: Sequentix's two desktop breakout boxes for the Cirklon, the Desktop Breakout Box 3.5 mm and the older cirklon CVIO on 6.35 mm jacks, set down on a table beside the Cirklon.
- Tables: the bus cable shows on the table's page and on its card too, as in the editor.
- A table's or a rack's patch: saving it no longer reloads the page.
- Tables: a synth no longer covers the one below it since its rear panel came (the Mother-32 above the DFAM); the table and its patches move it down just enough.
- Bus cable: round and grey, a DB-25 plug at each end, it leaves its machine and goes round the ones in its way; on hover it turns see-through, to patch the sockets it covers.
- Tables: a table is renamed in its editor, saved with “Save the table”; its address does not change.
- A patch made public on a private rack or table now makes them public with it: everyone can finally see it.
- New Tiptop Audio modules: the CYMBL909, the TR-909's crash and ride, and the TOMS909, its three toms, in white or black.
- Tiptop Audio ZVERB, EchoZ, Z5000, ModFX and FSU: one module each, in a silver or black panel, instead of two.
- New Tiptop Audio modules: the MIX7, a seven-input mixer in 3 HP, the WAYOUT8, an eight-channel passive patchbay, the FORBIDDEN PLANET, a resonant multimode filter, and the MISO, four channels of scaling, inverting and offset, in a silver or black panel.
- New Tiptop Audio modules: the RESONATOR, three parallel filters after the Polymoog, with its ball toggles, the MIXZ, a dual mixer with Bus Mix, in a silver or black panel, and the ART series' CONTROL PATH, two envelopes and a VCA.
- New Tiptop Audio modules of the ART series: the OCTO I/O, a passive polyphonic mult and breakout, the OCTOVERT, polyphonic invert, scale and offset, the ART V/OCT QUANTIZER, four channels of 1V/OCT to ART whose screen chooses the scale, the M, a passive five-way Polytip multiplier, the ATX1 VCO, an analog oscillator whose button switches from ART to 1V/OCT and LFO mode, the VORTEX, a dual wavetable oscillator whose screen chooses the table, the OCTOGAIN, eight VCAs and three mixes, the OCTOPASS, eight low-pass filters set by two faders, the OCTOSTAGES, eight analog ADSR envelopes, the VORTEX 6, six wavetable oscillators whose screen sets the table, the voices and the vibrato, and the OCTOPUS, a USB and DIN MIDI to ART interface whose screen sets the voices, the velocity outputs and the clock.
- New Tiptop Audio module: the FOLD PROCESSOR, a wavefolder with Inject and octave subdivisions, in a silver or black panel.
- New Tiptop Audio modules: the ONE, a mono sample player reading a microSD card, in 4 HP, and the TG ONE, its Throbbing Gristle special edition in a black panel.
- New AJH Synth module: the MiniMod Glide/Noise Mk1, the first Glide, Hold & Noise, black panel.
- New Endorphin.es modules: the QUEEN OF PENTACLES, a seven-voice hybrid drum machine with effects and a master filter, gold jacks and toggles, the BLCK_NOIR, its CR-78 inspired analog twin, with its relief graphics, the GRAND TERMINAL, a dual multi-mode filter with two envelopes and a stereo effect processor, the FURTHRRRR GENERATOR, a complex dual oscillator with a harmonic waveshaper and a modulation bus, the GHOST, made with Andrew Huang, a stereo effects chain (delay, reverb, filter, distortion) whose order changes at a button press, in black or silver, the GROUND CONTROL, a keyboard performance sequencer for a drum track and three melodic tracks, in black (its initial face) or silver (the new face), the GOLDEN MASTER 1U, a stereo multiband mastering processor as a 1U tile, in black or silver, the MILKY WAY 1U, a sixteen-algorithm stereo effects processor as a 1U tile, in black or silver, the RUNNING ORDER 1U, a two-track trigger sequencer as a 1U tile, in black or silver, the SQUAWK DIRTY TO ME 1U, an eight-mode stereo filter as a 1U tile, the LINK 25 1U, the LINK 25's 1U face: eight jacks to one DB-25 socket, the AUTOPILOT 1U, a single-channel oscillator autotuner as a 1U tile, the COCKPIT X 1U, a four-channel stereo mixer with encoders and sidechain ducking as a 1U tile, and the SHUTTLE, a performance synthesizer with five modules (Cockpit², Grand Terminal, Gateway, Furthrrrr Generator, Shuttle Control) under one 84 HP face.
- Cabling: the jacks of the Verbos, Intellijel, Doepfer, Make Noise, Bastl, Erica Synths, Joranalogue Audio Design, Audiophile Circuits League, Befaco, Mutable Instruments, Endorphin.es, WMD, Cavisynth, ALM Busy Circuits, 4ms Company, This Is Not Rocket Science, XAOC Devices and SOMA modules show what they carry (coloured edge, signal on hovering a cable).
- New synth: the Behringer Crave, its 33 sockets on the face, its sequencer's keys and pads.
- Behringer Neutron: its face is drawn and can be patched, its 56 sockets, MODE and RANGE with their LEDs, and its rear panel (INPUT, OUTPUT, PHONES, MIDI THRU, USB) cabled on a table.
- Cascadia, Metropolix Solo and Filtopia: their rear panel, above the face, with its MIDI, USB and audio sockets patchable on a table.
- Ample, SY-1 and Crave: their rear panel, above the face, with its MIDI sockets patchable on a table; the SY-1 is the MIDI version, its stereo jacks as two ends, CH.1 and CH.2. Polivoks Pro: its rear panel, its audio, control and MIDI sockets now take cables.
- New synth: the Moog Minitaur, its 17 knobs, its FINE TUNE and its four orange keys, and on its back its CV, gate, audio and MIDI sockets, patchable on a table.
- Mother-32, DFAM, Subharmonicon, Labyrinth and Spectravox: their rear panel, above the face, with its audio output patchable on a table.
- A patch's notes: also written from the “⋯” menu of the patch's page, and from a table's Arrange mode for its patch.
- Tables: a description, written in the Arrange mode's “⋯” menu and shown on the table's page.
- A rack's, a table's and their patches' pages: the drawing shows whole, at a rack's size, and the page scrolls.
- New AJH Synth module: the Mega-Phase 12, a 12-stage analogue phaser, in a silver or black panel.
- AJH Synth modules in a black panel, as an option: MiniMod VCO, Transistor Ladder Filter, VCA, Contour Generators, Tap Tempo VC-LFO, Glide/Noise Mk2, Ring SM and Low Fat.
- New synth: the Behringer 2600, with its 63 lit faders, its 95 jacks and its three finishes (2600, Blue Marvin, Gray Meanie).
- New synth: the Behringer Poly D, its 37-key keyboard, its lit wheels, its coloured rockers and the 14 jacks of its rear panel.
- New maker, Squarp Instruments, and a new sequencer: the Hapax, its 128 pads, its MIDI, CV and gate sockets cabled on a table, its projects' scale, its tempo and its projects' names set on its two screens.
- New synth: the Behringer Model D, its 15 sockets, its range and waveform selectors, its red, blue and white rockers, and its rear panel outputs cabled on a table.
- Ready-made AJH Synth racks, in black panels: MiniMod Complete System 6U and 9U, and The RadioPhonic, its four rows complete.
- A black panel as an option for 15 more AJH Synth modules: Precision Voltages, Dual LFO + VCA, Gemini 2412, Gain Switch Multi, DH-ADSR, Muting Mixer, CV Mix, Sonic XV, WaveSwarm, V-Scale, V Shape, Next Phase, Entropic Doom, Dual RVG and Fixed Filter Bank 914.
- A patch's page: read only, as its author saved it; its knobs and jacks no longer move, it is changed in the editor or on a copy.
- Racks, tables and patches: an empty “Mine” invites you to make your first, instead of speaking of a search never made.
- Cables: while a patch has none, a line at the bottom of the screen says the gesture (a jack, then another).
- A new patch on a private rack or table starts private: saving it no longer publishes anything you did not choose; “Publish the rack” publishes the rack and that patch.
- Home page and How it works: the count of playable instruments is the synths page's, breakout boxes left out.
- About page: up to date with what Pulsers does today, without the module designer that was dropped.
- “This needs an account” page: it also names signing in with a Google or GitHub account.
- Emails in English: no more space before a colon in their plain-text version.
- Racks and tables, same gestures: a module is dragged into the rack or set down with a click in the first free place; a machine is dragged onto the table or set down with a click; each drawer says so.
- Sharing a rack or table patch: the preview shows its cables, in their colours, on the rack or the table as the patch keeps them.
- How it works and Legal notice: hyphenated addresses (/how-it-works, /legal-notice); the old ones still lead there.
- New synth: the Behringer Pro-1, its 15 sockets, its knurled knobs, its 27 slide switches and its rear panel output, MIDI and USB, cabled on a table.
- New synth: the Arturia MicroFreak, in three finishes (the original, the Stellar and the Vocoder), its knobs and its buttons with their LEDs, the preset on its screen, and its rear sockets cabled, MIDI included.
- New synth: the Arturia MiniFreak, in three finishes (the original, the Stellar and the Vocoder), its 37 keys and touch strips, its arpeggiator and sequencer modes kept by the patch, the preset on its screen, and its rear sockets cabled, MIDI included.
- Faster pages: the synths page loads pictures at the right size, a table's synths and the MS-20 or Cirklon cards show once the page is open, and a patch's notes come above its drawing.
- Comments and reactions under a patch, a rack, a synth and a table: replies, edits with their history, emoji reactions; the author gets an email, comments are translated.
- New synth: the Moog Little Phatty Stage II, its 37-key keyboard, its lens buttons, its selectors with their LEDs, its 100 presets on its screen, and the sockets of its left flank cabled, MIDI included.
- Moog Little Phatty: the LED rings of its four large knobs light at the knob's position, and its parameter buttons light amber, one per section; a synth patch's page no longer leaves an empty band under the synth.
- Racks: AJH Synth's MiniMod Keyz, the NiftyKEYZ keyboard, is a rack case (the “Case” choice in the editor); its 112 HP row takes the modules; its 26 sockets, wheels, knobs and MIDI ports are cabled in the patch, on a table too; the “MiniMod Keyz” rack is built into it.
- New module: the Befaco Molten Bypass, a stereo effects loop bypass, its LAUNCH button lit with a click, its HARD/SOFT and GATE/LATCH settings.
- New synth: the Korg minilogue xd, in three finishes (standard, inverted and PW), its 37 slim keys, its levers and their LEDs, the MULTI ENGINE's type chosen on its display, and the sockets of its wooden back cabled, MIDI included.
- A patch's card: the keyboard and the knobs take the colours of the chosen finish, as in the editor (the white MS-20's white knobs).
- New module: the Befaco InAmp, a dual pre-amplifier, its 6.35 mm and 3.5 mm inputs on each channel.
- New 4ms Company module: the Buffered Multiple, two 1-to-3 buffered multiples in 3 HP (or one 1-to-6), with their two LEDs.
- New module: the Befaco Kickall, a kick drum voice, its large SHAPE knob, its red TRIGG button and its DECAY fader.
- New Erica Synths module: the Drum Sequencer, a 42 HP drum sequencer, its 36 sockets cabled, its keys, screen and two encoders drawn from the photograph.
- New synth: the Korg minilogue xd module, the minilogue xd without its keyboard, its KEYBOARD switch that has the 16 buttons play notes, and the sockets of its wooden back cabled, MIDI included.
- New synth: the Korg minilogue, the first one (2016), in two finishes (silver and dark), its large CUTOFF knob, its levers and their red LEDs, the voice mode chosen with a click on keys 1 to 8, the program chosen on its screen among its 100 factory programs, and the sockets of its wooden back cabled, MIDI included.
- Cirklon 2: the silver finish's swatch bears its name.
- Editors: the browser tab names the patch or rack being edited, the name field says “Patch name” in the synth editor too, and Settings says what it holds; a new member is no longer told their way to sign in changed on their very first visit.
- Synths page: smaller tiles, gathered by brand, or by function on request.
- Tables: a synth set down in a colour no longer changes colour for a moment as it shows.
- Cables: a button, or Shift+C, fades them while you turn a knob hidden under one, in the editors as on a patch's page.
- My account: you can delete your account yourself; your public patches, racks and tables stay, without your name.
- Patch cards: one wording, “12 controls set out of 36”; brands with no logo show their initials.
- Tables in the footer; brands: countries in the page's language, alphabetical order whatever the capitals; synths named without their brand (Matriarch, Lyra-8), shown beside them.
- Racks: the total price no longer mixes euros and dollars; the height reads 3U everywhere.
- A module's page: arrows on the screen's edges, or the ← → keys, turn to the previous or next module of the list you came from, filters included.
- A patch's, rack's or table's notes: a long note opens on its first 5 lines, “See more” to read it whole.
- Menus: easier to read, an icon per entry, and the account menu with your credits under your name.
- New module: the Befaco Pony VCF, a lowpass filter with a three-channel mixer and a VCA, its three faders and its peak lamp.
- New Erica Synths module: the Snare Drum, an analogue snare from the Drum series.
- New module: Befaco's DivKid Mutes mk2, four VCA mutes, its flat three-way levers (momentary, off, on).
- New 4ms Company module: the Rotating Clock Divider, eight outputs dividing a clock by 1 to 8, shifted together by a voltage on Rotate, with their LEDs.
- New module: Befaco's MIDI Thing V2 USB Expander, its USB-C socket and its TRS mult.
- New Erica Synths module: the Toms, three analogue toms (low, mid, high) from the Drum series.
- New 4ms Company module: the Shuffling Clock Multiplier, eight outputs multiplying a clock by 1 to 8, five of them shuffled by a voltage on Slip, with their LEDs.
- New Erica Synths module: the Hi-Hats A, analogue closed and open hi-hats from the Drum series.
- New module: the Befaco A*B+C, two channels multiplying A by B and adding C, its gain switches and MULT / MIX.
- New Analogue Solutions module: the Treadstone Eurorack, an analogue synth in 22 HP with VCO, VCF, envelope, LFO, VCA and loop sequencer.
- New module: the Befaco Voltio, a manual voltage source in octaves and semitones, its two large grey knobs, its RANGE lever and its banana sockets for a multimeter.
- New 4ms Company module: the Listen Up, four 6.35 mm jacks in two stereo pairs for the Listen IO, Listen Four and WAV Recorder, with their black nuts.
- New Erica Synths module: the Sample Drum, a two-channel sample player from the Drum series.
- Befaco Pony VCF: its two lamps are round again (they showed cut square) and in their place.
- New Buchla & Tiptop Audio module: the Signal Delay Unit 277t, a delay line with four taps (1/4 t to t), an A, B, C input mixer and a large DELAY TIME knob.
- New Erica Synths module: the DJ VCF Stereo, a stereo DJ-style filter from the Drum series.
- New Analogue Solutions module: the Cranial Saw from the Medic Modules range, a dual VCO with sub-oscillator and mixer, now discontinued.
- New Analogue Solutions module: the EKG from the Medic Modules range, an eight-step analogue sequencer with a mode for each step, now discontinued.
- New Analogue Solutions module: the Defibrillator from the Medic Modules range, a dual filter and amplifier with filters after the Korg MS-20's, now discontinued.
- New Analogue Solutions module: the Polygene from the Medic Modules range, a four-voice MIDI to CV converter and arpeggiator, its lit rockers drawn for it, now discontinued.
- New Erica Synths module: the Stereo FX, a stereo delay and reverb from the Drum series.
- New Erica Synths module: the Stereo Mixer, a four-input stereo mixer from the Drum series.
- New Erica Synths module: Hexinverter's Mutant Clap, a 909-style analogue clap with reverb and a noise oscillator, with its Édition Noire knobs, jacks and toggles.
- New Erica Synths module: Hexinverter's Mutant Snare, an 808-style analogue snare with a high-pass or band-pass filter, and its white and grey capped knobs.
- New Erica Synths module: Hexinverter's Mutant Bassdrum, an 808-style analogue kick with voltage-controlled distortion, and its raised pattern.
- New Erica Synths module: Hexinverter's Mutant Hi-Hats, 808-style open and closed hi-hats with a resonant filter and an exclusive switch.
- New Erica Synths module: Hexinverter's Mutant Rimshot, a 909-style analogue rimshot and clave with a three-mode filter, and its slide switches.
- New Erica Synths module: Hexinverter's Mutant BD9, a 909-style analogue kick with a sub-oscillator and drive, and its knobless SUB OCT rotary switch.
- New Erica Synths module: Hexinverter's Mutant Brain, a MIDI interface with 16 outputs (4 CVs, 12 gates) set over MIDI, with its MIDI socket, black-nut jacks and striped bands.
- New Erica Synths module: Hexinverter's Mutant Hot Glue, a four-channel mixer with an effects send, voltage-controlled distortion and a compressor, with its flat lamp, brass trim screw and raised pattern.
- New Erica Synths module: Hexinverter's VCNO, a voltage-controlled noise oscillator with five outputs, with its big black knobs, red lamps and halftone dots.
- New Erica Synths module: Hexinverter's Mindphaser, a complex dual oscillator with a modulation bus, through-zero phase modulation and a waveshaper, with its very big white knobs and gold-ringed buttons.
- New Erica Synths module: Hexinverter's Mutant Machine, an analogue percussion engine with two oscillators and voltage-controlled noise, with its copper pattern, small white buttons and gold field.
- New Erica Synths module: the Drum series Stereo Compressor, a stereo compressor with sidechain, stereo link and an 8-lamp VU meter.
- New Erica Synths module: the Drum series Dual Drive, a dual overdrive with three flavours per section under voltage control, the two sections in series while IN 2 is left free.
- New Erica Synths module: the Drum series Dual FX, two sections of eight stereo effects (delays, reverbs, ripper, pitch shifter) with an assignable CV input and stored settings, and its small dark push buttons.
- New Erica Synths module: the Drum series Hi-Hats D, 909 closed and open hats through an analogue VCA and envelope, with the OH LOOP and an adjustable VCA shape.
- New Erica Synths module: the LINK, five sections bringing Eurorack signals down to line level, from 3.5 mm jacks to large 6.35 mm jacks for a desktop mixer.
- New Erica Synths module: the Drum series Perkons Voice, a percussion voice with 13 algorithms and an analogue filter and overdrive; its display shows the algorithm the patch sets, chosen with a click among the manual's 25.
- New Erica Synths module: the Fusion Modulator, an analogue modulation source inspired by the EMS Synthi (two looping envelopes, a VCA, noise and a Sample & Hold), with the Fusion series' five-lobed black knobs.
- New Erica Synths module: the Plasma Drive, a high voltage distortion made with Gamechanger Audio, its xenon tube drawn lit behind the glass, with an equaliser and octave tracking oscillators.
- New Erica Synths module: the Graphic Resonant FB, a ten-band analogue resonant filterbank; its screen shows the mode the patch sets (filterbank, low-pass, high-pass, band-pass or band-stop multimode filter, dynamic equalizer), drawn from the manual's screens.
- New 4ms Company modules: the Percussion Interface and its PI Expander, drawing gates and envelopes from drums or any audio source, with their 4ms knobs and the large silver 6.35 mm jack.
- New 4ms Company module: the RCD Breakout, six 4ms toggles setting the Rotating Clock Divider (counting direction, gate or trigger, maximum division, Spread, Auto-Reset).
- New 4ms Company module: the Listen IO, bringing line, instrument or microphone signals into the modular and back out to line level or headphones, with its brass-nut headphone jacks and LED bar graphs.
- New 4ms Company module: the WAV Recorder, a stereo .wav recorder and player on microSD card, with its Record / Playback switch, white button, microSD slot and level meter.
- New 4ms Company module: the Mini PEG, an envelope generator and LFO whose length follows the pings of a clock, with its black knobs, lit Ping and Cycle buttons and blue LEDs.
- New 4ms Company module: the EnvVCA, an analog envelope generator, slew limiter and VCA, with its lit Rise, Fall and Env. Level sliders, Slow / Med / Fast switches and red EOR LED.
- New 4ms Company module: the SCM Breakout, the Shuffling Clock Multiplier's expander, with its red, blue and green bands, five knobs and 4x Fast and Mute buttons.
- New 4ms Company module: the Listen Four, a four-channel stereo mixer with a headphone output, its small black Pan knobs with a white dot, its Mod. / Line switch and its brass-nut headphone jack.
- New 4ms Company module: the QCD (Quad Clock Distributor), a four-channel clock divider and multiplier, with its clear Tap button, its large black knobs with eight notches and its red, black, blue and green bands.
- New 4ms Company module: the SCM Plus, a clock multiplier with eight outputs that slips, shuffles and skips beats, on a black panel, with its small black knobs in metal rings, its blue and green lamps and its lit 4x Fast and Mute buttons.
- New 4ms Company module: the Quad Pingable LFO, four LFOs set by tap tempo or a clock, with their notched Skew knobs, white Ping and On buttons and red, black, blue and green bands.
- New 4ms Company module: the QCD Expander, the QCD's expansion, which gives each channel a gate width or trigger delay, a three-mode INV OUT output and attenuverters, with its notched large knobs, small black knobs and three-way switches.
- New 4ms Company module: the MetaModule Wi-Fi Expander, which sends patches to the MetaModule over Wi-Fi, on a black panel with white waves, with its button lit light blue.
- New 4ms Company module: the MetaModule Audio Expander (MetaAIO), six more inputs and eight more outputs for the MetaModule, in a black or aluminium faceplate, with its coloured number tabs.
- New 4ms Company module: the MetaModule Button Expander (MetaButtons), eight buttons to map in the MetaModule's patches, in a black or aluminium faceplate.
- New 4ms Company module: the Listen Four Quarters, a four-channel stereo mixer with balanced 6.35 mm (1/4") outputs and a headphone output.
- New 4ms Company module: the Shifting Inverting Signal Mingler (SISM), four channels to scale, invert, offset and mix voltages.
- New 4ms Company module: the Sampler, a stereo sample player and recorder on a microSD card in 12 HP, with its Bank, Play and Reverse buttons.
- 4ms Listen Four, Listen Four Quarters and Quad Pingable LFO: the tooltips of their switches and On buttons now name the position instead of showing an error.
- New 4ms Company module: the Leveling EQ Amplifier, a stereo compressor, EQ and width processor in 14 HP, with its lit Gain Reduction meter and its three-way levers.
- Fourteen 4ms Company modules (Sampler, SISM, QCD, SCM Plus and Listen Four among them): their print's outlines are back in their exact place, after drifting by up to almost a millimetre.
- New 4ms Company module: the Dual EnvVCA, two envelope generators, slew limiters and VCAs in 16 HP, in a black or white faceplate.
- New 4ms Company module: the Looping Delay, a clock-synced delay and looper in 16 HP, with its three white buttons, its three-way Time switch and its red LED.
- New 4ms Company module: the Ensemble Oscillator by Matthias Puech, sixteen oscillators in one polyphonic voice in 16 HP, in a white or black faceplate, with its large Root knob and its lit Learn and Freeze buttons.
- New module: DivKid and Befaco's Stereo Strip, a stereo channel strip with a three-band EQ, panning, a VCA and a three-way MUTE, its milky lamps.
- New Tiptop Audio module: the Trigger Riot, a matrix of 16 endless knobs for eight trigger outputs, in a white or black panel; a click on its display chooses one of its 16 presets.
- New module: Befaco and Molten Modular's Motion MTR, three attenuators and their rings of twenty lamps, lit by the knob and coloured by the AUDIO / CV ATT / CV INV switch.
- New module: the Befaco CV Thing, a CV to MIDI converter, its TRS and USB MIDI outputs cabled, and its screen: a click sets the function, CC, channel and range of each of its eight inputs.
- New module: the Befaco MIDI Thing V2, a MIDI to CV converter, its twelve outputs, MIDI IN and OUT and USB HOST cabled, and its screen: a click chooses one of its pre-defined configurations.
- New module: the Befaco 1U TRS, a 1U tile bringing the case's rear TRS jacks to the front, the tip and ring of its two channels cabled as inputs or outputs.
- New module: the Befaco Pedal Pow 1U, a 1U tile powering two guitar pedals at 9 V, with its two power sockets.
- New module: the Befaco VC ADSR, an envelope generator in 8 HP, its four sliders, its trigg/gate toggle, its trigger button, its shape knob and its four stage gate outputs.
- New module: the Befaco Chopping Kinky, a dual wavefolder in 8 HP, its two large fold knobs, its two attenuverters and its CHOPP output switching between both channels.
- New module: the Befaco Spring Reverb, an analog spring reverb in 8 HP, its large dark smoke DRY/WET knob, its two sliders, its HPF filter and its seven-lamp VU meter.
- New module: the Befaco Burst, a trigger burst generator in 8 HP, its QUANTITY encoder ringed by sixteen lamps, its CYCLE toggle, its trigger button and its four CV controls.
- New module: the DivKid Output Bus by Befaco, an output module in 8 HP, its six stereo inputs, its big red LEVEL knob, its 6.35 mm line and headphone outputs, its LINE / SYNTH selector and its stereo VU meter.
- New module: the Befaco I4 Instrument Interface, a preamp for microphones and instruments in 8 HP, its XLR / jack combo input, its +48V switch, its LINE / SYNTH / HI Z toggle, its big red GAIN knob, its two-slider envelope follower and its trigger and gate outputs.
- New module: the Befaco Percall, four percussive VCAs and envelopes in 12 HP, its four VOL knobs, its four DECAY sliders, its CHOKE switches and its mix output.
- New module: the Befaco Octaves VCO, an additive square wave oscillator in 12 HP, its six octave bands and their sliders, its large PWM knob, its OCT and RANGE selectors and its cascaded outputs.
- New module: the Befaco Pedal S-R 1U, a 10 HP 1U tile to insert effects pedals, its stereo sends and returns, its LINE / INST and LINE / HI Z selectors, its return level knob and its two lamps.
- New module: the Befaco 1U ST Amp, a stereo amplifier on a 10 HP 1U tile, its stereo input, its LEVEL knob, its x1 / x5 / x10 gain selector and its level lamps.
- New module: the Befaco Morphader, a quad CV and audio crossfader in 12 HP, its eight level knobs, its AUDIO / CV switches, its FADER LAG knob and its sliding A / B crossfader.
- New module: the Befaco Lich, a programmable OWL multi-function module in 12 HP, its four A to D knobs and their CV attenuators, its two push buttons, its USB sockets and its PATCH display, where one of its four factory patches is chosen.
- New module: the Befaco Phono Amp, a phono preamp on a 12 HP 1U tile, its RCA inputs, its ground binding post, its PHO / LINE selector, its GAIN knob, its six-lamp level meter and its stereo and mono sum outputs.
- New module: the Befaco 1U Out, a stereo output on a 16 HP 1U tile, its MAIN and CUE inputs, its SOURCE toggle, its LEVEL knob and its headphone amp with its knob and 6.35 mm socket.
- New module: the Befaco Pony VCO on a 24 HP 1U tile, its FREQ knob, its RANGE/MODE, OCTAVE and SHAPE selectors, its TIMBRE slider lying flat and its six jacks, the OUT jack on its silver plate.
- New module: the DivKid Mutes mk2 on a 24 HP 1U tile, its four MOMENTARY / OFF / ON paddles throwing up and down, its four lamps and its inputs and outputs, each output on its silver plate.
- New module: the Befaco 1U STMix, a four-channel stereo mixer on a 28 HP 1U tile, its white, light grey, smoke and black knobs, its eight inputs and its stereo MIX OUT with its two lamps.
- Eowave Redondances: the left cyan and right yellow light arcs turn on and off with a click again.
- New module: the Befaco Muxlicer, an eight-step controller, gate generator and bidirectional analog switch in 16 HP, its eight level sliders, its PLAY lever, its SPEED encoder and its MUX I/Os, patchable as inputs or outputs.
- New module: the Befaco Rampage, a dual function generator and slew limiter in 18 HP, its four rise and fall sliders, its TRIGG buttons, its RANGE and CYCLE levers and its BALANCE comparator section with its MIN, MAX and B>A outputs.
- New module: the Befaco Noise Plethora, a noise workstation in 14 HP, its two digital generators and their filters, its big CUTOFF knobs, its HP / BP / LP switches and its two displays: a click picks one of the 30 programs for each generator.
- New module: the Befaco VCMC, a voltage controlled MIDI controller in 20 HP, its eight faders, buttons and CV and gate inputs, its DIN and USB MIDI outputs cabled, and its screen: its bars follow the faders, and a click sets each block (CV, fader, CV-fader link and gate).
- New module: the Befaco Iroi, a stereo effects processor in 18 HP drawn from the Oneiroi, its four big CUTOFF, TUNE, DENSITY and SPACETIME knobs, its four level and dry/wet sliders, its MOD / CV / RND switch and its SHIFT, RANDOM and MAP buttons.
- New maker, Eowave, and new module: the Quadrantid Swarm, an eight-voice synthesizer in 41 HP, its eight touch pads, its shift and start buttons and its lamps, turned on or off with a click.
- New Eowave module: the Domino, an analogue monophonic voice in 10 HP, its chromed cutoff dial, its chromed resonance knob, the VCA's gate/envelope switch and its LED.
- New Eowave module: the Weather Drones 1.5, a full voice in 24 HP for ethereal sound, its flower-shaped web, its dome knobs and its lamps.
- New Eowave module: the Sommateur X6, a six-input mixer in 5 HP.
- New Eowave module: the Tempête Magnétique, a quad multimode filter in 22 HP, its three-way toggles, its lit fader and its glowing windows.
- New Eowave module: the Titan, a discrete transistor oscillator in 5 HP, its chromed density dial.
- New Eowave module: the Germania 241, a germanium VCA and saturator in 4 HP.
- New Eowave module: the Swing, a four-stage clock delay in 5 HP, its lamps and its three-way toggle.
- New Eowave module: the Zone B.F, a dual LFO with sixteen waveforms in 5 HP.
- New Eowave module: the EO-310, a sensor signal processor in 5 HP, in a silver panel.
- New Eowave module: the Pôle, a dual attenuverter with offset in 4 HP.
- New Eowave module: the EO-311, a quad sensor to CV converter in 3 HP, in a silver panel.
- New Eowave module: the Orage MK2, an analogue oscillator with thru-zero FM and six waveform outputs, in 10 HP.
- New Eowave module: the Redondances, a quad heads stereo delay in 26 HP, with its lit windows round the dials.
- New Eowave module: the Portail, a MIDI to CV interface in 5 HP, with eight CV and eight gate outputs.
- New Eowave module: the Magnetosphere MK2, a resonant 24 dB low-pass filter in 5 HP, with its envelope, noise and VCA.
- New Eowave module: the Supamix, a six-channel stereo mixer in 10 HP, with its lit mutes and their Swap automation.
- New Eowave module: the O, a stereo line and headphone output in 2 HP, with its clipping light.
- New Eowave module: the Volcan, an analogue dual function generator in 10 HP, with its faders and lit ramps.
- New Eowave module: the Ricochet, four chainable analogue decay envelopes and four VCAs in 14 HP.
- New Tiptop Audio module: the Circadian Rhythms, an eight-channel trigger sequencer, its 72 lit buttons (a click: unlit, green, red) and its CLOCK encoder, in a white or black panel.
- New Tiptop Audio module: the Triax8, an eight-voice analog oscillator of the ART series; its octave and FM SOURCE selectors stop on their detents, its two buttons go from unlit to yellow then red.
- New Eowave 1U tile: the Levers, a dual VCA in 10 HP, with its lit chevrons.
- New Eowave 1U tile: the Oscy, a mini analogue oscillator in 10 HP, triangle and square with its sub-octave.
- New Eowave 1U tile: the Bye Bye, a stereo line and headphone output in 10 HP, with its clipping light.
- New Eowave 1U tile: the Mixy, a four-input mini mixer in 10 HP.
- New Eowave 1U tile: the Germaniac, a germanium transistor VCA and warmer, in 10 HP.
- New Eowave 1U tile: the Sifter, a 12 dB low-pass and high-pass mini filter, in 10 HP.
- New Doepfer module: the A-110-4 Quadrature Thru Zero VCO, sine and cosine in quadrature, thru-zero linear FM.
- New Doepfer module: the A-110-6 Trapezoid Thru Zero Quadrature VCO, ten waveforms in quadrature and a VCO / LFO switch.
- MiniFreak: its display's window bears its own name, "MiniFreak · preset", no longer the MicroFreak's.
- New Doepfer module: the A-111-4 Quad Precision VCO, four VCOs and a Master section, in an aluminium or black Vintage Edition panel.
- New Doepfer module: the A-111-5 Mini Synthesizer Voice, a complete voice (VCO, VCF, VCA, ADSR, two LFOs) in 24 HP, in an aluminium or black Vintage Edition panel with Vintage knobs.
- New Doepfer module: the A-111-6 Miniature Synthesizer Voice, VCO, balance, VCF, VCA and envelope in 10 HP, in an aluminium or black Vintage Edition panel.
- New Doepfer module: the A-113 Subharmonic Generator, four subharmonics after the Mixtur-Trautonium; a click on each of its four displays chooses its divisor, from 1 to 24.
- New Doepfer module: the A-115 Audio Divider, four square-wave sub-octaves (F/2 to F/16) mixed with the original.
- New Doepfer module: the A-116 VC Waveform Processor, a clipper and an asymmetrical amplifier in parallel, voltage controlled, that reshape a VCO's waveforms.
- New Doepfer module: the A-119 External Input / Envelope Follower, which brings a line, a microphone or a guitar into the modular and derives an envelope and a gate from it, in an aluminium or black Vintage Edition panel.
- New Doepfer module: the A-120 VCF 1, a 24 dB transistor ladder low pass filter that goes up to self-oscillation, in an aluminium or black Vintage Edition panel.
- New Doepfer module: the A-121d Dual Multimode Filter, two filters tuned together and spread apart by Delta, with a mixer that builds their modes, in an aluminium or black Vintage Edition panel.
- New Doepfer module: the A-121s Stereo Multimode VCF, two 12 dB filters sweeping from lowpass to bandpass, with its large F knob, in an aluminium or black Vintage Edition panel.
- New Doepfer module: the A-121-2 12dB Multimode Filter, a 12 dB filter with lowpass, highpass, bandpass and notch outputs at once, in an aluminium or black Vintage Edition panel.
- New Doepfer module: the A-123-2 6/12/18/24dB High Pass, a highpass filter with its four slope outputs at once and voltage controlled resonance.
- New Doepfer module: the A-125 VC Phase Shifter, a voltage controlled phaser, with its resonance and a mix of the dry signal.
- New Doepfer module: the A-130-1 Linear VCA, a linear VCA with two audio inputs and two control inputs, and an output level control.
- New Doepfer module: the A-131 Exponential VCA, the A-130-1's exponential twin, above all for audio.
- New Doepfer module: the A-132-3 Dual lin./exp. VCA, two VCAs each switched between linear and exponential, in an aluminium or black Vintage Edition panel.
- New Doepfer module: the A-132-8 Octal Poly VCA, eight VCAs in four pairs for polyphonic patches, with a sum output.
- New Doepfer module: the A-134-1 VC Panning / Crossfader, to pan a sound between two outputs or crossfade two sounds, with its two LEDs.
- New Doepfer module: the A-165-2 Digital Modifiers, six gate modifiers in 2 HP (inverters, divide by two, RS flip-flop, a pulse on each edge).
- New Doepfer module: the A-183-4 Quad Level Shifter, four gate level shifters in 2 HP, each output normalled to the next input.
- New Doepfer module: the A-135-5 Polyphonic Mixer / Suboctave Generator, three four-voice mixers with their suboctave, in an aluminium or black Vintage Edition panel.
- New Doepfer module: the A-136 Distortion / Waveshaper, which clips and reshapes a sound or a control voltage.
- New Doepfer module: the A-190-9 Micro MIDI-to-CV/Gate Interface, a monophonic MIDI to CV and gate in 2 HP, in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-137-1 VC Wave Multiplier, which folds the waveform to add harmonics without changing the pitch.
- New Doepfer module: the A-138n Narrow Mixer, a four-channel mixer in 4 HP with a level knob per input and a doubled output, in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-137-2 Wave Multiplier II, which adds four shifted copies to a VCO's wave for a fat sound, close to five VCOs.
- New Doepfer module: the A-138i Interrupting Mixer, a four-channel mixer in 6 HP with a mute switch per channel, single outputs and a doubled mix output.
- New Doepfer module: the A-138d Crossfader / FX Insert, which fades between two signals or inserts an effect pedal and blends the dry and wet sounds.
- New Doepfer module: the A-138s Mini Stereo Mixer, four inputs with level and pan to a stereo output, with an aluminium or a black panel.
- New Doepfer module: the A-139-2 Headphone Amplifier, two inputs with their levels and a master volume to a 6.35 mm headphone output, in 6 HP.
- New Doepfer module: the A-142-3 Envelope Controlled VCA, an AD/AR envelope (or LFO) driving a VCA in 4 HP, in aluminium or as the black Vintage Edition.
- Doepfer A-140-1 ADSR: the black Vintage Edition panel joins the aluminium one, and its Time Range switch now flips horizontally, from H to M, set in the middle on L as on the real module.
- New Doepfer module: the A-140-2 Dual Mini ADSR, two ADSR envelopes side by side with voltage controlled times, with an aluminium or a black panel.
- New Doepfer module: the A-145-2 Slim LFO, a 4 HP LFO with five waveforms, three ranges and a reset input, with two-colour lamps on its outputs.
- New Doepfer module: the A-141-4 Quad Poly VCADSR, four voltage controlled ADSR envelopes sharing their controls, for polyphonic patches.
- New Doepfer module: the A-142-1 VCD, a single-time envelope whose decay is voltage controlled, and a gate drawn from it at an adjustable threshold.
- New Doepfer module: the A-145-4 Quad LFO, four LFOs in 4 HP, each with a triangle and a square output and a two-colour lamp, in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-142-2 Dual Envelope Controlled VCA, two AD, ADSR or AR envelopes, each with its own VCA, CV Duck. input and gate push button.
- New Doepfer module: the A-147-5 Quad VCLFO, four triangle LFOs in 4 HP sharing a Master frequency, with Delta F knobs and chained CV inputs, in aluminium or as the black Vintage Edition.
- New Doepfer module: the A-142-4 Quad Decay, four single-time decay envelopes, each with its trigger input, output and LED.
- New Doepfer module: the A-149-2 Digital Random Voltages, the A-149-1's extension with eight random gate-like outputs and their red lamps, in 4 HP.
- New Doepfer module: the A-143-9 VC Quadrature LFO, a sine and a cosine and their inverses on four outputs 90 degrees apart, with three frequency ranges.
- New Doepfer module: the A-141-2 VCADSR, an ADSR with every stage under voltage control, three time ranges, five outputs and an LFO mode.
- New Doepfer module: the A-145-1 LFO, the standard LFO, five waveforms at once over three frequency ranges, with a reset input and two LEDs.
- New Doepfer module: the A-146 LFO 2, an LFO whose single control morphs its wave from rising sawtooth through triangle to falling sawtooth, with two square outputs.
- New Doepfer module: the A-149-4 Quad Triggered Random Voltages, four triggered random voltages in 4 HP; its lit grid buttons and Major/Minor light one at a time, as on the module.
- New Doepfer module: the A-150-1 Dual VC Switch, two voltage controlled switches in 4 HP connecting their O/I to I/O1 or I/O2, in either direction, with their red lamps, in aluminium or as the black Vintage Edition.
- A synth's page with no patch: an empty card stands where the first patch will be, with a way to create it.
- Comments: with none, the section is one line; the form opens with “Write a comment”, under the comments when there are some.
- A synth's patch: the synth is shown whole at a rack module's size instead of shrunk to the window's height; − and + still zoom.
- Drawings loading: a larger spinner, the same everywhere, on table cards too.
- New Mutable Instruments module: Marbles, the random sampler; its mode lamps, green, yellow or red, and its t and X buttons, lit green when DEJA VU is on, are set with a click and kept in the patch.
- AI patch generator, in beta, on synths and racks: describe a sound, the AI patches it with the instrument's jacks and controls; your opinion helps it improve, and your first try is free (a generation or a rack import).
- New Mutable Instruments module: Clouds, the granular texture synthesizer, with its 5 mm lamps.
- New Mutable Instruments module: Elements, the 34 HP modal synthesizer, with its exciter and resonator lamps.
- New Mutable Instruments module: Warps, the meta modulator, with its large ALGORITHM knob and the internal oscillator lamp, green, yellow or red by waveform, set with a click.
- New Mutable Instruments module: Tides (2018), the tidal modulator, with its range, ramp and output mode lamps, set with a click.
- New Mutable Instruments module: Tides (original), the first tidal modulator from 2014, with its two large black buttons and its mode and range lamps, set with a click.
- New Mutable Instruments module: Veils (original), the first quad VCA from 2016, with its large gain knobs and its response knobs.
- New Mutable Instruments module: Veils (2020), the 10 HP quad VCA, with its LED gain sliders, its response and offset knobs.
- New Mutable Instruments module: Stages, the segment generator, with its six LED sliders and its segment type lamps, green, yellow or red, set with a click.
- New Mutable Instruments module: Blinds, the quad polarizer, with its large white gain and polarity knobs and its modulation attenuverters.
- New Mutable Instruments module: Kinks, the small utility module, with its inverter and rectifiers, its maximum and minimum, its sample and hold and its noise.
- New Mutable Instruments module: Links, the multiple and mixer, with its 1:3, 2:2 and 3:1 sections.
- New Mutable Instruments module: Ears, the contact microphone, with its black and gold panel ridged in a spiral.
- New Mutable Instruments module: Grids, the topographic drum sequencer, with its three channels and their dark green lamps.
- New Mutable Instruments module: Frames, the keyframer and mixer, with its big FRAME knob, its ADD and DEL buttons and its fir green lamp.
- New Mutable Instruments module: Edges, the quad chiptune audio generator, with its XMOD switches and WAVEFORM SELECT buttons.
- New Mutable Instruments module: Streams, the dual dynamics gate, with its bargraph and response knobs.
- New Mutable Instruments module: Braids, the macro oscillator, with its four-letter display: a click chooses one of its 47 models.
- New Mutable Instruments module: Yarns, the MIDI interface, with its two-letter display: a click chooses one of its 11 voice layouts.
- A rack's or a table's page: two buttons before its name, or the ← → keys, turn to the previous or next one of the list you came from, filters included.
- A patch's page: the same buttons before its name, or the ← → keys, turn to the previous or next patch of the list you came from.
- Editors: Undo, Redo, Shake and Reset no longer show their keyboard shortcut beside them; it stays in the tooltip.
- Tables: on the list, a table's machines are drawn as soon as the page opens, without scrolling first.
- New maker, Tiptop Buchla: the fifteen Eurorack modules of the Buchla 200t series (292t, 258t, 281t…) now sit there, apart from Tiptop Audio.
- New rack format: Buchla. A boat of 4 or 6 slots 4.25 inches wide, up to four boats stacked, taking Buchla-format modules.
- New module maker, Buchla, and its first module: the 208C Stored Program Sound Source, the heart of the Easel Command as a four-slot module, its bananas and Tini-Jax sockets patchable.
- Buchla sockets: a cable on a banana shows its Pomona plug, in the cable's colour, and several cables stack on one socket; Buchla audio takes a Tini-Jax plug.
- New maker, Random*Source, and its Pont-Neuf: a passive bridge from 3.5 mm jacks to banana jacks, eight channels and a ground banana, to patch a Buchla or Serge system with a Eurorack rack.
- New maker, Low-Gain Electronics, and its UTL-1E: a 6 HP passive bridge, six channels from 3.5 mm jacks to banana jacks, an OR of two gates into a seventh banana and a ground banana.
- New maker, Syntax, and its Euro Bananas: a 6 HP passive bridge, six 3.5 mm jacks to six coloured banana jacks, and a ground banana.
- New Syntax module: the CVGT1, Synovatron's translator reborn, passing CVs, gates, triggers and pulses from Eurorack to Buchla and back, with its four scale and offset toggles.
- Buchla racks: the 200h series half modules, 3.5 inches high, stack two to a boat slot, one at the top and one at the bottom, and patch like any other.
- New Buchla modules, the first half modules: the 202h Adaptors and Converters, its adaptors between banana, Tini-Jax, 3.5 mm and 1/4" sockets, its CV processor, its 1.2 V/oct and 1 V/oct converters and its four pulse converters; the 225h MIDI and CV Interface, its eight MIDI outputs on bananas (the green velocity and the purple aftertouch among them), its adaptors and its CV processor; the 226h CV To MIDI Converter, its six input busses on 24 bananas (orange note on, black pitch, grey velocity, black controller), its blue encoder, its red display and its remote enable button; the 281h Dual Function Generator, its two envelope generators A and B, their blue ATTACK and DECAY knobs scaled from .001 to 10, their mode buttons and lamps, and its QUADRATURE mode; the 292h Dual Dynamics Manager, its two VCAs that are also low-pass gates, their blue knobs scaled from 0 to 10, their CV and velocity inputs and their green mode buttons.
- AI patch generator: under the proposed patch, what might keep it silent (a control at 0 closing a patched input, an envelope nothing triggers); a closed control is fixed in one click, in a new version.
- Rack editor: dragging a module from the selector into the rack works again.
- Share: a Share button on the page of a synth, a rack, a table or a patch, for everyone, its author included; its window shows the link's preview, copies it, sends it to Facebook, X, Bluesky, Threads, WhatsApp, Reddit, Pinterest, LinkedIn or Telegram, through the phone's share sheet (Instagram, TikTok…) and, for a signed-in member, by e-mail.
- Link previews: a synth patch shows its cables on its synth, and a shared patch, rack or table names its author and its dates.
- Tables and racks: saving them without touching their description no longer replaces its French version with the English one.
- Hexinverter Mutant modules: the Snare, Clap, Hi-Hats, Brain, Bassdrum and Rimshot also in their original silver panel, with its knobs, sockets and orange stripes.
- Modules: the list opens on the newest modules; sorting by maker is still there to pick.
- Rack editor on a tablet or phone: hold a module for a moment with your finger to pick it up and move it; a quick swipe still scrolls.
- Rack editor: changing the panel colour of two modules quickly no longer duplicates every module in the rack, both changes are kept, and the rack stays where it was scrolled.
- Arturia MicroFreak and MiniFreak: their knobs turn again in the patch editor.
- Rack and table editors: the rack stops above the "Unsaved changes" label, which no longer hides the module in the bottom-right corner.
- Cables: near the right or bottom edge of the window, the bubble shown over a cable opens on the other side of the pointer instead of being cut.
- AI patch generator: also offered on the Moog Matriarch, its internal connections taken into account.
- Buchla Easel Command and 208C: their banana jacks are named by what they carry (envelope, pulser or sequencer out, LEVEL 1 CV in…), after their colour and the panel's arrows; the AI patch generator no longer mistakes Gate 2 for Gate 1.
- AI patch generator: a request can be 600 characters long instead of 300, and a count under the field says how much room is left; a longer text pasted in is no longer cut without a word.
- AI patch generator: notched selectors (the Model D's and Poly D's RANGE and WAVEFORM, the MS-20's waveforms, the SY-1's modes, the Matriarch's octaves and waveforms) are set by the name of their position, no longer at random.
- Rack editor: on a touchscreen, tapping a module shows its remove cross and finish swatch, sized for a finger; tapping elsewhere hides them.
- Module page: knobs turn and faders slide with a finger.
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Usability
1.0.6- Tables: your synths and racks set down together, cabled to one another.
- Synths go on a table; a rack holds modules only.
- Create a table empty, with a synth, or from someone else's; set an existing patch down on it.
- MIDI: MIDI sockets take a cable, on a channel from 1 to 16.
- Zoom on the pages of tables, racks, modules and patches.
- Rack, table and patch pages full width, as their editors.
- Undo and Redo in every editor.
- Faster cables and a “Cabling” window to read a patch.
- Clearer editors: “?” help, “⋯” menu everywhere, deleting from your cards.
- Racks open faster.
- “Create” on the patches, racks and tables pages, always in view as you scroll.
- Synth editors open faster.
- New modules: Tiptop's TR-808 and TR-909, Befaco Atte, Out and Pony VCO, Erica Synths' Drum series.
- Official “Spectravox + 0-CTRL” table.
- 404 page and emails in the site's colours.
- Pulsar-23: rear panel with MIDI IN and jacks; on a table, only its mini-jacks and rear jacks cable to other machines.
- The “Cabling” button stays greyed out while the patch has no cable.
- “Create a patch” offers a table patch too.
- A synth's page, the makers and the feedback page keep their button at the top while scrolling.
- On a Mac, sliding two fingers on the trackpad no longer turns the page by mistake.
- Your member page opens faster when you view it.
- On rack and table cards, the “⋯” sits in the drawing, as on patch cards.
- In the rack editor, the HP width resizes the rack live, with no back and forth.
- Table cabling: each synth a block of its circuits (0-COAST, Spectravox, 0-CTRL).
- Home page: a Tables section, with the official “Mother-32 + 0-CTRL + Pulsar-23” table and its small Make Noise rack.
- The Pulsar-23 shows in its colour on tables; its rear panel takes the synth's colour.
- Cabling: every synth's diagram shows its circuits and their internal connections, read from the maker's manual (14 more synths, from the Mother-32 to the Matriarch).
- Cabling: each jack shows its direction (▸) and, by its colour, what it carries (audio, CV, pitch, gate, clock, MIDI); the diagram opens at the window's width.
- New synth: the Korg MS-20, with its keyboard and its four finishes (black, khaki, blue, white).
- Four first patches for the MS-20: BassyStab, Sci-Fi Fx / Siren, Haunted lead, Tropical bird.
- Rack import from a photo: your first analysis is free.
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New modules, new patches
1.0.5- The official patches from the manuals: Make Noise, Moog, SOMA Lyra-8, Buchla Easel Command, Bastl Softpop SP2.
- Three official setups: Strega + 0-CTRL, 0-COAST + 0-CTRL, Mother-32 + DFAM.
- New modules: Mutable Peaks, ALM, 4ms Tapographic Delay, Nonlinearcircuits, Erica Synths' Pico series, Tiptop's TR-808.
- Lights and banks that switch on with a click; silver or black panels of one module.
- The Matriarch's rear panel takes cables.
- More lifelike cables, that hang and stay where dropped.
- Full-width racks, HP ruler in view, folding rows.
- Copy someone else's patch or rack to patch it.
- More reliable rack from a photo.
- Patch listing grouped by synth and rack, deleting from the card.
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A rack from a picture
1.0.4- Create a rack from a picture: drop the picture of your rack in “New rack”, Pulsers reads the modules, finds them in its library and places them, with a reliability mark for each. You keep the ones you want and the rack is created; missing modules are passed to the team. Each analysis costs one credit; credits are bought in packs and followed in My account.
- Usernames accept any visible character: accents, symbols, emoji, ASCII art. A photo upload that fails says why and what to do. Credits offered by the team are announced by mail. On phones and tablets, the header keeps only the account icon and puts the credits in its menu; an analysis result reads without overlaps.
- An analysis not turned into a rack yet can be found again in “New rack” and from the credits history in My account, even after leaving its page.
- A help page “Your rack, from a photo”: the demo video, the two ways to give the picture, examples of good and bad photos, what follows the analysis, credits and frequent questions. It is linked from “New rack”, the Racks page and “How it works”. While a photo is sent, its preparation and the end are announced; during the analysis, the photo sent is shown beside the steps. Creating from a picture carries a “Beta” badge. The help page opens on the full-width video; “What happens next” shows each step as it looks on screen, and the credit rules fit in one line above the packs.
- My account is laid out in cards (profile, language, credits) and keeps your language: chosen there or with the header's switch, it follows you on all your devices, at sign-in and in Pulsers' e-mails. On the Racks page, “from a photo of your rack” leads straight to the help. Credit packs show their price per analysis, the saving and what they suit.
- Sign in with a password, as well as with the code by email: the sign-in window offers the choice, the password is set in My account (12 characters at least) or through a link sent by email, valid 30 minutes. One account, whatever the way.
- Three ways to sign in, one account: a Google or GitHub account, a link by email, or an email and a password. The sign-in window first asks for the way, then shows its form alone. Your way is chosen in My account; signing in another way replaces it, and a message says so. A Google or GitHub account at the same address (primary and verified at GitHub) finds your Pulsers account; the link by email always remains a safety net. The header shows your username when you have chosen one.
- New maker: Mutable Instruments, twelve modules (Beads, Blades, Branches, Plaits, Rings, Ripples original and 2020, Shades original and 2020, Shelves, Shelves original and its expander), drawn from the maker's own panel drawings where they exist.
- Beads in a patch: a click engages FREEZE (lit yellow-green), switches SEED from latched (lit) to gated, changes the quality (Bright digital white, Cold digital teal, Sunny tape orange, Scorched cassette pink, the manual's colours) and lights the CV destination lamps (Feedback, Dry/Wet, Reverb). The patch keeps these states; a tooltip names them. Its hidden settings too, set as on the module: a click holds [M], then turning J, K or L sets the CV amount towards Feedback, Dry/Wet or Reverb (the LED shines as much) and a click on SEED makes the R output a grain trigger; a click holds [A], then turning J sets the manual input gain.
- Plaits in a patch: a click on an LED gives it its colour (green, red or yellow after the model's bank). A click on a button enters its sub-menu, as on the module: the LEDs show in yellow the saved FREQUENCY knob range or LPG, and a click on them sets it. Rings: a click sets the polyphony and the resonator type, hidden modes included. Blades: SHIFT couples the cutoffs. Shades' and Ripples' switches name their positions; their signal lamps are drawn unlit, as Branches' are. Branches: a click on each section's button picks its mode (normal, toggle, latch, toggle and latch), which the module keeps without showing it; the tooltip names it.
- Listings read page by page, numbered above and below: modules, racks, patches, makers, a maker's modules. Turning a page reloads only the list, the address keeps the page and the browser's back button returns to the previous one. In the module table, “not recorded” no longer spills over the next columns.
- Make Noise: the Erbe-Verb, the voltage-controlled reverb coded by Tom Erbe of Soundhack, a module the maker no longer builds; and the CV Bus, the 104 HP 1U tile of the 4 Zone case (colour-coded multiples, voltage math, line outputs). Taller than an Intellijel tile, it is drawn at Pulsers' 1U height, which its page points out in amber.
- The account menu leads to “My racks”: the rack listing filtered on yours, public and private.
- Home page: the band of modules drawn to the millimetre shows again the widest 3U module (the Tiptop Buchla 248t), not a 104 HP 1U tile.
- Black Make Noise modules all have the same panel black, the Mimeophon's; the silver ones do not change.
- Panel colour of your choice: a module sold in black and in silver is shown in either, as the rack's author picks. Hovering a placed module shows a swatch in its colour that switches to the next finish; the rack, its page, its versions and its patches keep it. Eight Make Noise modules have two: MATHS, Erbe-Verb and modDemix (black, now silver too), DPO, Echophon, Optomix, STO and LxD (silver, now Black & Gold too).
- Creating a rack from a picture: a failed analysis says why, and its credit is given back.
- Larger racks: up to 192 HP and 18U.
- The 12 € pack holds 45 credits.
- The version number at the foot of the page leads to what it brought.
- Rack editor: dragging a module shows the row’s free HP; dropped on another module, the two swap places; a row is reordered smoothly.
- New maker: WMD, nine modules (C4RBN, Chimera, Clutch, Cosmic Debris, Crater, Crucible, Fracture (black or silver panel), Javelin, Kraken), drawn from the maker's photographs. The Clutch carries the AMMT mark, the Cosmic Debris was designed with Infrasonic Audio.
- C4RBN in a patch: a click on each button picks the filter (HP, BP, LP) or the effect (FOLD, SAT, both), and its LEDs light red; the atom's LED grows redder as FREQ rises. The patch keeps these settings.
- A rack's page: its author makes it public or private in one click, without opening the editor. “Recent” lists racks, patches and modules from the newest created to the oldest.
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A patch to print, tidier editors
1.0.3- Export the image “As a plan”: the panel black on white, every setting marked in fluorescent pink (a needle on knobs, a bar on faders, an arrow or the chosen option underlined on switches), to read the patch next to the instrument.
- Rack and patch editors: the mode, Delete and Save always stay in the same place; the cable colour and the tags fold away.
- The plan fits one A4 sheet, turned the way that prints it largest. The arrows on the Filtopia's rockers laid on their side now point the right way. Jacks show only their inside, and Doepfer knobs are no longer drawn the size of their shadow nor off their axis.
- Export the image “As a poster” for a rack patch: the plan enlarged over 1, 2, 4 or 6 A4 sheets, or at actual size, with a 10 mm overlap, crop marks, each sheet's name and an assembly page. Past two rows, one sheet per row (104 HP at most per sheet): a cable going elsewhere stops at the edge with the name of the sheet and socket it reaches, and the whole plan follows on the last page.
- Private or public racks: a public rack changes for others only once the version is saved. Adding a row no longer reloads the page.
- A rack's description is formatted in a text editor.
- My patches: the same cards as the patch listing, saved ones first, drafts below, with View, Edit and Delete. The Contact page takes the Feedback page's layout.
- New maker: Doepfer, forty-five modules (A-101-1, A-101-2, A-101-6, A-101-8, A-102, A-103, A-104, A-105-4, A-106-1, A-106-5, A-106-6, A-108, A-110-1, A-111-2, A-111-3, A-114, A-117-2, A-118-1, A-118-2, A-119-2, A-124, A-124-2, A-126-2, A-130-2, A-130-8, A-132-4, A-133, A-133-2, A-134-2, A-135-2, A-135-3, A-138f, A-140-1, A-140-3, A-143-2, A-143-3, A-143-4, A-148, A-151, A-155, A-155-2, A-156, A-160-2, A-170, A-180-2), eight of them also as a Vintage Edition, with a black panel (A-101-1, A-101-2, A-101-8, A-106-6, A-111-3, A-114, A-118-2, A-130-2). New modules: ALM Busy Circuits MEGA-TANG, XAOC Devices Timiszoara, This Is Not Rocket Science Wobbler 2.
- Digital screens: in a patch, a click on a module's screen chooses what it shows, as on the instrument (effect, preset, wave bank, scale, mode; the WT-QUAD LFO's four channels' waveform and rate). Eleven modules, among them the Rainmaker, the Black Hole DSP 2, the Z-DSP NS and the Shapeshifter. The editors' “Example” button becomes “Demo/link”.
- My account: choose a username, changeable at any time. It is what your patches, your racks, your feedback and your page show; left empty, your name stays.
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Versions for your racks and patches
1.0.2- Versions: on Save, overwrite the current version or create a new one, name it, go back to it from the editor; versions can be browsed on the rack's or the patch's page.
- Rack editor: changes stay in a draft until “Save”, Ctrl+Z undoes, removing a module asks first, and the width changes live.
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More synths in the racks
1.0.1- Ten more synths on the “table” rows: Mother-32, DFAM, Subharmonicon, Spectravox, Labyrinth, Filtopia, Easel Command, Pulsar-23, Lyra-8 and SY-1. The 60 HP Moogs also fit in a 3U row, and existing patches are kept.
- New synth: Analogue Solutions Ample and its pin matrix.
- New maker: Endorphin.es. New modules from Befaco, Erica Synths and Tiptop Audio.
- Every module described in one sentence, followed by its key features.
- Easel Command: the three-position GAIN switch, the fader scales retraced, and its output sockets recognised as such.
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Patch a whole rack
1.0.0- Desktop synths (0-CTRL, Strega, 0-COAST…) sit on “table” rows at the bottom of the rack and patch with the modules.
- Sound examples: up to 20 SoundCloud sounds or YouTube videos under each patch.
- Racks wider than the screen: arrows to see the rest. An empty row can be removed, a rack narrowed without losing a module.
- The Moog Matriarch redrawn from the maker's own drawing, existing patches included.
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Listening to you
0.9.0- Feedback page: suggest an idea, vote, read the team's answers.
- Every page has its own share picture.
- The patch listing grouped by family of instruments.
- New synths: Make Noise 0-COAST and Softpop SP2.
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A growing library
0.8.0- The module library loads as you scroll, without waiting.
- Racks drawn at scale in the listing, with the price of the makers' own configurations.
- New makers: Intellijel, Tiptop Audio (Buchla 200t series), Make Noise, Bastl, Erica Synths, Cavisynth.
- New synths: Analogue Solutions Filtopia and Buchla Easel Command.
- Only its author edits a patch or a rack.
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A community
0.7.0- Member profiles: every patch has an author.
- Automatic translation of the text you write, in French and English.
- Search, instrument filter and tags on patches and racks.
- Accessibility: named panels, cabling readable in plain words.
- Verbos, Joranalogue and ACL module library, in three views.
- Delete your own patch or rack.
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Ten instruments, a new interface
0.6.0- New interface, the “night atelier”.
- Ten playable instruments, from the SOMA Lyra-8 to the Moog Labyrinth, by way of the Polivoks, the Mother-32, the Subharmonicon, the DFAM and the Spectravox.
- Drafts kept on the server, a page per synth with its patches.
- Contact page.
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Eurorack racks
0.5.0-beta- Build a Eurorack rack module by module, and patch it.
- View and share a rack patch.
- First Verbos modules, descriptions in several languages.
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Opening up
0.4.0-beta- Sign in without a password, through a link sent by email.
- The synths page.
- Support the project with a donation.
- Patch listing redesigned.
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The whole Matriarch
0.3.0-alpha- Every section of the Moog Matriarch playable.
- Save and share your patches.
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First cables
0.2.0-alpha- A Moog Matriarch in the browser: knobs, switches, jacks.
- Draw cables between the jacks.
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Birth
0.1.0-alpha- Pulsers is created, with its first home page.